An illustrated version of the comical song in which a young summer camper describes all the horrors of Camp Granada and begs his parents to let him come home after only one day.

In 1963, songwriters Sherman and Busch borrowed the music of Ponchielli's "Dance of the Hours" to create the funniest camp song ever heard. Davis's exuberant and quirky watercolors are the perfect accompaniment to the song's tongue-in-cheek humor. Full color.

The authors of the cultural phenomenon Bar Mitzvah Disco pick up the story of their generation's coming of age where that tome left off, painstakingly retelling tall tales of golden summers from the 1970s to the early 1990s. Full-color photos throughout.

A nightclub singer who changes her act to reflect her changing personal life meets with opposition with her manager.

Examines the comedian's life, discussing his rapid fame and decline into obscurity.

An illustrated version of the comical song in which a young summer camper describes all the horrors of Camp Granada and begs his parents to let him come home after only one day.

In A Fine Romance, David Lehman looks at the formation of the American songbook—the timeless numbers that became jazz standards, iconic love songs, and sound tracks to famous movies—and explores the extraordinary fact that this songbook was written almost exclusively by Jews. An acclaimed poet, editor, and cultural critic, David Lehman hears America singing—with a Yiddish accent. He guides us through America in the golden age of song, when “Embraceable You,” “White Christmas,” “Easter Parade,” “Bewitched, Bothered and Bewildered,” “Can’t Help Lovin’ Dat Man,” “My Romance,” “Cheek to Cheek,” “Stormy Weather,” and countless others became nothing less than the American sound track. The stories behind these songs, the shows from which many of them came, and the shows from which many of them came, and the composers and lyricists who wrote them give voice to a specifically American saga of love, longing, assimilation, and transformation. Lehman’s analytical skills, wit, and exuberance infuse this book with an energy and a tone like no other: at once sharply observant, personally searching, and attuned to the songs that all of us love. He helps us understand how natural it should be that Wizard of Oz composer Harold Arlen was the son of a cantor who incorporated “Over the Rainbow” into his Sabbath liturgy, and why Cole Porter—the rare non-Jew in this pantheon of musicians who wrote these classic songs shaped America even as America was shaping them. (Part of the Jewish Encounter series)

"Forget the jokes about late ‘70s South Beach being the Yiddish-speaking section of “God’s Waiting Room”; yes, upwards of 20,000 elderly Jews made up nearly half of its population in those days — all crammed into an area of barely two square miles like a modern-day shtetl, the small, tightly knit Eastern European villages that defined so much of pre-World War II Jewry. But these New York transplants and Holocaust survivors all still had plenty of living, laughing and loving to do, as strikingly portrayed in Shtetl in the Sun, which features previously unseen photographs documenting South Beach’s once-thriving and now-vanished Jewish world — a project that American photographer Andy Sweet (1953–82) began in 1977 after receiving his MFA from the University of Colorado at Boulder, and a driving passion until his tragic death"--Publisher's description.

Israeli Independence Day is coming up and the mayor is planning a celebration. He asks Shmulik to make a mural in the park, and Shmulik agrees. But he can't decide what to paint! Maybe his dog, Ezra, can help!