Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.

A beautifully illustrated book depicting the work of Henry Moore and his life in rural Hertfordshire.

This title looks exclusively at Henry Moore's work in plaster. Until recently the plasters have been regarded as preparatory stages in the process of making a sculpture rather than as works of art in their own right.

A richly illustrated biographyon the life and work ofBarbara Hepworth, one of thetwentieth century's mostinspiring artists and a pioneerof modernist sculpture.

This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.

"For both admirers and students of Henry Moore's work, this book will be a blessing. Moore's humanity and intelligence make this compendium a plea-sure to dip into as well as scholarly and comprehensive."--Roger Berthoud, author of The Life of Henry Moore "Alan Wilkinson has trawled the rich material with exemplary thoroughness.... The nature and purpose of Moore's writing is illuminated. The introduction reflects Wilkinson's long friendship with Moore, and the commentary and notes testify to a remarkable knowledge of the artist's work, his circle and his ideas."--Sir Alan Bowness, editor of the Henry Moore Complete Sculpture Series

This is a photographic portrait of painter Francis Bacon's south London studio in the days following his death. A visual statement of Bacon's frenetic life and work. 60 photos.

"A unique perspective on one of the most infamous cities in recent American history." - Publisher's Weekly "A book that sticks with you long after you've read it." Volume 1 Brooklyn "Hoke's writing is blunt and honest, and Sticker is a collection worth keeping." Southern Review of Books "I will never forget this book." - T Kira Madden, author of Long Live the Tribe of Fatherless Girls "Funny, nostalgic, and weird in the best possible way." - Jocelyn Nicole Johnson, author of My Monticello Featured in Electric Lit's “The Most Anticipated LGBTQ+ Books of 2022” Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Stickers adorn our first memories, dot our notebooks and our walls, are stuck annoyingly on fruit, and accompany us into adulthood to announce our beliefs from car bumpers. They hold surprising power in their ability to define and provoke, and hold a strange steadfast presence in our age of fading physical media. Henry Hoke employs a constellation of stickers to explore queer boyhood, parental disability, and ancestral violence. A memoir in 20 stickers, Sticker is set against the backdrop of the encroaching neo-fascist presence in Hoke's hometown of Charlottesville, Virginia, which results in the fatal terrorist attack of August 12th and its national aftermath. Object Lessons is published in partnership with an essay series in The Atlantic.