* Examines the relationship between Haute Couture and Pret-a-porter collections* Conversations with dozens of renowned fashion photographers and designers including Colin MsDowell, Vivienne Westwood, and Jackie NickersonHaute couture often dazzles us with its precision, craftsmanship and the extravaganza inherent in it. Clothing items are made out of proportion; unique materials are used and everything is hand-finished. But, the Pr�t-�-porter collections of today comply with the classic principles of Haute Couture. The items shown on the catwalk should theoretically be wearable, but often in reality this is not entirely the case. Haute-�-Porter examines the relationship between Haute Couture and pr�t-�-porter collections and shows the evolution in their relationship over the past 25 years.Includes conversations with Angelo Flaccavento, Antonio Mancinelli, Alexander Fury, Colin McDowell, Farida Khelfa, Irene Silvagni, Natasha Fraser-Cavassoni, Nicole Phelps, Pierre Hardy, Robin Schuli�, Rick Owens, Stephen Jones, Thom Browne, Tim Blanks, Vivienne Westwood, Yohji Yamamoto, Zandra Rhodes, Viktor & Rolf and many more Photographs and artworks by Ali Mahdavi, Anthony Maule, Brian Griffin, Daniel Jackson, Erik Madigan Heck, Fabien Baron, Fran�ois Berthoud, Giampaolo Sgura, Jackie Nickerson, Kevin Tachman, Luigi & Iango, Michal Pudelka, Mikael Jansson, Miles Aldridge, Peter Lindbergh, Rene Habermacher, Txema Yeste, Sebastian Kim, Sheila Metzner and others.Text in English and Dutch.

Celebrating 40 years of glamorous fashion and design, this officially authorized coloring book and sketchbook is based on the drawings and works of Yves Saint Laurent (1936-2008). This playful and unique memento allows for a behind-the-scenes look at the creative process of the YSL brand, as well as the chance for the reader to reimagine these famous designs. Yves Saint Laurent was more than just a stylist: He was a genius designer who reinvented the world of haute couture. From the beginning, YSL wanted his clothing to be accessible to women all over the world. His "Rive Gauche" collection was the first-ever ready-to-wear collection made by a haute couture designer. This collection became an iconic one that bridged the gap between haute couture and the clothes that women could actually wear. Prêt-à-Porter explores the behind-the-scenes process of this collection and includes original drawings and sketches by Yves Saint Laurent himself. The book is a unique collection of fashion inspiration and interactive design that allows readers to discover Yves Saint Laurent's design methods in a coloring book that is both stylish and fun. Praise for YSL: PRÊT-À-PORTER: "YSL: PRÊT-À-PORTER pays tribute to Saint Laurent's design career. But the interactive sketchbook also nods to the importance he placed on options, allowing readers to mix and match swatches to rework some of Saint Laurent's pieces." - Time.com "Filled with pages of sketches, silhouettes, and patterns to excite the elementary schooler in us all, YSL: Prêt-À-Porter: Coloring, Activity, and Inspiration Book is simultaneously a historical document and an outlet for innovation." --Refinery29 "It's a coloring, activity and history book all-in-one, featuring Yves Saint Laurent's sketches, close-ups of his prints and a deeper look into his design process in a way that's fun and creative." --Essence.com "It's time for crayons and couture. Little ladies and the young at heart will swoon over YSL: Prêt à Porter--a coloring, activity and inspiration book based on master couturier Yves Saint Laurent's sketches spanning 1936-2008." --New York Daily News online "Ideal for budding fashion mavens." - Women's Wear Daily

Manus × Machina (“Hand × Machine”) features exceptional fashions that reconcile traditional hand techniques with innovative machine technologies such as 3-D printing, laser cutting, circular knitting, computer modeling, bonding and laminating, and ultrasonic welding. Featuring 90 astonishing pieces, ranging from Gabrielle “Coco” Chanel’s iconic tweed suit to Karl Lagerfeld’s 3-D-printed version, and from Yves Saint Laurent’s bird-of-paradise dress to Iris van Herpen’s silicone adaptation — all beautifully photographed by Nicholas Alan Cope — this fascinating book is an exploration of both the artistry and the future of fashion.

Featuring interviews with Sarah Burton (Alexander McQueen), Hussein Chalayan, Maria Grazia Chiuri and Pierpaolo Piccioli (Valentino), Nicolas Ghesquière (Louis Vuitton), Lazaro Hernandez and Jack McCollough (Proenza Schouler), Iris van Herpen, Christopher Kane, Karl Lagerfeld (Chanel), Miuccia Prada, and Gareth Pugh.

'Thea's are the only clothes I never throw away.' Joan Collins

Why do we dress the way we do? How has fashion changed and evolved over the centuries? How did the 3-piece suit come about? Why have hemlines risen and fallen over time? In The Anatomy of Fashion, respected fashion commentator Colin McDowell goes beyond standard fashion histories and narrative surveys to answer these questions and many more. The book's unique structure takes the reader from head to toe in sections such as `The Body Unclothed,? `Materials and Texture,? `Head to Waist,? `Hips to Feet,? `Looks and Themes in Dress,? and more. Visually rich, with over 500 photographs, illustrations, paintings, and film stills, the book includes work by designers and labels such as Ralph Lauren, Chanel, Yves Saint Laurent, Alexander McQueen, Versace, Carhartt, Diesel and more. The book's dynamic structure and layout are equally suited for browsing and for serious reference, but The Anatomy of Fashion is not simply a picture book. It is a sourcebook by one of the world's leading fashion scholars that seeks nothing less than a thorough analysis of the roots of every aspect of fashion today.

In this catalogue, the Brussels designer reveals what inspires her: the Garden of Eden and Japanese-inspired kimonos, as well as Art Nouveau and the works of famous painters. She talks about her encounters and her collaborations with high-flying artisans. She describes the creative process for her sophisticated, luxury pieces. The codes of her Maison are implicitly revealed because, as with every Maison de Couture, a unique DNA runs through her three decades of creation.0'Garden of Lace' offers an astonishing encounter between two key moments for lace, which has had the world's crème de la crème at its fingertips for the last 200 years. For the last 30 years in Brussels, Carine Gilson has been creating couture lingerie that combines silk and lace.00Exhibition: Mode- en Kantmuseum, Brussels, Belgium (10.07.2019-19.04.2020).

An eye-opening and richly illustrated journey through the clothes worn by artists, and what they reveal to us. From Yves Klein’s spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman, from Andy Warhol’s denim to Martine Syms’s joy in dressing, the clothes worn by artists are tools of expression, storytelling, resistance, and creativity. In What Artists Wear, fashion critic and art curator Charlie Porter guides us through the wardrobes of modern artists: in the studio, in performance, at work or at play. For Porter, clothing is a way in: the wild paint-splatters on Jean-Michel Basquiat’s designer clothing, Joseph Beuys’s shamanistic felt hat, or the functional workwear that defined Agnes Martin’s life of spiritua labor. As Porter roams widely from Georgia O’Keeffe’s tailoring to David Hockney’s bold color blocking to Sondra Perry’s intentional casual wear, he weaves his own perceptive analyses with original interviews and contributions from artists and their families and friends. Part love letter, part guide to chic, with more than 300 images, What Artists Wear offers a new way of understanding art, combined with a dynamic approach to the clothes we all wear. The result is a radical, gleeful inspiration to see each outfit as a canvas on which to convey an identity or challenge the status quo.

A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing.

Analyzes fashion from a marketing perspective including brands, logos, advertising and psychology.