For His Love. . . Astride a stolen horse, encircled by the shackled arms of Broderick Maxwell, a Scottish spy escaping certain death in the Tower of London, Lizbeth Ives rides to the north, hidden by the darkness. By stealth and cunning, the daughter of the Lord High Executioner has undone her father's cruel work, compelled to save the innocent man with her. There is no turning back--for they are bound as one in his iron chains. Consumed by mortal fear, driven by passion, they disappear into the night. . . A single raven follows them. Is it an omen? Or only the first of those who would capture them? They must ride on. If captured, they will face death together. But if they reach the Highlands, he will claim her for his own. . .forever.

Since the Asian financial crisis of the late 1990s, Indonesia has undergone a radical program of administrative decentralization and neoliberal reforms. In Methods of Desire, author Aurora Donzelli explores these changes through an innovative perspective—one that locates the production of neoliberalism in novel patterns of language use and new styles of affect display. Building on almost two decades of fieldwork, Donzelli describes how the growing influence of transnational lending agencies is transforming the ways in which people desire and voice their expectations, intentions, and entitlements within the emergent participatory democracy and restructuring of Indonesia’s political economy. She argues that a largely overlooked aspect of the Era Reformasi concerns the transition from a moral regime centered on the expectation that desires should remain hidden to a new emphasis on the public expression of individuals’ aspirations. The book examines how the large-scale institutional transformations that followed the collapse of the Suharto regime have impacted people’s lives and imaginations in the relatively remote and primarily rural Toraja highlands of Sulawesi. A novel concept of the individual as a bundle of audible and measurable desires has emerged, one that contrasts with the deep-rooted reticence toward the expression of personal preferences. The spreading of foreign discursive genres such as customer satisfaction surveys, training sessions, electoral mission statements, and fundraising auctions, and the diffusion of new textual artifacts such as checklists, flowcharts, and workflow diagrams are producing forms of citizenship, political participation, and moral agency that contrast with the longstanding epistemologies of secrecy typical of local styles of knowledge and power. Donzelli’s long-term ethnographic study examines how these foreign protocols are being received, absorbed, and readapted in a peripheral community of the Indonesian archipelago. Combining a telescopic perspective on our contemporary moment with a microscopic analysis of conversational practices, the author argues that the managerial forms of political rationality and the entrepreneurial morality underwriting neoliberal apparatuses proliferate through the working of small cogs, that is, acts of speech. By examining these concrete communicative exchanges, she sheds light on both the coherence and inconsistency underlying the worldwide diffusion of market logic to all domains of life.

Once, they shared one soul. Can hope heal years of despair and broken dreams?Music is all I know. It saved me as a kid. It brings me fame and fortune now. But what am I, the famous Gage Rodin, doing at night when I'm on the road and can't sleep Googling her. Tess Hades, the girl who still haunts my dreams and my lyrics. She arrived like a quiet storm, a wild thing with eyes guarded to the world. But she let me into the deep end of her beautifully broken soul. When we were together, life was simple. When my life got complicated, she did what she thought was the right thing. She let me go.While she's been out saving the wild creatures of the world, my muse has fed on the memory of our life together. But now everything in my world is shifting again, and not in a good way. I'm not certain I have the strength to bear another devastating loss, so I find myself reaching for something as rare and elusive as the perfect song lyric.The one woman who never gave up hope...

"Busbee is one of the grand dames of historical romance." --RT Book Reviews A Perilous Temptation Gillian Dashwood's wastrel husband wagered away her fortune. His scandalous murder ruined her reputation. Still, she'll do whatever it takes to protect her beloved elderly uncle from Lucian Joslyn, the cool-headed gambler whose arrival is as mysterious as his newfound fortune. Once Luc makes it clear he is certain Gillian is herself anything but innocent, she's determined to reveal the truth about him. But the simmering desire that draws them ever closer threatens those with vengeful secrets to keep. Now, trusting each other is a hazard Gillian and Luc never imagined--and a chance at enduring love is the one peril they can't resist. . . "Powerful storytelling. . .sexual tension. . .memorable characters, revenge, murder and secrets. A stand-alone, fast-paced winner. Classic Busbee!" --RT Book Reviews, 4 Stars "An engaging late eighteenth century tale due to a strong support cast. . .The storyline is action-packed as the two subplots come together nicely." --Midwest Book Reviews "One of the best romantic writers of our time." --Affaire de Coeur "Busbee is a pleasure to read." --Booklist

Penelope's mother died when she was a very young child and she was subsequently adopted by her mum's best friend, Aunt Jo. On the surface her life seems as normal as anyone's and yet underneath she is deeply confused. Why does she suffer such painful headaches, why does she remember things that can't possibly have happened to her, and why can she speak phrases of Latin when she has never been taught the subject?!. Sometimes she really believes she is going mad. And then when even her best friend, Piloo, starts talking about reincarnation it's almost more than she can bear. Penelope only wants to be herself, but in order to achieve that she has to look to her past and discover just who she really is. . . . .

Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.

The Greatest French Classics Of All Time serves as a literary voyage through the rich landscape of French literature, encapsulating the vibrancy and diversity of its canon. From the piercing introspection of Proust to the adventurous realms of Verne, this anthology curates an essential compendium of works that have shaped not only national but global thought and imagination. Each piece is a testament to the multifaceted nature of human experience, woven through a spectrum of genres that include tragedy, comedy, realism, and romance. The anthology stands out for its inclusion of seminal works that have sparked literary movements, challenged societal norms, and transcended the confines of their temporal settings to offer timeless reflections on life and society. The contributing authors, a constellation of literary luminaries such as Voltaire, Hugo, Sand, and Baudelaire, bring a wealth of perspectives to the collection. Their backgrounds, ranging from the philosophical musings of Rousseau to the stark realism of Zola, highlight a period of intense literary innovation and exploration in France that corresponded with tumultuous social and political change. Together, these authors have not only contributed to the shaping of modern French identity but have also left an indelible mark on world literature, allowing readers to trace the evolution of literary forms and themes across centuries. The Greatest French Classics Of All Time is an indispensable treasure trove for anyone keen to embark on a comprehensive exploration of French literary heritage. It offers an unparalleled opportunity to engage with the works of master storytellers whose narratives have perennially captivated the hearts and minds of readers around the globe. This anthology is not just a showcase of Frances literary genius; it is a gateway to a broader appreciation of the universal themes of human condition, love, conflict, and aspiration. Through its pages, readers are invited to participate in a continuous dialogue with the past, enriching their understanding of the evolving nature of literature and the enduring power of storytelling.

Dancing with the Divine is a great instrument for moving with joy & peace through the daily rhythms of following Christ. Written by one who loves the Word and the daily dance with our Creator, Leslie opens the windows of her soul in a fresh way that delivers hope and new insights. I highly recommend Dancing with the Divine to all who desire to grow in God's love and grace! Pastor Kyle Poole Midland Valley Community Church of the Nazarene