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For nearly half a century, celebrated historian Ron Tyler has researched, interpreted, and exhibited western American art. This splendid volume, gleaned from Tyler’s extensive career of connoisseurship, brings together eight of the author’s most notable essays, reworked especially for this volume. Beautifully illustrated with more than 150 images, Western Art, Western History tells the stories of key artists, both famous and obscure, whose provocative pictures document the people and places of the nineteenth-century American West. The artists depicted in these pages represent a variety of personalities and artistic styles. According to Tyler, each of them responded in unique ways to the compelling and exotic drama that unfolded in the West during the nineteenth century—an age of exploration, surveying, pleasure travel, and scientific discovery. In eloquent and engaging prose, Tyler unveils a fascinating cast of characters, including the little-known German-Russian artist Louis Choris, who served as a draftsman on the second Russian circumnavigation of the globe; the exacting and precise Swiss artist Karl Bodmer, who accompanied Prince Maximilian of Wied on his sojourn up the Missouri River; and the young American Alfred Jacob Miller, whose seemingly frivolous and romantic depictions of western mountain men and American Indians remained largely unknown until the mid-twentieth century. Other artists showcased in this volume are John James Audubon, George Caleb Bingham, Alfred E. Mathews, and, finally, Frederic Remington, who famously sought to capture the last glimmers of the “old frontier.” A common thread throughout Western Art, Western History is the important role that technology—especially the development of lithography—played in the dissemination of images. As the author emphasizes, many works by western artists are valuable not only as illustrations but as scientific documents, imbued with cultural meaning. By placing works of western art within these broader contexts, Tyler enhances our understanding of their history and significance.

“Davis’s accounts of small fights won by hot blood and cold steel are thrilling.”—The Wall Street Journal From master historian William C. Davis, the definitive story of the Battle of New Orleans, the fight that decided the ultimate fate not only of the War of 1812 but the future course of the fledgling American republic It was a battle that could not be won. Outnumbered farmers, merchants, backwoodsmen, smugglers, slaves, and Choctaw Indians, many of them unarmed, were up against the cream of the British army, professional soldiers who had defeated the great Napoleon and set Washington, D.C., ablaze. At stake was nothing less than the future of the vast American heartland, from the Gulf Coast to the Great Lakes, as the ragtag American forces fought to hold New Orleans, the gateway of the Mississippi River and an inland empire. Tipping the balance of power in the New World, this single battle irrevocably shifted the young republic's political and cultural center of gravity and kept the British from ever regaining dominance in North America. In this gripping, comprehensive study of the Battle of New Orleans, William C. Davis examines the key players and strategy of King George's Red Coats and Andrew Jackson's makeshift "army." A master historian, he expertly weaves together narratives of personal motivation and geopolitical implications that make this battle one of the most impactful ever fought on American soil.

The first book on the life and work of 19th-century American inventor and entrepreneur James Bogardus, known for his unique grinding mill and other patented devices. However, his enduring claim to fame is his cast-iron structures, forerunners of the modern skyscraper. Modern interest in Bogardus stems from the historic preservation movement. His four surviving buildings in New York are recognized landmarks. Illustrated.