Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts

This is the first life comprehensive book on the life and work of the most outstanding American realists of the early 20th century. It celebrates Charles Webster Hawthorne's achievements as an artist, an unacknowledged master of American realism, whose thoroughly modern idiom blends the Impressionist sensibility with the Ashcan School aesthetic. Hawthorne is best known for his masterful use of colors, and the way they capture the human essence and reveal stunning beauty in the commonplace. Influenced by the Old Masters -- especially Titian and Frans Hals -- Hawthorne admired the rich tonality of color, the monumentality and beauty of representation, and the nobility of subjects depicted, and imported them into his paintings of ordinary people for whom he felt sympathy or admiration: Portuguese fishermen, the selectmen and selectwomen of Provincetown, the fishmonger, the captain's wife, mothers and children.

Hensche taught students to "see the light, not the object," says his biographer Robichaux, who in this book reveals the basic painting philosophy and methodology of a great teacher.

"I have made it my concern to hunt out this technique for your study as I learned it by looking and listening." On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft. While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: "Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water." But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.

Hawthorne was an American painter who founded the Cape Cod School of Art. This work, collected from notes taken by his actual students, offers hundreds of direct lessons, ideas, suggestions, and more.

Hawthorne delivers an exquisitely illustrated picture book about the Saguaro cactus which grows in the Sonoran desert in Arizona and its flower, which blooms only one night a year. Full color.

"Spanning the years from the 1830s to the Civil War, and moving from Massachusetts to England, Portugal, and Italy, [this book] explores the tension within a famous marriage of two soulful, strong-willed people, each devoted to the other but also driven by a powerful need to explore the far reaches of their creative impulses. It is the story of a forgotten woman in history who inspired one of the greatest writers of American literature"--Dust jacket flap.

Nurtured by a benevolent land and guided by a sophisticated mythology, the Kwakiutl Indians of the British Columbia coast developed an art that is characterized by variety, skill, and power. Even after white culture began to interfere with the Indians' traditional living patterns, their art, firmly rooted in ceremony, continued to flourish and produced an exuberant array of carved masks, house posts, totem poles, feast dishes, rattles, whistles, and other objects. In 1927, the beginnings of what is now a superb collection of Kwakiutl art were assembled at the University of British Columbia. Audrey Hawthorn has played a key role in helping the collection grow. "Kwakiutl Art" celebrates, documents, and illustrates some of the finest examples of this art and the carvers who created it.

Master Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.

Mike Hawthorne’s mother is left alone to raise her son in New York City, a city that torments them both with its unforgiving nature. But when Mike falls victim to an old world Santeria death curse, a haunting sign from the old country of something his mother could never truly escape—she begins a series of events that drive him away both physically and emotionally. For the first time ever, Eisner Award-nominated artist Mike Hawthorne (Superior Spider-Man) tells the true and tragic story of enduring abuse, discovering a love of art and a passion that helped him to build the home he never had in this graphic novel memoir about family, survival, and what it means to be Puerto Rican in America.