This is a story of love, friendship, and class conflict, set in early 20th century America. A group of children from two families play in the yard and grow together as the financial gap between their parents grows. As one family gets richer and moves to the mansion, the ties between the children fade. Finally, they reunite in adulthood, and the classic opposition between the rich and the poor arises. As a boy from the rich house falls in love with the girl from the workman's house and his sister falls in love with the boy from the workmen's house, the conflict between the two families is set afire. Next, there is a strike, a murder, an explosion, and many more.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

White House journalist for more than five decades chronicles her work covering all of the presidents since John F. Kennedy. Shares personal reminiscences of the U.S. leaders as well as of the first ladies. Bestseller.

Deals with labor problems, favoring employee participation in responsibilities, profits and ownership.

From the author of the popular Goodnight, Little Monster and a character designer for Pixar films comes a delightful rhyming romp through an old haunted house. Vibrantly painted illustrations lead three children through the house, where new creatures await in each room. Readers can count along as they see Pa goblin and his wee goblins four and witches and ghosts, and so many more. Just the right blend of spooky fun, this book is a can't-miss treat for Halloween.

Deals with labor problems, favoring employee participation in responsibilities, profits and ownership.

No well informed resident of Millsburgh, when referring to the principal industry of his little manufacturing city, ever says "the mills" -- it is always "the Mill." The reason for this common habit of mind is that one mill so overshadows all others, and so dominates the industrial and civic life of this community, that in the people's thought it stands for all. The philosopher who keeps the cigar stand on the corner of Congress Street and Ward Avenue explained it very clearly when he answered an inquiring stranger, "You just can't think Millsburgh without thinkin' mills; an' you can't think mills without thinkin' _the_ Mill." As he turned from the cash register to throw his customer's change on the scratched top of the glass show case, the philosopher added with a grin that was a curious blend of admiration, contempt and envy, "An' you just can't think the Mill without thinkin' Adam Ward."