In 1979, Beverly Hills psychotherapist, Dr. Dianne de la Vega, meets movie star and vocalist, Dick Haymes. Dianne is enchanted with his remarkable baritone voice. After an intense fourteen-day courtship, she moves into his apartment. For Dianne, the first three months of their relationship is sheer bliss, a series of Hollywood banquets, parties, and hilarious housekeeping. Dianne learns the meaning of celebrity. Only references to ex-wife Rita Hayworth mar her excitement and break the spell. The two lovers are confident, in spite of Richard's health and financial problems, ex wives, and drinking. A second chance has been granted to them. Dianne flies to Detroit for the closing night of the Big Broadcast of 1944 with Harry James, starring Dick Haymes. Sitting on the edge of her seat in the audience, Dianne realizes Haymes has been drinking to find the strength to go on stage. The last song he ever sings is for her-:"The More I See You." Haymes tells the press from his hosipital bed when asked if he is ready to go, "I've had it all, known everybody, had everything except love. Now I have that, too." He glances at Dianne who is devastated. The morning after his death, she finds a single red rose wrapped in baby's breath on her doorstep with a card-"In Memory of Love." She knows it's from Haymes, who guides Dianne to Hawaii, Alaska, and Findhorn, Scotland. She learns life does exist after death and unconditional love lasts forever.

Daily Grace for the Daily Grind is a daily devotional. It follows the calendar with respect to holidays, special days and seasons. It contains a Scripture Index and a Topic Index for those who wish to use it as a source for Bible Study or sermon material.

Balancing sophisticated melodies and irresistible rhythms with lyrics by turns cynical and passionate, Cole Porter sent American song soaring on gossamer wings. Timeless works like "I Get a Kick Out of You" and "At Long Last Love" made him an essential figure in the soundtrack of a century and earned him adoration from generations of music lovers. In A Cole Porter Companion, a parade of performers and scholars offers essays on little-known aspects of the master tunesmith's life and art. Here are Porter's days as a Yale wunderkind and his nights as the exemplar of louche living; the triumph of Kiss Me Kate and shocking failure of You Never Know; and his spinning rhythmic genius and a turkey dinner into "You're the Top" while cultural and economic forces take "Ev'ry Time We Say Goodbye" in unforeseen directions. Other entries explore notes on ongoing Porter scholarship and delve into his formative works, performing career, and long-overlooked contributions to media as varied as film and ballet. Prepared with the cooperation of the Porter archives, A Cole Porter Companion is an invaluable guide for the fans and scholars of this beloved American genius.

Presenting a critical history of the philosophy of science in the twentieth century, focusing on the transition from logical positivism in its first half to the "new philosophy of science" in its second, Stefano Gattei examines the influence of several key figures, but the main focus of the book are Thomas Kuhn and Karl Popper. Kuhn as the central figure of the new philosophy of science, and Popper as a key philosopher of the time who stands outside both traditions. Gattei makes two important claims about the development of the philosophy of science in the twentieth century; that Kuhn is much closer to positivism than many have supposed, failing to solve the crisis of neopostivism, and that Popper, in responding to the deeper crisis of foundationalism that spans the whole of the Western philosophical tradition, ultimately shows what is untenable in Kuhn's view. Gattei has written a very detailed and fine grained, yet accessible discussion making exceptionally interesting use of archive materials.

Here are 25,000 quotations drawn from the history, politics, literature, religions, science, and popular culture of the world--ranging from the earliest Chinese sages through Shakespeare to the present day.

Providing background and context, and bringing together a multiplicity of voices, Edward Harvey documents how one Canadian college responded to the important developments of the time - post-war prosperity, rapid urbanization, massive expansion in post-secondary education, the "baby boom," the emergence of a "youth culture." Individual chapters by distinguished alumni reflect on the legacy of Dean Emeritus Peter Lawson Smith, discuss the buildings and architecture of the era, highlight initiatives to build the institution's art collection, and look at teaching from the perspective of a young faculty member.

Tales of the Lost Flamingo takes its readers on a journey through life's circus utilizing a cast of unforgettable characters magically woven into twelve individual but interwined stories that peek through the holes in the Big Top like a dozen wide-eyed urchins. Mr. Griffin's debut novella, , is a comic conundrum as wild and wacky as a Volkswagen full of clowns. Enjoy the show as they spasmodically spill out on the sawdust floor in a hysterical, heart wrenching tarantella that only the manic music of Mr. Griffin's calliope can provide. Watch Chester Cranepool defy death beneath a falling safe. See the President of the United States sing and dance his way into historical oblivion. Go on patrol with the men of the 196th Light Infantry Brigade in Vietnam. Take a midnight bus ride into eternity with Sergeant Jerome Buck. Guzzle rum with a famous artist and relive the movie career of Lamar 'The Star' Fandango. Discover love on your door step and experience Happy Hour with Big Al and the gang at the Hideaway Bar. Meet the real Herman Melville as he stalks a prehistoric mudfish in the Okefenokee Swamp. Drink pina coladas with Elvis and vistit Sarasota, Florida's hottest night spot. Wind up your visit to the Big Top with one last bumper car ride you will never forget. Grab a seat in the peanut gallery. The circus is coming to town.

The most celebrated comedy routines in British history, from a remarkable comedy institution. From the infamous Dead Parrot Sketch to Michael Palin's 'I'm a Lumberjack' song; Peter Cook's peerless E.L. Wisty monologues to Rowan Atkinson's school-master's roll-call; and on through to the latest generation led by Eddie Izzard, Dylan Moran and Jack Whitehall. This definitive collection brings together the very best of Amnesty International's Secret Policeman shows.

Based on the highly acclaimed seventh edition of the Oxford Dictionary of Quotations, this new edition includes over 9,000 of the most popular and widely-used quotations old and new, uniquely identified by searching the largest ongoing language research programme in the world, the Oxford English Corpus.

"The works of Plautus," writes Palmer Bovie, "mark the real beginning of Roman literature." Now Bovie and David Slavitt have brought together a distinguished group of translators for the final two volumes of a four-volume set containing all twenty-one surviving comedies of one of Western literature's greatest dramatists. Born in Sarsina, Umbria, in 254 B.C., Plautus is said to have worked in Rome as a stage carpenter and later as a miller's helper. Whether authentic or not, these few details about the playwright's life are consistent with the image of him one might infer from his plays. Plautus was not "literary" but rather an energetic and resourceful man of the world who spoke the language of the people. His dramatic works were his way of describing and portraying that world in a language the people understood. Since Plautus's career unfolded against the background of the Second Punic War, it is not surprising that his prologues often end with a wish for the audience's "good luck against your enemies" or that the plays have their share of arrogant generals, boastful military captains, and mercenary adventurers. But other unforgettable characters are here as well—among them Euclio, in the Aulularia, the model for Molière's miser. In these lively new translations, which effectively communicate the vitality and verve of the originals, the plays of Plautus are accessible to a new generation. Plays and translators: Volume 3: Poenulus, Janet Burroway . Asinaria, Fred Chappell . Trinummus, Daniel Mark Epstein . Epidicus, Constance Carrier . Mostellaria, Palmer Bovie.