When she decides to live in the house she inherited, which is in a quaint Dutch village, Henrietta falls in love with her new surroundings, with the exception of Marnix van Hessel, the self-proclaimed "lord of the manor."

The legendary Victorian traveler's previously unpublished letters to her homebound sister.

Jason, Lord Kilmore, a fortune-hunter, elopes with a beautiful but birdwitted heiress. Penny Bryant, escaping her wicked uncle, elopes with a kind but humorless doctor. Meeting on the road to Gretna Green, both find their plans in conflict with their hearts. (sequel to A LORD FOR MISS LARKIN) Regency Romance by Carola Dunn; originally published by Harlequin

Thoroughly interdisciplinary in scope, this collection reconsiders Queen Henrietta Maria and her multi-faceted roles and responsibilities, ranging from her patronage of performing and visual arts to her sentiments at the outbreak of the English Civil War. What becomes strikingly evident is that Henrietta Maria had a distinct and profound influence on material and political culture that deserves the attention of art history, literature, theatre, and musicology scholars.

Recently, literary critics and some historians have argued that to use the language of separate spheres is to "mistake fiction for reality." However, the tendency in this criticism is to ignore the work of feminist political theorists who argue that a range of ideologies of the public and private consistently work to mask gender inequalities. In Keeping Up Her Geography, Tanya Ann Kenedy argues that these inequalities are shaped by multiple, but interconnected, spatial constructions of the public and private in US culture. Moreover, the early twentieth century when key spatial concepts – the nation, the urban, the regional, and the domestic – were being redefined is a pivotal era for understanding how the public-private binary remains tenaciously central to the defining of gender. Keeping Up Her Geography shows that this is the case in a range of literary and cultural contexts: in feminist speeches at the World’s Columbian Exposition, in middle-class women’s urban reform texts, in southern writer Ellen Glasgow’s novels, and in the autobiographical narratives of Zora Neale Hurston and Agnes Smedley.

By Benjamin, Earl of Beaconsfield Disraeli: Set against the backdrop of London's aristocracy, this autobiographical fiction delves into the world of love, social class, and the life of dandies. Disraeli masterfully portrays the complexities of upper-class families and the challenges of love in a society bound by tradition.