"For a child poised between Harry Potter and Tolkien, there really is nothing better than Sutcliff."—The New Yorker "Rosemary Sutcliff is a spellbinder."—New York Times Book Review "The preeminent master of British historical fiction for young people."—Kirkus Reviews Cherished author Rosemary Sutcliff presents three stories of youthful courage and fidelity in ancient times. The Chief's Daughter: A Welsh chieftain's daughter helps a young Irish boy—captured from a raiding party and held prisoner by her father—make his escape, risking the wrath of her gods and her Clan. A Circlet of Oak Leaves: A horse-trader is reminded of his past with the Roman Legions, of the life-changing, secret favor he once did a friend and the glory he will never be able to openly claim. A Crown of Wild Olives: A tentative, but caring, friendship is formed between two young runners, a Spartan and an Athenian, who will compete against each other for the Olympic Olive Crown and the honor of their warring nations. These stories are clever and powerful, the plots twisting and turning unexpectedly while the characters remain always true to their own moral codes. Indeed, in each story the characters are full of heart and human failings—and feelings that transcend time and history.

A New York Times bestseller! Perfect for fans of Divine Rivals, a critically acclaimed, multi-layered romance set in the perilous days of World Wars I and II, where gods hold the fates--and the hearts--of four mortals in their hands. They are Hazel, James, Aubrey, and Colette. A classical pianist from London, a British would-be architect-turned-soldier, a Harlem-born ragtime genius in the U.S. Army, and a Belgian orphan with a gorgeous voice and a devastating past. Their story, as told by goddess Aphrodite, who must spin the tale or face judgment on Mount Olympus, is filled with hope and heartbreak, prejudice and passion, and reveals that, though War is a formidable force, it's no match for the transcendent power of Love. Hailed by critics, Lovely War has received seven starred reviews and is an indie bestseller. Author Julie Berry has been called "a modern master of historical fiction" by Bookpage and "a celestially inspired storyteller" by the New York Times, and Lovely War is truly her masterwork.

This large volume draws on evidence from fieldwork, historical records, archaeology, pollen analysis and recent research in discussing the ecology of Mediterranean Europe from the past to the present day. Grove and Rackham provide clear explanations and discussions of different ecosystems, of ruined landscapes, climate fluctuations and vegetation change, the impact of fire, terracing, agriculture and man's changing subsistence strategies, of coastal erosion and deforestation. A highly readable book, packed full of information, which also assesses the pessimistic view that many people hold over the future of the landscape and environment.

The dissemination of classical material to children has long been a major form of popularization with far-reaching effects, although until very recently it has received almost no attention within the growing field of classical reception studies. This volume explores the ways in which children encountered the world of ancient Greece and Rome in Britain and the United States over a century-long period beginning in the 1850s, as well as adults' literary responses to their own childhood encounters with antiquity. Rather than discussing the role of classics in education, it focuses on books read for enjoyment, and on two genres of children's literature in particular: the myth collection and the historical novel. The tradition of myths retold as children's stories is traced in the work of writers and illustrators from Nathaniel Hawthorne and Charles Kingsley to Roger Lancelyn Green and Ingri and Edgar Parin D'Aulaire, while the discussion of historical fiction focuses particularly on the roles of nationality and gender in the construction of an ancient world for modern children. The book concludes with an investigation of the connections between childhood and antiquity made by writers for adults, including James Joyce, Virginia Woolf, and H.D. Recognition of the fundamental role in children's literature of adults' ideas about what children want or need is balanced throughout by attention to the ways in which child readers have made such works their own. The formative experiences of antiquity discussed throughout help to explain why despite growing uncertainty about the appeal of antiquity to modern children, the classical past remains perennially interesting and inspiring.

Talcroft explores Sutcliff's use of sacred themes through twelve of her most famous novels.

Bjorn and Frytha share a bond, both orphans and survivors of Norman attacks on their homes in the Lake country. Growing up together in Jarl Buthar's Norse stronghold, they become fast friends, with Bjorn dreaming of becoming a harper like his father. As they come of age within this secret fortress, they hear word of the Norman attacks beyond their walls, drawing ever closer to the safety of their home. Can they help protect their adoptive home and family, or will they lose everything all over again?

The settlement of Dun is a safe place, fortified from raider attacks, with its own spring to provide fresh water for all. The spring has never failed them - as long as it flows, Dun will never fall. When the village captures a young raider, Nessan pleads to keep him alive, against the wishes of the elders. As the Chief's daughter, she wins out. Their captive settles into the village, he and Nessan become cautious friends. Things are peaceful. Until the spring begins to dry up. Have they angered the gods by not killing this raider? Or is there some other force at work?

Vinton McCabe seeks to place the Bach Flower Remedies within their natural context - that of homeopathic medicine. The history of the Bach remedies is explored as well as the philosophy behind their appropriate use.

Tethra is not like the other children in his village. Fourteen years ago, he was left on the banks of a river, swapped by the Hill Folk for a human woman's child, replacing the seventh son of Conan. Murna chose to raise him as her own, despite the dire warnings of their village leader. Raising a child of the Hill Folk will bring disaster upon the Epidii people. The dark days have arrived, bringing a poor harvest, a winter of plagues, and unsuccessful hunts. The Old One once again rallies the clan to cast Tethra out, this time with support turning against Tethra and Conan. To spare his father, Tethra runs away, and stumbles across some members of the Hill Folk, his own people, who take him in. As Tethra lives among them, however, he must decide if he is truly one of them, as his blood suggests, or if instead his real place is with the Epidii.