In this original study, Rachel Coventry expands Heidegger's philosophy of art to include his ontological account of poetry and technology. Following Heidegger's definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age. This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Does the digital thwart the aim of eco-poetry? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger's metaphysics.

Presents a new theory of media ethics that is explicitly international.

From climate catastrophes to sudden wars, the world faces conflicts of unprecedented scale. Yet around the globe, Indigenous leaders continue to move forward with determination and hope. Leaders demand change, resisting the destruction of the environment and suggesting solutions to today’s global crisis. Age-old practices are experiencing a cultural revival and the lessons call for all of us to walk alongside Indigenous peoples. In the face of crisis and the progress of technology, this book shows how to stand with Indigenous peoples through uncertainty and chaos. How to stand with Indigenous peoples is about how to listen, how to walk together and how to act.

Combining literary criticism and theory with anthropology and cognitive science, this highly relevant book argues that we are fundamentally shaped by dialogue. Patrick Grant looks at the manner in which dialogue informs and connects the personal, political, and religious dimensions of human experience and how literacy is being eroded through many factors, including advances in digital technology. The book begins by tracing the history of evolved communication skills and looks at ways in which interconnections among tragedy, the limits of language, and the silence of abjection contribute to an adequate understanding of dialogue. Looking at examples such as “truth decay” in journalism and falling literacy levels in school, alongside literary texts from Malory and Shakespeare, Grant shows how literature and criticism embody the essential values of dialogue. The maintenance of complex reading and interpretive skills is recommended for the recuperation of dialogue and for a better understanding of its fundamental significance in the shaping of our personal and social lives. Tapping into debates about the value of literature and the humanities, and the challenges posed by digitalization, this book will be of interest and significance to people working in a wide range of subjects, including literary studies, communication studies, digital humanities, social policy, and anthropology.

Heidegger's engagement and disillusionment with National Socialism can both be properly seen to rest on the notion of "the people" that he takes over from traditional German nationalism and elaborates in his philosophical critique of the modern subject.

Unprecedented changes appear to be occurring more often and more rapidly than ever before. We notice these changes and events more readily due to the advent of the information age and the continual technological innovation that has accompanied it. New methods of the manufacture and the dissemination of information expose us to crises in ways previously impossible. These crises often lead to the exposure of new ways of understanding. The lifting of veils allows us to see these crises more clearly. In turn, these epiphanies invite imaginative and creative responses. This volume interprets this situation in a new way—not just as an examination of what happens to us and the variety of crises we face, but the way in which we understand them. How do we produce new ways of thinking and discussing crises? What is the role of imagination in both the description of crisis and the response to it? How are we changed and how do we change our thinking and writing as a result? There are two sides of the veil, with crisis on one side and imagination on the other. The issue of lifting veils—of revelatory change—expresses the contributors’ interest in the intersection of and collaboration between different disciplines. As an interdisciplinary project, this book takes a new approach in discussing our current condition. Lifting the veil radically undoes the past, opens us to the future through change, and provides the possibility for vision and hope.

This book explores the current developments and future implications of psychotherapeutic theories, research methodologies, and practices in this rapidly advancing digital economy. This book is an invaluable resource for those interested in: The effects of our ‘information economy’ on our brains, consciousness, inner world and the way as psychotherapists we conceptualise The promise of autonomous psychotherapy programmes that integrate ‘therapy with the actual relationship experiences of the individual user’ Whether traditional psychotherapy can provide the best antidote to the ills of our digital age An overarching concern is that we will no longer be able to control technology. Hence, the need to be clearer not only regarding the effect of the digital era on the processes of the psychological therapies but the effects on us, as people who are clients/patients and psychological therapists - perhaps before it is too late, if isn’t already. This book has been developed from a special issue of the European Journal of Psychotherapy & Counselling.

This book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.

A new, definitive translation of Heidegger's most important work.

Ever since Plato’s Socrates exiled the poets from the ideal city in The Republic, Western thought has insisted on a strict demarcation between philosophy and poetry. Yet might their long-standing quarrel hide deeper affinities? This book explores the distinctive ways in which twentieth-century and contemporary continental thinkers have engaged with poetry and its contribution to philosophical meaning making, challenging us to rethink how philosophy has been changed through its encounters with poetry. In wide-ranging reflections on thinkers such as Heidegger, Gadamer, Arendt, Lacan, Merleau-Ponty, Deleuze, Irigaray, Badiou, Kristeva, and Agamben, among others, distinguished contributors consider how different philosophers encountered the force and intensity of poetry and the negotiations that took place as they sought resolutions of the quarrel. Instead of a clash between competing worldviews, they figured the relationship between philosophy and poetry as one of productive mutuality, leading toward new modes of thinking and understanding. Spanning a range of issues with nuance and rigor, this compelling and comprehensive book opens new possibilities for philosophical poetry and the poetics of philosophy.