Emphasizing the role of the symbol in the spirit's ultimate determination, this book responds to Derrida's critique of Hegel and seeks to establish Hegel's continued relevance in the post-modern era. The role of the symbol and the sign in Hegel's thought are explicated and related to the means of theoretical self-determination. The spirit's symbolic self-preservation is discussed in its artistic and religious manifestations, and its symbolic mediation is discussed in terms of philosophical processes. Magnus teaches philosophy at the Julius-Maximilians-Universitat. c. Book News Inc.

Employs Derrida's critique of Hegel as the impetus for a new understanding of Hegel's concept of "spirit."

Ernst Cassirer and the Autonomy of Language examines the central arguments in Cassirer’s first volume of the Philosophy of Symbolic Forms. Gregory Moss demonstrates both how Cassirer defends language as an autonomous cultural form and how he borrows the concept of the “concrete universal” from G. W. F. Hegel in order to develop a concept of cultural autonomy. While Cassirer rejected elements of Hegel’s methodology in order to preserve the autonomy of language, he also found it necessary to incorporate elements of Hegel’s method to save the Kantian paradigm from the pitfalls of skepticism. Moss advocates for the continuing relevanceof Cassirer’s work on language by situating it within in the context of contemporary linguistics and contemporary philosophy. This book provides a new program for investigating Cassirer’s work on the other forms of cultural symbolism in his Philosophy of Symbolic Forms, by showing how the autonomy of culture is one of the leading questions motivating Cassirer’s philosophy of culture. With a thorough comparison of Cassirer’s theory of symbolism to other dominant theories from the twentieth century, including Heidegger and Wittgenstein, this book provides valuable insight for studies in philosophy of language, semiotics, epistemology, pyscholinguistics, continental philosophy, Neo-Kantian philosophy, and German idealism.

Warren Breckman critically revisits thrilling experiments in the aftermath of Marxism.

Filling an important gap in post-Kantian philosophy, Hegel's Theory of Imagination focuses on the role of the imagination, and resolves the question of its apparent absence in Hegel's Phenomenology of Spirit. Jennifer Ann Bates discusses Hegel's theory of the imagination through the early and late Philosophy of Spirit lectures, and reveals that a dialectic between the two sides of the imagination (the "night" of inwardizing consciousness and the "light" of externalizing material) is essential to thought and community. The complexity and depth of Hegel's insights make this book essential reading for anyone seriously interested in understanding how central the imagination is to our every thought.

Winner of the IAJS Book Award 2023 for Best Theoretical Book Traditionally, alchemy has been understood as a precursor to the science of chemistry but from the vantage point of the human spirit, it is also a discipline that illuminates the human soul. This book explores the goal of alchemy from Jungian, psychological, and philosophical perspectives. Jung’s Alchemical Philosophy: Psyche and the Mercurial Play of Image and Idea is a reflection on Jung’s alchemical work and the importance of philosophy as a way of understanding alchemy and its contributions to Jung’s psychology. By engaging these disciplines, Marlan opens new vistas on alchemy and the circular and ouroboric play of images and ideas, shedding light on the alchemical opus and the transformative processes of Jungian psychology. Divides in the history of alchemy and in the alchemical imagination are addressed as Marlan deepens the process by turning to a number of interpretations that illuminate both the enigma of the Philosophers’ Stone and the ferment in the Jungian tradition. This book will be of interest to Jungian analysts and those who wish to explore the intersection of philosophy and psychology as it relates to alchemy.

Hegel is regarded as the pinnacle of German idealism and his work has undergone an enormous revival since 1975. In this book, David Gray Carlson presents a systematic interpretation of Hegel's 'The Science of Logic', a work largely overlooked, through a system of accessible diagrams, identifying and explicating each of Hegel's logical derivations.

“Hegel and Plato are towering figures in the history of philosophy, but often readers puzzle over what they are saying. There are very few books that deal with them clearly and intelligently. Hardly any that do so jointly. This book is exceptional in offering a clear, scholarly and intelligent guide to their work. It focuses upon how Plato and Hegel deal with nature. While recognising the subtlety of Plato and Hegel on nature, Vicky Roupa establishes a nuanced yet clear exposition of their thought. The bonus is that the books is written in a highly readable style. This is a great book!” – Gary Browning, Professor of Political Thought, Oxford Brookes University This book examines nature as a foundational concept for political and constitutional theory, drawing on readings from Plato and Hegel to counter the view that optimal political arrangements are determined by nature. Focussing on the dialectical implications of the word ‘nature’, i.e. how it encompasses a range of meanings stretching up to the opposites of sensuousness and ideality, the book explores the various junctures at which nature and politics interlock in the philosophies of Plato and Hegel. Appearance and essence, inner life and public realm, the psychical and the political are all shown to be parts of a conflictual structure that requires both infinite proximity and irreducible distance. The book offers innovative interpretations of a number of key texts by Plato and Hegel to highlight the metaphysical and political implications of nature’s dialectical structure, and re-appraises their thinking of nature in a way that both respects and goes beyond their intentions.

In his Lectures on the Philosophy of Religion, Hegel treats the religions of the world under the rubric "the determinate religion." This is a part of his corpus that has traditionally been neglected since scholars have struggled to understand what philosophical work it is supposed to do. In Hegel's Interpretation of the Religions of the World, Jon Stewart argues that Hegel's rich analyses of Buddhism, Hinduism, Zoroastrianism, Judaism, Egyptian and Greek polytheism, and the Roman religion are not simply irrelevant historical material, as is often thought. Instead, they play a central role in Hegel's argument for what he regards as the truth of Christianity. Hegel believes that the different conceptions of the gods in the world religions are reflections of individual peoples at specific periods in history. These conceptions might at first glance appear random and chaotic, but there is, Hegel claims, a discernible logic in them. Simultaneously, a theory of mythology, history, and philosophical anthropology, Hegel's account of the world religions goes far beyond the field of philosophy of religion. The controversial issues surrounding his treatment of the non-European religions are still very much with us today and make his account of religion an issue of continued topicality in the academic landscape of the twenty-first century.

"That a symbolic object or work of art participates in what it signifies, as a part within a whole, was a controversial claim discussed with particular intensity in the wake of Immanuel Kant's Critique of Judgment. It informed the aesthetic theories of a constellation of writers in Jena and Weimar around 1800, including Moritz, Goethe, Schelling and Hegel. Yet the twin concepts of symbol and intuition were not only tools of literary and mythological criticism: they were integral even to questions of epistemology and methodology in the fields of theology, metaphysics, history and natural philosophy. The international contributors to this volume further explore how both the explanatory potential and peculiar dissatisfactions of the symbol entered the Anglo-American discourse, focusing on Coleridge, Crabb Robinson and Emerson. Contemporary debates about the claims of symbolic as opposed to allegorical art are kept in view throughout."