Deborah takes you to her most secret haunted location "The Haunted Backyard". Mysteries of the paranormal beyond most human comprehension play hide and seek there, boggling the minds of the most experienced paranormal investigators. What hides in this domain called "The Haunted Backyard"? When you flip through the pages of this book you will see pictures that will linger in your mind for ages to come, your curiosity peaked as to how this could be.

History and Haunting of the Mentone Area is the Third Volume in the series Haunted Southern Nights(R) by Deborah Collard. Deborah will so enjoy this time with you as she shares a bit of history and a few hauntings from the gorgeous LookOut Mountain area surrounding Mentone, Alabama. Mentone, a town that captures the heart of any visitor has deeply captured hers and doesn't intend to let go. From the secrets of the healing springs to who truly discovered America first, this area has so much to offer the genealogical enthusiast as well as the adventurer not to mention the romantic at heart. As you take this journey with Deborah open your mind to all that it is about to be overwhelmed by. And yes, before you even have to ask...there will be a sequel. Deborah has her own saying for Mentone. There is NO time in Mentone, so leave your watch at home...Deborah Collard.

This Volume of Haunted Southern Nights delves into the mind of the Author, Psychic Medium Deborah Collard. She takes you along a journey of learning to work with paranormal investigators to make their job much easier. Adventures and Misadventures can be had while ghost hunting with a psychic.

In the "Introduction; or, How Star Wars Became Our Oldest Cultural Memory" of the first volume of Critique of Fantasy, the gambit of a contest between science fiction and fantasy was already sketched out. J.R.R. Tolkien and C.S. Lewis aimed to separate the fantasy from the techno-science foregrounded in works by H.G. Wells, for example, and raise the fantasy or fairy-story to the power of an alternate adult literary genre. My study of the contest between the B-genres for ownership of the evolution of the social relation of art out of the condemned site of day dreaming required in the first place a reading apparatus, which the first volume derived from psychoanalytic theories of daydreaming's relationship to conscious thought, the unconscious, and artistic production as well as from their prehistory, the philosophies of dreams, ghosts, willing and wishing.

M. R. James was born in Kent, England in 1862. James came to writing fiction relatively late, not publishing his first collection of short stories - Ghost Stories of an Antiquary (1904) - until the age of 42. Modern scholars now see James as having redefined the ghost story for the 20th century and he is seen as the founder of the 'antiquarian ghost story'. We are republishing these classic works in affordable, high quality, modern editions with a brand new introductory biography of the author.

Both anthologies are about New Orleans: the past and the present. This author has grown up in this city, and there is a certain timelessness about it - the past definitely influences the present. All the plays are permeated with the sensuousness, decadence and bewilderment of brave and driven people living in chaos, confusion, extreme pleasure and delight. I hope you get a taste of this rich jambalaya of life as you experience these plays. Volume Two contains historical plays, mostly Victorian, with characters driven by stratified society and tradition. Knowledge of New Orleans history made me want to adapt Uncle Vanya. I loved the play but felt its details were too Russian. I took the bones of Vanya and put it on a plantation called Waverly, the last sugarcane plantation in Louisiana, and called my play Uncle Victor. That play won a number of awards and hooked me on historical drama. I also researched Edgar Degas' visit to New Orleans in 1872 and wrote a nine-cast show, so struck was I by all Degas' relatives who had lived with him in 1872. Degas had tried to save his Uncle's failing cotton business and create new roots in the city of his mother. He fell prey to scandal and decadence. I spent days visiting Kate Chopin's house in Cloutierville, La. and interviewed descendents of Chopin's lover Albert Sanpitie and town members about the scandals of her life. I researched in French and English all the books on Degas. I did similar research in New York and Paris for Beckett at Greystones Bay and John Singer Sargent and Madame X, which are loosely tied to New Orleans. We are glad Degas did go back to Paris and paint and didn't succumb to the temptations of New Orleans. We are pleased Sargent refused to change his scorned portrait of Madame X and that Kate Chopin forged a way to raise her six children and still write.

"Weird Encounters" features more than 75 supernatural stories contributed by writers from across the country. This chilling anthology tells of Historic Haunts and Hostel Environments and conjures up a host of phantasms and destructive spirits.

The expanded second edition of this award-winning readers' advisory guide describes and organizes hundreds of horror titles according to reading preference. Focusing on titles published in the last decade as well as older classics, the authors cover 13 popular subgenres of horror fiction; lively annotations, commentary, background information, and lists of pertinent resources accompany titles. New features include streamlined organization for easy access, the inclusion of graphic novels, and indications of audio, e-book, and large print formats. Hundreds of new and classic horror titles are described and organized according to reading preferences in this expanded second edition of Fonseca and Pulliam's award-winning readers' advisory guide. Focusing on titles published in the last decade and older classics that are currently in print or commonly available in libraries, the authors cover 13 popular subgenres of horror fiction, including vampires and werewolves, techno horror, ghosts and haunted houses, and small town horror. Lively annotations and commentary help you find the right book for even your most demanding horror fans. Background information is also offered along with lists of pertinent resources. Special features of this book are a new streamlined organization for easy access; the inclusion of graphic novels; indications of audio, e-book, and large print formats; and much more. An essential tool for readers' advisors in all library settings, and a perfect guide for fans craving for their next great read!

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

Collects fantasy, horror, fairy tales, and gothic stories chosen from the past year, including works by Ursula K. LeGuin, Neil Gaiman, and Bill Lewis.