Te Rauparaha is most well known today as the composer of the haka &‘Ka mate', made famous the world over by the All Blacks. A major figure in nineteenth-century history, Te Rauparaha was responsible for rearranging the tribal landscape of a large part of the country after leading his tribe Ngati Toa to migrate to Kapiti Island. He is venerated by his own descendants but reviled with equal passion by the descendants of those tribes who were on the receiving end of his military campaigns in the musket-war era. He Pukapuka Tataku i nga Mahi a Te Rauparaha Nui is a 50,000-word account in te reo Maori of Te Rauparaha's life, written by his son Tamihana Te Rauparaha between 1866 and 1869. A pioneering work of Maori (and, indeed, indigenous) biography, Tamihana's narrative weaves together the oral accounts of his father and other kaumatua to produce an extraordinary record of Te Rauparaha and his rapidly changing world. Edited and translated by Ross Calman, a descendant of Te Rauparaha, He Pukapuka Tataku i nga Mahi a Te Rauparaha Nui makes available for the first time this major work of Maori literature in a parallel Maori/English edition.

This book explores the history, practice, and possibilities of writing about the lives of First Nations’ peoples in Australia as well as Aotearoa New Zealand, North America, and the Pacific. This interdisciplinary collection recognises the limitations of Western biographical conventions for writing Indigenous long‐ and short‐form biographies. Through a series of diverse life stories of both historical and contemporary First Nations figures, this book investigates innovative ways to ameliorate the challenges we face in recovering the stories of Indigenous people and reimagining their lives in productive new ways. Many of the chapters in this collection are deeply reflective, aiming not just to relate the life story of an individual but also to reflect on the archival, intellectual, and emotional journeys that biographers undertake in researching Indigenous biography. This volume will be of value to scholars and students interested in Indigenous Studies, biography, history, literature, creative writing, archaeology, and colonial and postcolonial studies.

This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies.

The Raupo Essential Maori Dictionary is an invaluable introductory dictionary for students of te reo Maori. It features: clear, easy-to-follow Maori-English and English-Maori sections, with the Maori and English alphabets at the top of each page, all the words a learner is likely to encounter, including contemporary usage and modern terms, a section of themed word lists, including days of the week, months of the year, numbers, cities of New Zealand, colours, emotions, actions, parts of the body, in the classroom, and on the marae.

In this important book, ten navigators — the late Hec Busby, Piripi Evans and Jacko Thatcher from Aotearoa New Zealand; Peia Patai and Tua Pittman from the Cook Islands; and Kalepa Baybayan, Shorty Bertelmann, Nainoa Thompson, `Onohi Paishon and Bruce Blankenfeld from Hawai`i — share the challenges and triumphs of traditional wayfinding based on the deep knowledge of legendary navigator Mau Piailug.They also discuss the significance of receiving the title of Pwo (master navigator) from Piailug, and the responsibilities that come with that position. Their stories are intertwined with the renaissance of knowledge and traditions around open-ocean voyaging that are inspiring communities across the Pacific.

Prosperity will prevail, Malukans believed, as long as the four pillars and the proper dualism were maintained. By integrating this structure into his narrative, the author avoids a framework governed by European concerns and brings new significance to Malukan events described but only partially understood by European observers.

"This graphic novel provides a fresh approach to telling the story of te Tiriti o Waitangi, New Zealand's country's founding document. The book covers a wide time span, from the first arrivals of Polynesian explorers through to the signing of te Tiriti, the New Zealand Wars, and the modern day Treaty settlement process"--Publisher information.

The Reed Book of Maori Mythology is a new, updated and revised version of A.W. Reed's classic A Treasury of Maori Folklore (1963). These vivid and entertaining stories have been revised by Ross Calman, and can now be enjoyed by a new generation of readers. The book tells the stories of the creation of the universe, of Rangi and Papa and the children of earth and sky, of the demigods Maui and Tawhaki, of supernatural monsters and fairies, and of heroes and lovers. For centuries Maori were isolated from the rest of the Polynesian world - indeed, from the rest of the world - and subsequently developed a remarkably rich, and in many ways unique, mythology. Far from being just entertainment - and the stories are very entertaining - these stories are part of a living, breathing culture. They are part of our heritage, both Maori and Pakeha."

Sir Timoti Karetu and Dr Wharehuia Milroy are widely recognised as two of New Zealand's leading teachers and scholars of Maori language and culture. They both taught at The University of Waikato from the 1970s and pursued an innovative approach by teaching language courses in te reo Maori, with tikanga courses taught in Maori and English. Te Wharehuia and Timoti were pioneers in this area, forging a model for teaching Maori which is now followed by many other tertiary institutions. This is a book of chapters on key aspects of Maori language and culture authored by two of this country's pre-eminent kaumatua. The authors discuss key cultural concepts (including mana, tapu, wairua, whakapapa, ritual, farewell speeches and Maori humour) as well as language and cultural issues of the modern world. The language used is an exemplar for learners and speakers of te reo Maori. With assistance from a team at Te Ipukarea, the National Maori Language Institute, who transcribed and edited structured conversations between these two kaumatua, this book preserves the voices and ideas of these two renowned scholars for present and future generations.