Luminous scrutiny: close-up depictions of the everyday from Henni Alftan Paris-based Finnish painter Henni Alftan (born 1979) uses the tight framing of close-range photography to explore the similarities between painting and image-making. This comprehensive catalog gathers a selection of works from over the last eight years.

An opulent, joyful homage to the many ways of painting flowers, from Charles Burchfield to Amy Sillman "Flowers are always working in the service of the passage of time," writes Helen Molesworth in the opening pages of Nothing but Flowers. "In all of the paintings in this book where flowers are depicted, innocently standing in their vases, the minor gestures of gathering, arranging and display can be seen as a verb list dedicated to world-building." This clothbound volume gathers paintings of flowers by more than 50 artists from Charles Burchfield to Amy Sillman, Joe Brainard to Lisa Yuskavage, who have explored the perennial appeal of this richest and yet simplest of subjects. Nothing but Flowersdemonstrates the capacity of the humble botanical motif to capture sorrow, stimulate rehabilitation, and guide us through periods of mourning, celebration and rebirth. Writers Hilton Als, Helen Molesworth, Sarah Nicole Prickett and David Rimanelli contribute meditations on the many resonances of flowers in art. Artists include: Gertrude Abercrombie, Marina Adams, Henni Alftan, Ed Baynard, Nell Blaine, Dike Blair, Vern Blosum, Joe Brainard, Cecily Brown, Charles Burchfield, Matt Connors, Andrew Cranston, Ann Craven, Stephanie Crawford, Somaya Critchlow, Verne Dawson, Lois Dodd, Peter Doig, Nicole Eisenman, Ida Ekblad, Minnie Evans, Marley Freeman, Jane Freilicher, Mark Grotjahn, James Harrison, Lubaina Himid, Samuel Hindolo, Reggie Burrows Hodges, Max Jansons, Ernst Yohji Jaeger, Sanya Kantarovsky, Alex Katz, Karen Kilimnik, Zenzaburo Kojima, Matvey Levenstein, Shannon Cartier Lucy, Calvin Marcus, Helen Marden, Jeanette Mundt, Soumya Netrabile, Woody De Othello, Sanou Oumar, Jennifer Packer, Nicolas Party, Hilary Pecis, Richard Pettibone, Elizabeth Peyton, Amy Sillman, Elaine Sturtevant, Tabboo!, Honor Titus, Uman, Susan Jane Walp, Stanley Whitney, Jonas Wood, Matthew Wong, Albert York, Manoucher Yektai and Lisa Yuskavage.

Jane Freilicher (1924?2014) established herself in the 1950s among a generation of New York painters including Helen Frankenthaler, Alex Katz, Joan Mitchell and Larry Rivers. '?50s New York' is the first book to focus on Freilicher?s paintings of that decade -- a body of work that Fairfield Porter perceptively termed "traditional and radical." It includes early still lifes, portraits and the studio views that elucidate her characteristically deft balance of interior and exterior. Painted within various studios in lower Manhattan, the works are evocative of a downtown milieu that has since come to represent the period?s golden age of spirited, improvisational artistic freedom.0The book includes an essay by writer Nathan Kernan; a 1958 conversation between Jane Freilicher and John Ashbery; rare archival material from across the artist?s life; and a full chronology.00Exhibition: Paul Kasmin Gallery, New York, USA (19.03.-09.06.2018)

This catalogue is published to mark the anniversary of the Emerige Revelation Grant and to introduce the 58 artists who took part in the Grant with interviews by Julie Ackermann, Guillaume Benoit, Paloma Blanchet-Hidalgo, Gaël Charbau, Aurélie Faure, Sarah Ihler-Meyer, Sophie Lapalu, Marine Relinger, Julien Verhaeghe, Anne-Lou Vicente and Marion Zilio.

Published for the artist's first solo exhibition at an American museum, this catalog highlights a selection of the more than 200 works by Paris- and California-based Lebanese artist and publisher Simone Fattal (born 1942). Over the past 40 years, Fattal has made work encompassing abstract and figurative ceramics, bronzes, paintings, watercolors and collages. These works draw from a range of sources including war narratives, landscape painting, ancient history, mythology and Sufi poetry to explore the impact of displacement as well as the politics of archeology and excavation. The first catalog on her work to be published in the United States, Works and Daysfeatures a selection of color plates tracing the arc of Fattal's career from 1969 to the present, as well as an essay by Ruba Katrib, the exhibition curator.

In 1974, Linda Rosenkrantz asked her friend Peter Hujar to write down everything he did on the day of December 18. The following day, Hujar met Rosenkrantz at her apartment on 94th street. She asked him in detail about the happenings of December 18 and tape-recorded their conversation. This book is a full transcript of that exchange, published for the first time since it was recorded 47 years ago.

The most comprehensive monograph on Turner Prize-nominated artist Peter Doig. In every generation of artists, there are a few-or perhaps just one-who propose a new set of questions and alter the way we understand art. Peter Doig is such an artist. While stories of painting's demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as much as back for inspiration-forged a new painterly language: an ironic mix of Romanticism and post-impressionism to create haunting and sometimes dreamlike landscape vistas. In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist's rich and varied work. Doig's landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production. This handsome slipcased volume is designed in close collaboration with the artist, with Doig specially creating the cover and various elements of the interior. Every facet of the painter's singular vision is explored, from his earliest paintings of the early 1990s to the most recent series of works. Published in association with Michael Werner Gallery

"Big Brother meets Clue in this utterly original and incredibly tense locked-room mystery." —May Cobb, author of A Likeable Woman A mysterious high-stakes game proves life-threatening in this twisty thriller from the New York Times bestselling author of The Overnight Guest The Best Friend. The Confidant. The Senator. The Boyfriend. The Executive. Five contestants have been chosen to compete for ten million dollars on the game show One Lucky Winner. The catch? None of them knows what (or who) to expect, and it will be live streamed all over the world. Completely secluded in an estate in Northern California, with strict instructions not to leave the property and zero contact with the outside world, the competitors start to feel a little too isolated. When long-kept secrets begin to rise to the surface, the contestants realize this is no longer just a reality show—someone is out for blood. And the game can’t end until the world knows who the contestants really are… And don't miss these other enthralling thrillers by Heather Gudenkauf: The Weight of Silence These Things Hidden Little Mercies Missing Pieces Not a Sound Before She Was Found This is How I Lied The Overnight Guest

What do you do when you're not asleep and when you're not eating? You're most likely waiting--to finish work, to get home, or maybe even to be seen by your doctor. Hold On is less about how to manage all that "staying where one is until a particular time or event" (OED) than it is about describing how we experience waiting. Waiting can embrace things like hesitation and curiosity, dithering and procrastination, hunting and being hunted, fearing and being feared, dread and illness, courting and parenting, anticipation and excitement, curiosity, listening to and even performing music, being religious, being happy or unhappy, being bored and being boring. They're all explored here. Waiting is also characterized by brain chemicals such as serotonin and dopamine. They can radically alter the way we register the passing of time. Waiting is also the experience that may characterize most interpersonal relations--mismanage it at your own risk. Hold On contains advice on how to cope with waiting-how to live better-but its main aim is to show how important the experience of waiting is, in popular and highbrow culture, and, sometimes, in history. Detouring into psychology, neurology, ethology, philosophy, film, literature, and especially art, Peter Toohey's illuminates in unexpected ways one of the most common of human experiences. After reading his book, you'll never wait the same way again.

Edited by Team 404.