The fourth installment of David J. Rouzzo's "The Hathin Series" makes it's way into a special collector's edition hardcover! The surviving characters from the first Hathin trilogy return in this suspenseful new piece to the legacy, Hathin Reborn. Elizabeth finds herself haunted by terrible dreams that soon lead her on a path facing off against bigger threats. As new friends are made, bigger enemies arrive and an old terror returns. Enter these pages and follow Elizabeth, Megan, Jordan, and their new friends as they seek to complete the legacy that Hathin had started. Hathin Reborn picks up where the original trilogy left off, pulling the story into a darker world with bigger threats. The tale takes a new twist as it introduces a new realm in which good and evil face off in the ultimate battle.

"Scots Confession" from John Knox. Scottish religious reformer who played the lead part in reforming the Church in Scotland in a Presbyterian manner (1510-1572).

Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.

This book assess the relationship of literature to various other cultural forms in the Middle Ages. Jesse M. Gellrich uses the insights of such thinkers as Levi-Strauss, Foucault, Barthes, and Derrida to explore the continuity of medieval ideas about speaking, writing, and texts.

Sergius Bulgakov is widely considered to be the twentieth century's foremost Orthodox theologian, and his book The Comforter is an utterly comprehensive and profound study of the Holy Spirit. Encyclopedic in scope, The Comforter explores all aspects of the doctrine of the Holy Spirit, as they are viewed in the Orthodox tradition and throughout church history. The book has sections on the development of the doctrine of the Spirit in early Christianity and on the development of the doctrine of procession in the patristic and later Byzantine periods. It also touches on the place of the Holy Spirit in the Trinity and explores Old and New Testament notions of the Spirit of God. A concluding chapter deals with the mystical revelation of the Holy Spirit. Made available in English through the work of Boris Jakim, today's premier translator of Russian theology and philosophy into English, Bulgakov's Comforter in this edition is a major publishing event.

Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human. Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century 'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.

Builds on the author's premise that God is guiding every step of even the most blundering lives, sharing experiences about her own personal struggles while counseling readers on how to relinquish control over their lives by trusting in God.