This book examines the thinking of several Reformed theologians on theological issues that are, historically or by content, related to philosophy. Three Dutch authors from successive generations are considered in particular: Gisbertus Voetius (1589-1676), Petrus van Mastricht (1630-1706), and Anthonius Driessen (1684-1748). A diversity of issues in Christian doctrine is discussed. These include the relationship between theology and philosophy, creation, Divine providence, the human being, and Divine and natural law. By reconstructing the views of these three theologians, this book highlights similarities and differences within Reformed orthodoxy, both in doctrine and in relation to philosophy. The changes that thus become visible also suggest that biblical Christianity outlives the philosophical apparatus by whose assistence it is explained.

An essential companion for the student of literature. Works selected include the best-known works of the classical Greek and Roman theatre.

Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.

Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

PIERIDES IV This volume examines interpretation as the original process of critical reception vis-a-vis Terence’s experimental comedies. The book, which consists of two parts, looks at Terence as both an agent and a subject of interpretation. The First Part (‘Terence as Interpreter’) examines Terence as an interpreter of earlier literary traditions, both Greek and Roman. The Second Part (‘Interpretations of Terence’) identifies and explores different expressions of the critical reception of Terence’s output. The papers in both sections illustrate the various expressions of originality and individual creative genius that the process of interpretation entails. The volume at hand is the first study to focus not only on the interpreter, but also on the continuity and evolution of the principles of interpretation. In this way, it directs the focus from Terence’s work to the meaning of Terence’s work in relation to his predecessors (the past literary tradition), his contemporaries (his literary antagonists, but also his audience), and posterity (his critical readers across the centuries).

Sound Theology: Pipe Organ Power Plays among Protestants, Pulpits, Professors, and Peers surveys the liturgical soundscape during and after the Reformation with regard to the use of instruments in worship in general, and the (dis)use of the pipe organ specifically. Why were some sounds considered sacred, and others profane? The book tells the story of first-generation reformers’ approaches to shaping their new Reformed worship services in regard to music, and the resulting debates, power plays, and ultimate compromises. Sound Theology also examines second-generation Protestants’ affirmations, adaptations, and reversals. Sound Theology: A Reader is a companion volume of curated primary source material. Together, Sound Theology’s two volumes tell a little-known, but colorful and foundational story that shaped Reformed worship for centuries to come.