Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

Nitasha Tamar Sharma maps the context and contours of Black life in Hawaiʻi, showing how despite the presence of anti-Black racism, the state's Black residents consider it to be their haven from racism.

In 1893 a small group of white planters and missionary descendants backed by the United States overthrew the Kingdom of Hawai‘i and established a government modeled on the Jim Crow South. In Nation Within Tom Coffman tells the complex history of the unsuccessful efforts of deposed Hawaiian queen Lili‘uokalani and her subjects to resist annexation, which eventually came in 1898. Coffman describes native Hawaiian political activism, the queen's visits to Washington, D.C., to lobby for independence, and her imprisonment, along with hundreds of others, after their aborted armed insurrection. Exposing the myths that fueled the narrative that native Hawaiians willingly relinquished their nation, Coffman shows how Americans such as Theodore Roosevelt conspired to extinguish Hawai‘i's sovereignty in the service of expanding the United States' growing empire.

Tired of the same old tourist traps? Whether you’re a visitor or a local looking for something different, let Hawaii Off the Beaten Path show you the Aloha State you never knew existed. Pay respect to the 700-pound crystal shivalingam and experience a daily puja (purification ritual) at Kauai’s Hindu Monastery. Hike through the natural splendor of Waipio Valley to reach Hiilawe Falls. Dropping more than 1,200 feet in free fall, the waters of Hiilawe make the longest unbroken descent in Hawaii. Follow Jack London’s trail on Kalae Stables’ “world-famous Moloka`i mule ride” to Kalaupapa Peninsula. Or dine on a “plate lunch,” the quintessential meal of Hilo, at Cafe 100, the city’s first drive-in. So if you’ve “been there, done that” one too many times, get off the main road and venture Off the Beaten Path.

From the author of Lafayette in the Somewhat United States, an examination of Hawaii, the place where Manifest Destiny got a sunburn. Many think of 1776 as the defining year of American history, when we became a nation devoted to the pursuit of happiness through self- government. In Unfamiliar Fishes, Sarah Vowell argues that 1898 might be a year just as defining, when, in an orgy of imperialism, the United States annexed Hawaii, Puerto Rico, and Guam, and invaded first Cuba, then the Philippines, becoming an international superpower practically overnight. Among the developments in these outposts of 1898, Vowell considers the Americanization of Hawaii the most intriguing. From the arrival of New England missionaries in 1820, their goal to Christianize the local heathen, to the coup d'état of the missionaries' sons in 1893, which overthrew the Hawaiian queen, the events leading up to American annexation feature a cast of beguiling, and often appealing or tragic, characters: whalers who fired cannons at the Bible-thumpers denying them their God-given right to whores, an incestuous princess pulled between her new god and her brother-husband, sugar barons, lepers, con men, Theodore Roosevelt, and the last Hawaiian queen, a songwriter whose sentimental ode "Aloha 'Oe" serenaded the first Hawaiian president of the United States during his 2009 inaugural parade. With her trademark smart-alecky insights and reporting, Vowell lights out to discover the off, emblematic, and exceptional history of the fiftieth state, and in so doing finds America, warts and all.

"Then There Were None, by award-winning Honolulu writer and artist Martha H. Noyes, is a personal and emotional account, in words and pictures, of the effect of Western contact on the Hawaiian population. Drawing from a variety of sources, Noyes chronicles the effects, from the arrival of Capt. Cook to the present, of disease, written language, the missionaries, landownership, the overthrow of the monarchy, and the suppression of hula and Hawaiian language, concluding with a look at present-day activism. Photographs vividly contrast tourist images with scenes from the real Hawaii and highlight the contrast between a culture rooted in cosmology and the material culture of those who made Hawaii their own." -- Amazon.com viewed August 4, 2020.

Pulitzer Prize–winning author James A. Michener brings Hawaii’s epic history vividly to life in a classic saga that has captivated readers since its initial publication in 1959. As the volcanic Hawaiian Islands sprout from the ocean floor, the land remains untouched for centuries—until, little more than a thousand years ago, Polynesian seafarers make the perilous journey across the Pacific, flourishing in this tropical paradise according to their ancient traditions. Then, in the early nineteenth century, American missionaries arrive, bringing with them a new creed and a new way of life. Based on exhaustive research and told in Michener’s immersive prose, Hawaii is the story of disparate peoples struggling to keep their identity, live in harmony, and, ultimately, join together. BONUS: This edition includes an excerpt from James A. Michener's Centennial. Praise for Hawaii “Wonderful . . . [a] mammoth epic of the islands.”—The Baltimore Sun “One novel you must not miss! A tremendous work from every point of view—thrilling, exciting, lusty, vivid, stupendous.”—Chicago Tribune “From Michener’s devotion to the islands, he has written a monumental chronicle of Hawaii, an extraordinary and fascinating novel.”—Saturday Review “Memorable . . . a superb biography of a people.”—Houston Chronicle

Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai‘i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers’ claims to Hawai‘i in literature and the visual arts.

For two decades, paleoecologist David Burney and his wife, Lida Pigott Burney, have led an excavation of Makauwahi Cave on the island of Kaua‘i, uncovering the fascinating variety of plants and animals that have inhabited Hawaii throughout its history. From the unique perspective of paleoecology—the study of ancient environments—Burney has focused his investigations on the dramatic ecological changes that began after the arrival of humans one thousand years ago, detailing not only the environmental degradation they introduced but also asking how and why this destruction occurred and, most significantly, what might happen in the future. Using Kaua‘i as an ecological prototype and drawing on the author’s adventures in Madagascar, Mauritius, and other exciting locales, Burney examines highly pertinent theories about current threats to endangered species, restoration of ecosystems, and how people can work together to repair environmental damage elsewhere on the planet. Intriguing illustrations, including a reconstruction of the ancient ecological landscape of Kaua‘i by the artist Julian Hume, offer an engaging window into the ecological marvels of another time. A fascinating adventure story of one man’s life in paleoecology, Back to the Future in the Caves of Kaua‘i reveals the excitement—and occasional frustrations—of a career spent exploring what the past can tell us about the future.

Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.