Published in conjunction with an exhibit of works by engraver Hendrick Goltzius (1558-1617) and sculptor Willem Danielsz van Tetrode, probably born in Delft around 1525, that showed at various museums in the US between October 2001 and May 2002. There is no index. Distributed in the US by Yale University Press. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).

This exhibition is a once-in-a-lifetime opportunity to see around 100 exceptional drawings created using the exquisite metalpoint technique. It features works by some of the greatest artists working from the late 14th century to the present including Rogier van der Weyden, Petrus Christus, Leonardo da Vinci, Raphael, Albrecht Dürer, Hans Holbein the Elder, Lucas van Leyden, Rembrandt, Edward Burne-Jones, William Holman Hunt, Otto Dix, Jasper Johns and Bruce Nauman. Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.--British Museum website.

"...works of Netherlandish and Italian printmaking from the Renaissance and Baroque eras. ... The prints ... feature imagery that revolves around the mythology of Classical Antiquity..."--page 5.

This volume examines how and why many early modern pictures operate in an ekphrastic mode.

The Dutch history painter Joachim Wtewael is widely admired for his astonishing small paintings on copper. The Getty Museum's Mars and Venus Surprised by Vulcan is one of his finest works in this unusually demanding medium. Though only eight inches high, this Mannerist painting contains eleven figures in three different spaces, captured in a dramatically charged moment from the famous story told by Ovid in his Metamorphoses. The author's detailed analysis of Wtewael's painting also serves as a fine introduction to Dutch art of the Golden Age. Illustrated with seventy reproductions of paintings, drawings, etchings, and decorative objects, Anne W. Lowenthal's study ranges over the broad historical and cultural context in which Mars and Venus was created.

This book presents a thorough and enjoyable examination of the Annunciation to Mary in salvation history. Eugene LaVerdiere, SSS, noted scripture scholar, enters into Luke's story of the Annunciation to Mary as an ardent connoisseur of art might enter into a painting to view it from the inside. Noting the tradition that Luke was an artist, LaVerdiere explores Luke's account of the Annunciation in ways that reveal the Evangelist's artistry as a storyteller, his theology, and his faith. Each of the six chapters at the heart of the book examines a particular phase of the Annunciation story from linguistic and theological points of view. LaVerdiere's scholarship and deep faith lead the reader to a deeper and fuller appreciation of the Evangelist's artistry as well as to a consideration of the depth of the mystery revealed in the scriptural account. Readers will find LaVerdiere's analysis not only thorough and professional, but also enlightening and evocative. Book jacket.