This is a story of six siblings and their friends. They are in their early to midtwenties living on a distant world called Harmony. Harmony is the world where the Zodiac signs are more than just an allegory to judge one another on. The Zodiac sign are the gods and goddesses on Harmony. In the past, there were thirteen signs that ruled Harmony. But after a horrible war, only twelve rules now. Lamar was dethroned as King God. After almost ten thousand years of peace, Lamar is back to take back his world, but one brat is in his way: Zenni. Lamar has rebuilt his power and sneaks his claws back into what’s going on Harmony’s politics. Because of that, Zenni has to deal with the council leaders of the twelve regions of Harmony challenging her ability to rule. The council leader acts as majorette puppets for Lamar. His ultimate goal is to take Zenni out before her birthday and replace her with Luna Bell. Zenni, the star of this story, is the coming-of-age queen goddess. She and her siblings and friends work together to protect each other. They still enjoy young adult activities and stay close to one another. Zenni is to rule all the signs and House of Pisces. She and her baby sister, Luna Bell, are a month away for their twenty-fifth and eighteenth birthday, on March 6. A whole month of celebrating is to start soon if they can manage to survive Lamar and the council leaders’ plots.

In this remarkable book, John Welshons weaves together his own personal awakening with those of others he’s counseled to create a deeply felt and beautifully expressed primer on dealing with grief. Grieving, says Welshons, offers a unique opportunity to develop deeper and fuller life experiences, to embrace pain in order to open the heart to joy. Written for those who have experienced any kind of loss — death, divorce, or disappointment — this book offers reasonable, reassuring thinking on dealing with the death of loved ones and ourselves, finding the inner gifts that promote healing, and much more. Awakening from Grief takes a rare and compelling positive look at a subject needlessly viewed as one of the most negative in life. This is a persuasive primer on drawing the joy out of grief.

The book starts by asking what is creative aging? And suggests it involves a long process that grows from all of life's experience, if you have the courage to learn the lessons given to you by your own unique life journey. It shows how difficult it is to age positively in a culture that denies and denigrates aging. At age 85, the author, Ruby Abrahams uses her own experience and that of others she has known, to suggest ways of examining the life experience, so that lessons can be learned. Thus, older people become 'elders' growing in their own wisdom and contributing with that wisdom to their families and communities.

In India: A Sacred Geography, renowned Harvard scholar Diana Eck offers an extraordinary spiritual journey through the pilgrimage places of the world's most religiously vibrant culture and reveals that it is, in fact, through these sacred pilgrimages that India’s very sense of nation has emerged. No matter where one goes in India, one will find a landscape in which mountains, rivers, forests, and villages are elaborately linked to the stories of the gods and heroes of Indian culture. Every place in this vast landscape has its story, and conversely, every story of Hindu myth and legend has its place. Likewise, these places are inextricably tied to one another—not simply in the past, but in the present—through the local, regional, and transregional practices of pilgrimage. India: A Sacred Geography tells the story of the pilgrim’s India. In these pages, Diana Eck takes the reader on an extraordinary spiritual journey through the living landscape of this fascinating country –its mountains, rivers, and seacoasts, its ancient and powerful temples and shrines. Seeking to fully understand the sacred places of pilgrimage from the ground up, with their stories, connections and layers of meaning, she acutely examines Hindu religious ideas and narratives and shows how they have been deeply inscribed in the land itself. Ultimately, Eck shows us that from these networks of pilgrimage places, India’s very sense of region and nation has emerged. This is the astonishing and fascinating picture of a land linked for centuries not by the power of kings and governments, but by the footsteps of pilgrims. India: A Sacred Geography offers a unique perspective on India, both as a complex religious culture and as a nation. Based on her extensive knowledge and her many decades of wide-ranging travel and research, Eck's piercing insights and a sweeping grasp of history ensure that this work will be in demand for many years to come.

In Tradition and Innovation, Nathan Witkamp convincingly argues that Narsai of Nisibis’ (d. ca. 503) baptismal rite and mystagogy, as portrayed in his Liturgical Homilies 21-22, are much less dependent on Theodore of Mopsuestia (ca. 350-ca. 428) than scholars have previously supposed. Narsai’s baptismal rite turns out to represent a particular East Syrian liturgical tradition, independent of Theodore. In his mystagogy, Narsai uses Theodore’s Baptismal Homilies 1-3 as just one source among others to create the artwork he desires. This detailed comparative study contributes to our understanding of rite and mystagogy in Theodore and Narsai within the broader early Syrian context, as well as to the reception of Theodore by Narsai and the East Syrian Church.

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