For children ages 3-8 years old. Philadelphia's history of rowing and Thomas Eakins paintings have inspired this children's story about Harry and his horse friends from the carousel who are learning to row. When the Coach asks Harry to be the cox and steer the boat, Harry is not happy. He thinks the Coach chooses him only because he is small. In a dream he meets Will who tells him that the cox is very important because he or she wins or loses the race. Harry listens and learns how to be a cox who wins. Real Life Notes describe the Philadelphia landmarks, events and the Thomas Eakins painting that inspired the story.

A book about the author's four-year (1972-1976) journey as a Harvard heavyweight oarsman.

It's the most elite school sporting event in the country. Nine rowers, 2000 gruelling metres and one chance for glory in the ultimate team sport. Sit forward ... ROW. Tall, gifted and the offspring of Olympians, superstar siblings Leni and Cristian Popescu are set to row Harley Grammar to victory in the Head of the River. With six months until the big race, the twins can't lose. Or can they? When Cristian is seduced by the easy route of performance-enhancing drugs, and Leni is suffocated with self-doubt, their bright futures start to fade. Juggling family, high expectations, study, break-ups, new relationships and wild parties, the pressure starts to build. As the final moments tick down to the big race, who’ll make it to the start line? And who'll plummet from grace?

Harry Parker was probably the most important figure in American rowing of the past century. His heavyweight crews at Harvard topped the leagues more consistently than any other team (they won the Eastern Sprints regatta, against most of the top college crews, more than three times as often as their nearest rival). From the time they miraculously won the 1963 Harvard-Yale Race at the end of his first year at the helm, his varsity didn’t lose a race for six years, and they didn’t lose to Yale until the Reagan administration. He was the first US National Team coach, and oversaw five Olympic teams. He coached the sons of his great oarsmen from the 60’s and 70’s, and at age 70 was still putting the sons to shame on a bicycle, or running the steps of the Harvard Stadium. He was respected by all, revered and adored by his rowers, and yet no one seemed to know him. The persistent myth was that he hardly said a word, and that his powerful mystique alone made his oarsmen great and their boats go fast. Though a fundamentally compelling figure, Parker’s famous reticence means that few managed to spend much time close to him. Since he made no attempt to explain himself, legends abound: he never got older; he could control the weather; he could walk on water. The Sphinx of the Charles: A Year at Harvard with Harry Parker takes the reader not only inside the Harvard boathouse, but into the coaching launch with Parker. We see how he coached—how many words he actually uttered—as he guided his team through a year of training, and hear about his life in the sport. We see a paradox: Parker remained remarkably constant over the last forty-five years, yet he constantly evolved, changed his style, and used every means at his disposal to build champion crews. The Sphinx of the Charles goes inside the rowing world in a way hasn’t been done before, putting the reader in the passenger seat next to one of the most successful coaches of all time. Parker is a historical icon, part of a tradition that goes back to the beginning of intercollegiate athletics in America. His story needs to be told. The Sphinx of the Charles is fundamentally a chronicle of a year with the Harvard team and a profile of Harry Parker as he was, five years before his death: comfortable in his position as elder and master of the sport, reflective but not nostalgic, aged but nearly impervious to aging. It is driven by Ayer’s own observations of Parker from his seven years of coaching and training at the Harvard boathouse, but especially from one academic year, 2008-9. he shadowed him for a few days every week from September to June, observing practices both on and off the water, and interacting with the team. The present tense of the narrative reflects this immediacy, but also the sense that Parker has endured and continues to endure. And though The Sphinx of the Charles is not a biography in the usual sense, Parker’s life and career were rich and extraordinary and they must be explored.

The inspiration for the Major Motion Picture Directed by George Clooney—exclusively in theaters December 25, 2023! The #1 New York Times bestselling true story about the American rowing triumph of the 1936 Olympics in Berlin—from the author of Facing the Mountain For readers of Unbroken, out of the depths of the Depression comes an irresistible story about beating the odds and finding hope in the most desperate of times—the improbable, intimate account of how nine working-class boys from the American West showed the world at the 1936 Olympics in Berlin what true grit really meant. It was an unlikely quest from the start. With a team composed of the sons of loggers, shipyard workers, and farmers, the University of Washington’s eight-oar crew team was never expected to defeat the elite teams of the East Coast and Great Britain, yet they did, going on to shock the world by defeating the German team rowing for Adolf Hitler. The emotional heart of the tale lies with Joe Rantz, a teenager without family or prospects, who rows not only to regain his shattered self-regard but also to find a real place for himself in the world. Drawing on the boys’ own journals and vivid memories of a once-in-a-lifetime shared dream, Brown has created an unforgettable portrait of an era, a celebration of a remarkable achievement, and a chronicle of one extraordinary young man’s personal quest.

The Broadview Anthology of Drama: Plays from the Western Theatre is a chronological presentation of 43 plays in two volumes, ranging from the ancient theatre world to the present day. Each chapter focuses on a specific period and begins with an insightful introduction sketching the historical and theatrical landscape of that period. Contextualization for each play is provided through a thorough account of the literary and dramatic background of the play along with clear and comprehensive annotation. In addition, the editors have provided a glossary of terms used in the anthology to better equip students with a vocabulary for discussing the world of the stage.

Based on a historical incident. In the early days of the settlement of Australia by British prisoners, as supplies grow short and hope dwindles, Second Lieutenant Ralph Clark decides to raise morale by staging a comedy, using illiterate prisoners as actors. The project takes on political dimensions and meets with opposition among the other officers. As opening night nears, Clark struggles to ready the play amidst a storm of questions about the possibility of redemption and the transforming powers of theatre.