A compelling investigation into supernatural events and local lore on Vancouver Island. Vancouver Island is known worldwide for its arresting natural beauty, but those who live here know that it is also imbued with a palpable supernatural energy. Researcher Shanon Sinn found his curiosity piqued by stories of mysterious sightings on the island—ghosts, sasquatches, sea serpents—but he was disappointed in the sensational and sometimes disrespectful way they were being retold or revised. Acting on his desire to transform these stories from unsubstantiated gossip to thoroughly researched accounts, Sinn uncovered fascinating details, identified historical inconsistencies, and now retells these encounters as accurately as possible. Investigating 25 spellbinding tales that wind their way from the south end of the island to the north, Sinn explored hauntings in cities, in the forest, and on isolated logging roads. In addition to visiting castles, inns, and cemeteries, he followed the trail of spirits glimpsed on mountaintops, beaches, and water, and visited Heriot Bay Inn on Quadra Island and the Schooner Restaurant in Tofino to personally scrutinize reports of hauntings. Featuring First Nations stories from each of the three Indigenous groups who call Vancouver Island home—the Coast Salish, the Nuu-chah-nulth, and the Kwakwaka’wakw—the book includes an interview with Hereditary Chief James Swan of Ahousaht.

Broadcaster and bestselling author Mike McCardell haunts British Columbia’s past in order to summon spellbinding tales of Western Canada. Reprising his 2013 bestseller Haunting Vancouver, Mike McCardell summons the ghost of real-life pioneer Jock Linn to provide hair-raising and humorous versions of what really happened during some of the formative events that shaped British Columbia. McCardell’s ghostly narrator explains how Victoria became BC’s capital (spoiler, it’s all because Governor James Douglas couldn’t stand waiting for a ferry); how Gassy Jack gave birth to Vancouver by running a beloved saloon, and more importantly how gassy he really was; and much much more. As the thousands who follow McCardell’s long-running human-interest features on the evening news know, he has a fascination with the provincial past as well as an uncanny ability to unearth captivating and forgotten stories. Richly illustrated with archival photos AND ghostly doodles, Haunting British Columbia is as fun to read as it is a revealing tour of what really happened in those bygone days. And it's all true... well almost.

Ghost stories from Canada’s most haunted city, including tales from iconic sites such as the Empress hotel, Hatley Castle, and Ross Bay Cemetery. Beautiful, charming Victoria is world renowned for its seaside attractions, flourishing gardens, and breathtaking ocean views. But looming behind its picture-perfect façade is a city shrouded in mystery, with restless, disembodied beings that whisper ghastly tales of mystery, violence, and horror. Known as British Columbia’s most haunted city, Victoria is teeming with a plethora of spirits. Through this brand-new collection of disturbing tales, you’ll come face to face with: The Grey Lady who chills hotel guests to the bone A decorated World War I soldier who protects tenants from something sinister An inconsolable child who haunts the pool area of a defunct hotel The blood-soaked spectre who runs through the infamous Fan Tan Alley to escape capture The ghost of Robert Johnson, who perpetually re-enacts his own suicide The phantom of a cranky hermit who plagues a beautiful lake house A spinster who gives tours of her childhood home And many more Get to know Victoria’s best-known hauntings along with some you may have not have heard before.

A light-hearted local history that is unmistakably Mike McCardell.

A comprehensive collection of supernatural tales drawn from the provinces history, its archives, and its people.

In his new collection of ghost stories, Ian Gibbs combs the Terminal City for its spooks and apparitions, from Gastown to Grouse Mountain, West Van to New West. In his new collection of ghost stories, ghost-walk guide and podcaster Ian Gibbs investigates the greater Vancouver area in search of the city’s paranormal. These thirty stories cover more famous hauntings like Waterfront Station and the Orpheum Theatre as well as private houses and the apartments of friends and readers. Gibbs’s research style balances history, personal experience, and input from residents, employees, local mediums, and paranormal experts. Among others, you’ll learn about the footsteps at the Irish Heather the spirited tunnels at Riverview the pranksters of Hycroft Manor the haunted washrooms at the Alibi Room the ghost of Grace Ceperley at Fairacres Mansion the murmurings at the Cannery and “The Tall” and “The Small” of the Royal Crown Castle From Gastown to Grouse Mountain, West Van to New West, Gibbs combs the Terminal City for its apparitions and presents his findings in a conversational style that meets readers where they are, whether history enthusiast, interested skeptic, or supernaturally sensitive.

In 1907 Vancouver, Canada, after helping unearth a skeleton to be returned for burial in China, fourteen-year-old Bing experiences strange events that cause him to confront his fear of both ghosts and of his father.

Revelstoke: Where the worlds of the living, dead, and extraordinary collide Embark on a fascinating journey into Revelstoke, Canada, a world-renowned ski destination with a well-kept secret: it has a long and active paranormal history just as breathtaking as its mountain views. Packed with stories of hauntings, UFOs, Sasquatch, missing time, and much more, A Strange Little Place takes you into a small town full of thrilling secrets and bizarre encounters. Chronicling over seventy years of unusual occurrences in his hometown, Brennan Storr provides exciting, first-hand accounts of unexplainable phenomena. Discover the sinister mysteries of Rogers Pass, the strange craft and spectral music of the Arrow Lakes, and generations of hauntings in the infamous Holten House. As a magnet for the supernatural, Revelstoke invites you to experience things you never thought possible.

Geoff Inverarity writes poems for people who donít like poetry (and those who do). In this debut collection Inverarity writes of broken things, things that have come apart at the seams, things that ought not to but sometimes do dissolve with time: friendships, relationships, promises, aging parents, hearts, bodies, love, and even time itself. But it's not all shattered dreams and sad-luck stories here, there is hope and optimism too--in the future, in the Now, and in the heat and power of the coming generations. And there are poems of memory, poems for grandfathers and aging aunts, children and lost loves. Inverarity also probes the the multitude of possibilities "in this fallen world of compromises," gently reminding us that "we're stockpiling for the short term / the long term we don't know. / No matter how much you prepare / there's always something new looming / like the Unexploded Grief Bomb." It is a world where we struggle to give back the past, to finally get to the point "where the past does not exist" and "where all history is now." Poetry.

Hundreds of years of ridicule, persecution, erasure, misunderstanding, and institutionalization could put anyone in a bad mood. Killjoy invites you into her kastle for a queer exorcism and celebration of the past. Lesbian feminist histories can have a haunting effect on the present. This book explores the making and experience of Killjoy’s Kastle, an immersive walk-through installation and performance artwork (by Allyson Mitchell and Deirdre Logue) that materializes the frightfully acrimonious past for today. Inspired by Evangelical Christian hell houses, the exhibition has been staged in four cities so far – Toronto, London, Los Angeles, and Philadelphia – inviting visitors to interact with humorous and frightening manifestations of the spirits that haunt feminist and queer history. Whereas traditional hell houses set out to scare and convert, Killjoy’s Kastle cheekily aims to provoke and pervert, giving expression to old and new anxieties and creating a space for critique, affect, and discussion. Inside Killjoy’s Kastle fills this space by exploring the kastle’s theoretical and political legacies in chapters by queer and feminist scholars and in vignettes by artists who participated in the project. The many colourful photos in the book also bring Killjoy’s Kastle to life, offering an important visual context. By taking the kastle as a starting point, the contributors consider the role of lesbian feminist histories and direct-action aesthetics in contemporary communities, particularly the ways in which political artwork can produce new ways of knowing about the past.