Trollope’s mother, wife, and a friend he loved platonically most of his life provided him three very different views of the Victorian woman. And, according to Jane Nardin, they were responsible for the dramatic shift in his treatment of women in his novels. This is the first book in Sandra Gilbert’s Ad Feminam series to examine a male author. Nardin initially analyzes the novels Trollope wrote from 1855 to 1861, in which male concerns are central to the plot and women are angelic heroines, submissive and self-sacrificing. Even the titles of his novels written during this period are totally male oriented. The Three Clerks, Doctor Thorne, and The Bertrams all refer to men. Shortly after meeting Kate Field, Trollope wrote Orley Farm, which refers to the estate an angry woman steals from her husband and which marks a change in the attitudes toward women evident in his novels. His next four books, The Small House at Allington, Rachel Ray, Can You Forgive Her?, and Miss Mackenzie, prove that women’s concerns had become central in his writing. Nardin examines specific novels written from 1861 to 1865 in which Trollope, with increasing vigor, subverts the conventional notions of gender that his earlier novels had endorsed. Nardin argues that his novels written after 1865 and often recognized as feminist are not really departures but merely refinements of attitudes Trollope exhibited in earlier works.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

Anthony Trollope's 'He Knew He Was Right' is a captivating exploration of marital discord and the consequences of jealousy in the Victorian era. Trollope's writing style, characterized by intricate character development and social commentary, is showcased in this novel as he delves into the complexities of human emotions and relationships. Set in the backdrop of a rigid social hierarchy, the book provides a rich portrayal of domestic life and the struggles faced by its characters. Trollope's attention to detail and nuanced storytelling make 'He Knew He Was Right' a timeless classic in English literature. Anthony Trollope, a prolific Victorian novelist known for his insightful portrayals of society and human nature, drew from his own experiences as a civil servant in writing this novel. His keen observations of interpersonal dynamics and his ability to create realistic and relatable characters shine through in 'He Knew He Was Right'. Trollope's unique perspective and narrative skill make him a significant figure in the literary landscape of the 19th century. I highly recommend 'He Knew He Was Right' to readers interested in Victorian literature, social commentary, and timeless tales of love and jealousy. Trollope's expert storytelling and thematic depth make this novel a must-read for those seeking a profound exploration of human relationships and emotions.

Six years ago, Crystal Phillips was miserable, unhappily married, and suicidal. At 292 pounds, it seemed as though her life was over and that there was no way to climb out of the hopelessness. Through food, she was slowly killing herself. But the death of Crystal's beloved brother made her realize several powerful things: life is too precious to waste, and our purpose here is to live as fully and as we can. Through this realization, Crystal found within herself the strength to make a change. In The Me I Knew I Could Be, you will discover: *The power of journaling *How to be prepared for emotional setbacks *How to eat well and take care of yourself without deprivation *Delicious recipes for favorite comfort foods and how to make them light and healthy *Two weeks of sample menus *Empowering stories of other women who lost weight in Crystal's Through Thick and Thin Workshop. *How to form your own fitness workshop The Me I Knew I Could Be is both the inspiring personal story of Crystal's weight loss and a practical, helpful, usable guide for anyone who wants to lose weight, get healthy, and embrace life.

NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan). “[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post ONE OF ENTERTAINMENT WEEKLY’S TEN BEST NOVELS OF THE DECADE TEN BEST BOOKS OF THE YEAR: People, Slate, The New York Public Library, Harvard Crimson Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Normal People is the story of mutual fascination, friendship, and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. WINNER: The British Book Award, The Costa Book Award, The An Post Irish Novel of the Year, Sunday Times Young Writer of the Year Award BEST BOOKS OF THE YEAR: The New York Times, The New York Times Book Review, Oprah Daily, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country

This is the true story of a mother who rose to the challenges of surviving the Second World War with family intact, lived an intensely passionate and deeply troubled personal life afterward, endured the perils of cultural displacement, and suffered the loss of her identity as she drifted toward an agonizingly slow death from an affliction that stole her mind. It is also the story of her bemused family members, all trying to demystify the woman they thought they knew, together producing a fascinating kaleidoscopic picture of a mystery they cannot unravel. Finally, it is the authors own storythe aging son reflecting on the enigmas of identity, family myths, dying, and death. These stories are set in Glasgow and Toronto.

"Darkly hilarious...an unexpected bundle of joy." -O, The Oprah Magazine Alice Cohen was happy for the first time in years. After a difficult divorce, she had a new love in her life, she was rais­ing a beloved adopted daughter, and her career was blossoming. Then she started experiencing mysterious symptoms. After months of tests, x-rays, and inconclusive diagnoses, Alice underwent a CAT scan that revealed the truth: she was six months pregnant. At age forty-four, with no prenatal care and no insurance coverage for a high-risk pregnancy, Alice was besieged by opinions from doctors and friends about what was ethical, what was loving, what was right. With the intimacy of a diary and the suspense of a thriller, What I Thought I Knew is a ruefully funny, wickedly candid tale; a story of hope and renewal that turns all of the "knowns" upside down.

Love stories are as old as time. What makes this one different is that it is true. It is an enchanting story that starts during the Second World War. An artillery officer about to go overseas on active service meets a pretty girl in a small village in the south of England. She is a talented draftswoman in the drawing office of a key wartime research establishment. They fall in love. His embarkation leave turns into a whirlwind courtship. Separated by war and duty, they never lose hope that one day they will be together. There is a first-hand account of the Allied landings in North Africa and the invasion of Sicily. A charming picture is painted of the day-to-day life of the young girl as she awaits his return, with fascinating glimpses of life in wartime Britain. Their dreams come true and they are married. In the post-war years their life together is rich in travel and adventure; the scene moves to Singapore, Hong Kong, America and France. It contains many amusing incidents and anecdotes that portray everyday life in the half- century that has just ended. Through it all runs the thread of their timeless romance. It is a lovely story that never loses its enchantment. It will have special appeal in an age of some cynicism about romance and marriage. Once started, it is hard to put this book down.

The Right Address sears through the upper crust of New York’s glittering Park Avenue scene to dish the dirt on the ladies who lunch, the gents who club, and the desperate climbers who will stop at nothing to join the backstabbing, champagne-sipping, socialite-eat-socialite stratosphere. When Melanie Sartomsky, wily Floridian flight attendant, snares billionaire divorcée Arthur “the coffin king” Korn, she is catapulted into the crème de la crème of Park Avenue society, where hiring the wrong decorator is tantamount to social suicide, and where, if you’re anyone, your personal assistant has a personal assistant. But Melanie quickly discovers that in the world of the rich and idle, malicious gossip is as de rigeur as owning twenty pairs of Manolo Blahniks. And despite her frenzied plunge into the charity circuit and the right dinner reservations, her neighbors are Givenchy-clad vultures who see her as nothing more than a reinvented trailer trollop. To make matters worse, when a snide society-rag journalist rakes her over the coals, Melanie’s reputation is toast. Meanwhile, Melanie is not the only billionaire in the neighborhood coming unhinged. Kleptomania, adultery, plagiarism, and a grisly Harlem sex murder are just a few of the secrets swirling under the pedigreed patina of furs and emeralds on Park Avenue. Authors Jill Kargman and Carrie Karasyov know a thing or two about their subject matter. They met at the Upper East Side’s chic Spence School and claim that The Right Address is inspired by “the insane socialites we’ve eavesdropped on our entire lives.” Meow. So kick off your Jimmy Choos, crack open the Veuve Clicquot, and get ready for a rollicking, unforgettable tour of the richer-and-bitchier-than-thou set.

“A wise, clear look at what it was to be a young woman at a singular time in our country…a beautiful, accomplished book.”—Katie Crouch, New York Times bestselling author of Girls in Trucks It is 1972, and America is losing its innocence. So are the girls of Elephant Beach, a working-class town on the edge of Long Island. Families come here from the city to escape, to protect their kids, but even with the smell of the sea in the air and the quaint bungalow houses lining the streets, trouble can be found if you’re looking for it: drinking and drugs, racial tensions and bar fights, alluring young men back from Vietnam with damage that is not always visible. Soaked in the atmosphere of a once idyllic place undergoing tumultuous change, observant and wise about the struggles young women face, these are beautiful portraits of mothers and daughters, men and women, haves and have-nots that capture the eternal struggle between holding on to what we have, and daring to hope for something more. READERS GUIDE INSIDE