The voices strike without warning... They torment without mercy... And they've only just begun... Before she was raped, Jen Remini was brilliant and confident--rising to the top of her field. But now the young physician assistant is fighting for existence and trying to resist the haunting voices that are trying to take over her mind. While facing the demons of the rape, Jen is overcome with the fact that something powerful is rising, a malevolence that may claim her life for its own... As nightfall approaches, Jen senses that she is in great danger. Sinister forces seem to be bringing her closer to darkness in a nightmare state that she cannot control...and she cannot conquer...

Clare remembers the cold. She remembers abandoned cars and children's toys littered across the road. She remembers dark shapes in the snow and a terror she can't explain. And then... nothing. When she wakes, aching and afraid in a stranger's gothic home, he tells her she was in an accident, a crash in the snow. He claims he saved her. Clare wants to leave, but a vicious snowstorm has blanketed the world in white, trapping them together, and there's nothing she can do but wait. At least the stranger seems kind... but Clare doesn't know if she can trust him. He promised they were alone here, but she sees and hears things that convince her something else is creeping about the surrounding woods, watching. Waiting. Between the claustrophobic storm and the inescapable sense of being hunted, Clare is on edge... and increasingly certain of one thing: Her car crash wasn't an accident. Something is waiting for her to step outside the fragile safety of the house... something monstrous, something unfeeling. Something desperately hungry.

NEW YORK TIMES BESTSELLER • Inspired by a profound experience swimming with wild dolphins off the coast of Maui, the bestselling author of The Wave set out on a quest to learn everything she could about dolphins—the other intelligent life on the planet. “Part science, part memoir, part impassioned plea for change.” —People Susan Casey’s journey takes her from a community in Hawaii known as “Dolphinville,” where the animals are seen as the key to spiritual enlightenment, to the dark side of the human-cetacean relationship at marine parks and dolphin-hunting grounds in Japan and the Solomon Islands, to the island of Crete, where the Minoan civilization lived in harmony with dolphins, providing a millennia-old example of a more enlightened coexistence with the natural world. Along the way, Casey recounts the history of dolphin research and introduces us to the leading marine scientists and activists who have made it their life’s work to increase humans’ understanding and appreciation of the wonder of dolphins.

Offers the first queer reading of all ten of Morrison’s novels. Toni Morrison and the Queer Pleasure of Ghosts radically intervenes in one of the most established and sacred topics in Toni Morrison scholarship, love. Moving beyond Morrison’s representation of ghosts as the forgotten or occluded past, Juda Bennett uncovers how Morrison imagines the spectral sphere as always already queer, a provocation and challenge to heteronormativity—with the ghost appearing as an active participant in disruptions of compulsory heterosexuality, as a figure embodying closet desires, or as a disembodied emanation that counterpoints homophobia. From The Bluest Eye to Home, Morrison’s novels have included many queer ghosts that challenge our most cherished conceptions of love and speak to cultural anxieties about black sexualities, gay marriage, AIDS, lesbian visibility, and transgender identities. Not surprisingly, the scene-stealing ghost Beloved appears at the very heart of this book, but Bennett cautions against interpretative stasis, inviting readers to break free of the stranglehold Beloved has had on imaginations, so as not to miss the full force of Morrison’s lifelong project to queer love.

Rhetorics Haunting the National Mall: Displaced and Ephemeral Public Memories vividly illustrates that a nation’s history is more complicated than the simple binary of remembered/forgotten. Some parts of history, while not formally recognized within a commemorative landscape, haunt those landscapes by virtue of their ephemeral or displaced presence. Rather than being discretely contained within a formal sites, these memories remain public by lingering along the edges and within the crevices of commemorative landscapes. By integrating theories of haunting, place, and public memory, this collection demonstrates that the National Mall, often referred to as “the nation’s front yard,” might better be understood as “the nation’s attic” because it hides those issues we do not want to address but cannot dismiss. The neatly ordered installations and landscaping of the National Mall, if one looks and listens closely, reveal the messiness of US history. From the ephemeral memories of protests on the Mall to the displaced but persistent presences of inequality, each chapter in this book examines the ways in which contemporary public life in the US is haunted by incomplete efforts to close the book on the past.

Holden Castle has dark, turbulent secrets, and two innocent young men find themselves standing in proxy, reliving the roles of earlier tragic figures, long thought dead. From the moment they arrive, Sean and Tony experience a profound and distinct case of déjà vu, as if they're living their lives and the lives of someone else at the same time. They discover that they are the secret.

This book examines how popular music is able to approach subjects of bio-politics, climate change, solastalgia, and anthropomorphisation, alongside its more common diet of songs about love, dancing, and break-ups – all while satisfying its primary remit of being entertaining and listenable. Nearly a thousand books have been published on bioethics since Van Rensselaer Potter’s Bioethics Bridge to the Future (1971), with a marked increase in the past 20 years. However, not one of these books has focused itself on popular music, something Christopher Partridge describes as ‘central to the construction of [our] identities, central to [our] sense of self, central to [our] well-being and, therefore, central to [our] social relations’. This edited collection examines popular music through a range of topics, from romance to climate change. Coastal Environments in Popular Song is perfect for students, scholars, and researchers alike interested in bioethics, social history, and the history of music.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

Through a study of ten commercially published prison autobiographies, Haunting Prison: Exploring the Prison as an Abject and Uncanny Institution unveils how prison is narrativized and socially represented as an abject and uncanny institution, shedding new light on what prison is and does in Western carceral imaginations.