A lifetime ago, Tom sold his soul to a devil of old Appalachia. Now, he and Hellboy are fighting to win it backthrough the witch who first lured it away and a host of supernatural horrors as old as the land itself. This three-issue series reunites Mignola and legendary horror artist Richard Corben (_Hellboy in Mexico, Hellboy: Makoma, Hellboy: Being Human_) in a tale of witchcraft rooted in Appalachian folklore.

Trapped in a crumbling church, Hellboy must save a man's soul from ancient witches, a rain of exploding corpses, and finally the evil magic of the Crooked Man himself. This three-issue series reunites Mignola and legendary horror artist Richard Corben (_Hellboy in Mexico, Hellboy: Makoma, Hellboy: Being Human_) in a tale of witchcraft rooted in Appalachian folklore.

In 1956, somewhere in the mountains of West Virginia, Hellboy encounters Tom, a man who in his youth sold his soul to a backwoods demon known as the Crooked Man. Together they travel back into the dark heart of the Appalachian mountains to confront that demon and see if Tom's soul can't be saved. This three-issue series reunites Mignola and legendary horror artist Richard Corben (_Hellboy in Mexico, Hellboy: Makoma, Hellboy: Being Human_) in a tale of witchcraft rooted in Appalachian folklore. Mignola and Corben team up for the first time since _Makoma_! **Award-winning artist Richard Corben returns to _Hellboy_!**

The Eisner Award-winning miniseries The Crooked Man, by Mignola and Richard Corben, teams Hellboy with a wandering hillman in a devilish tale of Appalachian witchcraft. This volume also includes the rare "They Who Go Down to the Sea in Ships" by Mignola, Josh Dysart (B.P.R.D.: 1947), and Jason Shawn Alexander (Abe Sapien: The Drowning), never before available for purchase; Mignola and Duncan Fegredo's "The Mole," from Free Comic Book Day 2008; and Mignola's most recent solo outing, "In the Chapel of Moloch." * Also includes a look into the artists' sketchbooks! * 2009 Eisner Award winner for Best Limited Series! "Richard Corben shows these youngsters how it's done... and it's so good, in its grotesquely beautiful way." -Comic Book Resources

After sacrificing himself to save the world, this epic conclusion of Hellboy's story follows him on a journey through Hell, where he once again faces off against the Vampire of Prague, pleads his case when accused of murder, and fulfills his destiny by destroying Pandemonium itself. This deluxe, oversized hardcover edition collects Hellboy in Hell: The Descent and The Death Card, plus an expanded sketchbook section. Mignola's complete Hellboy in Hell saga! ""The prophecies are coming to pass, the threads all coming together. It's a thing of true beauty, really. When it comes down to it, Mike Mignola creating, writing, and drawing the character feels like one of the most important things to ever happen to the medium . . . Epic, perfectly paced, and profoundly dark. Hellboy is comics. It's what the medium is all about."--Nerdist "Hellboy in Hell may be Mike Mignola's masterpiece . . . Mignola's sparse illustration is given deep, complex mood thanks to Stewart's transfixing color palettes. Grab the first volume, sit down with both of these monsters, and sink into the storytelling."--The Creator's Project

Experience Hellboy’s classic Appalachian horror adventure that inspired the new movie! Hellboy helps a young man who sold his soul to the terrifying Crooked Man in Mignola and Richard Corben’s original series and the inspiration for the new film. In the sequel by Mignola and Zach Howard, Hellboy confronts the folk legend again when someone—or something—has moved into the Crooked Man’s backwoods mansion with wicked intentions. Collects Hellboy: The Crooked Man #1–#3, Hellboy and the B.P.R.D.: The Return of Effie Kolb #1–#2.

To commemorate the 25th anniversary of the first issue of Hellboy, this deluxe art collection includes more than 150 full-page cover pieces from Mike Mignola, Richard Corben, Duncan Fegredo, and more! This oversized 8x12" hardcover is sure to appeal to Mignola fans and comics enthusiasts alike, featuring an introduction by colorist Dave Stewart and a foreword by Mignola himself.

"This book collects B.P.R.D.: the devil you know #11-#15"--Copyright page.

Comics and the U.S. South offers a wide-ranging and long overdue assessment of how life and culture in the United States South is represented in serial comics, graphic novels, newspaper comic strips, and webcomics. Diverting the lens of comics studies from the skyscrapers of Superman's Metropolis or Chris Ware's Chicago to the swamps, backroads, small towns, and cities of the U.S. South, this collection critically examines the pulp genres associated with mainstream comic books alongside independent and alternative comics. Some essays seek to discover what Captain America can reveal about southern regionalism and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans after the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality; and another considers how southern writer Randall Kenan adapted elements of comics form to prose fiction. With essays from an interdisciplinary group of scholars, Comics and the U.S. South contributes to and also productively reorients the most significant and compelling conversations in both comics scholarship and in southern studies.