This book examines ideas of spiritual nourishment as maintained chiefly by Patristic theologians –those who lived in Byzantium. It shows how a particular type of Byzantine frescoes and icons illustrated the views of Patristic thinkers on the connections between the heavenly and the earthly worlds. The author explores the occurrence, and geographical distribution, of this new type of iconography that manifested itself in representations concerned with the human body, and argues that these were a reaction to docetist ideas. The volume also investigates the diffusion of saints’ cults and demonstrates that this took place on a North-South axis as their veneration began in Byzantium and gradually reached the northern part of Europe, and eventually the entirety of Christendom.

The focus of the book is a particular region of the Byzantine Empire, Cappadocia, within Anatolia, in the centre of what is now Turkey. Its history as a part of this confederation of territories coincides with the medieval period in Europe. This monograph deals with various aspects of the province; it begins with its environment and climate, goes to some of its institutions and buildings, and ends with the paintings which the art-ists employed to decorate the latter, as well as with a particular type of inscriptions (those along the frontiers). It also considers education in Cappadocia during the Byzantines. The study is a scholarly/professional work that draws on the author's current research as well as on the material which the author developed in the last four years while teaching for the University of Ox-ford.

This volume offers the first comparative, interdisciplinary, and intercultural examination of the lactating woman – biological mother and othermother – in antiquity and early Byzantium. Adopting methodologies and knowledge deriving from a variety of disciplines, the volume’s contributors investigate the close interrelationship between a woman and her lactating breasts, as well as the social, ideological, theological, and medical meanings and uses of motherhood, childbirth, and breastfeeding, along with their visual and literary representations. Breastfeeding and the work of mothering are explored through the study of a great variety of sources, mainly works of Greek-speaking cultures, written and visual, anonymous and eponymous, which were mostly produced between the first and the seventh century AD. Due to their multiple interdisciplinary dimensions, ancient and early Byzantine lactating women are approached through three interconnected thematic strands having a twofold focus: society and ideology, medicine and practice, and art and literature. By developing the model of the lactating woman, the volume offers a new analytical framework for understanding a significant part of the still unwritten cultural history of the period. At the same time, the volume significantly contributes to the emerging fields of breast and motherhood studies. The new and significant knowledge generated in the fields of ancient and Byzantine studies may also prove useful for cultural historians in general and other disciplines, such as literary studies, art history, history of medicine, philosophy, theology, sociology, anthropology, and gender studies.

St. Anne was popular with representatives of various segments of society – from monks, nuns, members of the clergy, royal patrons, to church-goers of every rank. This book looks into both the public and private worship of this holy woman and brings to the surface some under-exposed aspects of it. It does so through the examination of manuscripts, monumental art, relics, sculpture, and texts of various genres. The contributors employ a historical as well as a theological perspective on how the cult of St. Anne (sometimes also with glimpses concerning that of Joachim) established itself, referring to areas in Europe which are not frequently discussed in English-language scholarship. This new contribution to the field of hagiography will be of interest to academics from a variety of research fields, including theologians, Byzantinists, art and church historians, and historians of a larger scope.

Winner of the Early Slavic Studies Association 2018 Book Prize Marika Mägi’s book considers the cultural, mercantile and political interaction of the Viking Age (9th-11th century), focusing on the eastern coasts of the Baltic Sea. The majority of research on Viking activity in the East has so far concentrated on the modern-day lands of Russia, while the archaeology and Viking Age history of today’s small nation states along the eastern coasts of the Baltic Sea is little known to a global audience. This study looks at the area from a trans-regional perspective, combining archaeological evidence with written sources, and offering reflections on the many different factors of climate, topography, logistics, technology, politics and trade that shaped travel in this period. The work offers a nuanced vision of Eastern Viking expansion, in which the Eastern Baltic frequently acted as buffer zone between eastern and western powers. Winner of the Early Slavic Studies Association 2018 Book Prize for most outstanding recent scholarly monograph on pre-modern Slavdom. The work was described by the prize committee in the following terms: "The scope of this book is far broader than the title might suggest. It amounts to a substantial rethinking of the history of the eastern Baltic from the tenth to the thirteenth century, based on both archaelogical and written evidence. The author is by training an archaeologist, and she mounts a powerful criticism of historians who prioritise the written sources and then pick and choose from the archaeological evidence to suit their theories. This book foregrounds the archaeology, which is used to question and consider the written evidence. The author is also highly and rightly critical of the archaeological scholarship, for projecting back into the past the narrow concerns of the numerous nation states that now exist across the eastern and northern Baltic, or the Great Russian nationalist-materialist-imperialist interpretations of the Soviet period. The result is a detailed and fascinating account of the interactions of the worlds of Scandinavia and Rusʹ with the various peoples of the Baltic region, both Finno-Ugric and Baltic. The resulting picture of commercial, political, and cultural interaction across several cultures, and based on reading in a wide range of languages, is a tour-de-force."

This edited collection focuses on the Roman empire during the period from AD 337 to 361. During this period the empire was ruled by three brothers: Constantine II (337-340), Constans I (337-350) and Constantius II (337-361). These emperors tend to be cast into shadow by their famous father Constantine, the first Christian Roman emperor (306-337), and their famous cousin Julian, the last pagan Roman emperor (361-363). The traditional concentration on the historically renowned figures of Constantine and Julian is understandable but comes at a significant price: the neglect of the period between the death of Constantine and the reign of Julian and of the rulers who governed the empire in this period. The reigns of the sons of Constantine, especially that of the longest-lived Constantius II, mark a moment of great historical significance. As the heirs of Constantine they became the guardians of his legacy, and they oversaw the nature of the world in which Julian was to grow up. The thirteen contributors to this volume assess their influence on imperial, administrative, cultural, and religious facets of the empire in the fourth century.

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

The early Christian Gnosis did not spring up in isolation, but drew upon earlier sources. In this book, many of these sources are revealed for the first time. Special emphasis is placed on the Hellenistic doctrine of the "Solar Logos" and the early Christian symbolism which depicted Christ as the Spiritual Sun, the illumination source of order, harmony, and spiritual insight. Based on 15 years of research, this is a unique book which throws a penetrating light on the secret traditions of early Christianity. It clearly demonstrates that number is at the heart of being. Jesus Christ, Sun of God, illustrates how the Christian symbolism of the Spiritual Sun is derived from numerical symbolism of the "ancient divinities."

Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.