Named a Must Read by Ebony ∙ Boston Herald ∙ Book Riot ∙ Bookish ∙ Minneapolis Star-Tribune and more! A body falls from a town house window in Harlem, and it looks just like the newest singer at the Apollo...in this evocative, twisting new novel from the author of Miss Aldridge Regrets. Harlem, 1936: Lena Aldridge grew up in a cramped corner of London, hearing stories of the bright lights of Broadway. She always imagined that when she finally went to New York City, she’d be there with her father. But now he’s dead, and she’s newly arrived and alone, chasing a dream that has quickly dried up. When Will Goodman—the handsome musician she met on the crossing from England—offers for her to stay with his friends in Harlem, she agrees. She has nowhere else to go, and this will give her a chance to get to know Will better and see if she can find any trace of the family she might have remaining. Will’s friends welcome her with open arms, but just as Lena discovers the stories her father once told her were missing giant pieces of information, she also starts to realize the man she’s falling too fast and too hard for has secrets of his own. And they might just place a target on her back. Especially when she is drawn to the brightest stage in town.

Pearson, who plays Snoop on the HBO hit series "The Wire," reveals her incredible, hard-knock life story, one that dramatically parallels the life of her character on TV.

An atmospheric and utterly compelling debut novel about a Jamaican immigrant living in postwar London, This Lovely City shows that new arrivals have always been the prime suspects — but that even in the face of anger and fear, there is always hope. London, 1950. With the war over and London still rebuilding, jazz musician Lawrie Matthews has answered England’s call for labour. Arriving from Jamaica aboard the Empire Windrush, he’s rented a tiny room in south London and fallen in love with the girl next door. Playing in Soho’s jazz clubs by night and pacing the streets as a postman by day, Lawrie has poured his heart into his new home — and it’s alive with possibility. Until one morning, while crossing a misty common, he makes a terrible discovery. As the local community rallies, fingers of blame point at those who were recently welcomed with open arms. And before long, London’s newest arrivals become the prime suspects in a tragedy that threatens to tear the city apart. Immersive, poignant, and utterly compelling, Louise Hare’s debut examines the complexities of love and belonging, and teaches us that even in the face of anger and fear, there is always hope.

World-renowned hip-hop artist Jason "Timbuktu" Diakité's vivid and intimate journey through his own and his family's history--from South Carolina slavery to twenty-first-century Sweden. Born to interracial American parents in Sweden, Jason Diakité grew up between worlds--part Swedish, American, black, white, Cherokee, Slovak, and German, riding a delicate cultural and racial divide. It was a no-man's-land that left him in constant search of self. Even after his hip-hop career took off, Jason fought to unify a complex system of family roots that branched across continents, ethnicities, classes, colors, and eras to find a sense of belonging. In A Drop of Midnight, Jason draws on conversations with his parents, personal experiences, long-lost letters, and pilgrimages to South Carolina and New York to paint a vivid picture of race, discrimination, family, and ambition. His ancestors' origins as slaves in the antebellum South, his parents' struggles as an interracial couple, and his own world-expanding connection to hip-hop helped him fashion a strong black identity in Sweden. What unfolds in Jason's remarkable voyage of discovery is a complex and unflinching look at not only his own history but also that of generations affected by the trauma of the African diaspora, then and now.

“Super cinematic and every bit as Agatha Christie-esque as its sounds... ifyou like murder mysteries, pick this one up!” -Emily Henry, #1 New York Times bestselling author of Book Lovers Named A Most Anticipated Mystery of Summer by Betches, Essence, Crime Reads and more! The glittering RMS Queen Mary. A nightclub singer on the run. An aristocratic family with secrets worth killing for. London, 1936. Lena Aldridge wonders if life has passed her by. The dazzling theatre career she hoped for hasn’t worked out. Instead, she’s stuck singing in a sticky-floored basement club in Soho, and her married lover has just left her. But Lena has always had a complicated life, one shrouded in mystery as a mixed-race girl passing for white in a city unforgiving of her true racial heritage. She’s feeling utterly hopeless until a stranger offers her the chance of a lifetime: a starring role on Broadway and a first-class ticket on the Queen Mary bound for New York. After a murder at the club, the timing couldn’t be better, and Lena jumps at the chance to escape England. But death follows her onboard when an obscenely wealthy family draws her into their fold just as one among them is killed in a chillingly familiar way. As Lena navigates the Abernathy’s increasingly bizarre family dynamic, she realizes that her greatest performance won't be for an audience, but for her life. With seductive glamor, simmering family drama, and dizzying twists, Louise Hare makes her beguiling US debut.

Named a 2022 People Magazine best book of the summer! A riveting Harlem Renaissance Mystery featuring Louise Lloyd, a young Black woman working in a hot new speakeasy when she gets caught up in a murder that hits too close to home... Harlem, 1927. Twenty-seven-year-old Louise Lloyd has found the perfect job! She is the new manager of the Dove, a club owned by her close friend Rafael Moreno. There Louise meets Nora Davies, one of the girls she was kidnapped with a decade ago. The two women—along with Rafael and his sister, Louise’s girlfriend, Rosa Maria—spend the night at the Dove, drinking and talking. The next morning, Rosa Maria wakes up covered in blood, with no memory of the previous night. Nora is lying dead in the middle of the dance floor. Louise knows Rosa Maria couldn’t have killed Nora, but the police have a hard time believing that no one can remember anything at all about what happened. When Louise and Rosa Maria return to their apartment after being questioned by the police, they find the word GUILTY written across the living room wall in paint that looks a lot like blood. Someone has gone to great lengths to frame and terrify Rosa Maria, and Louise will stop at nothing to clear the woman she loves.

A history of the Black Power movement in the United States traces the origins and evolution of the influential movement and examines the ways in which Black Power redefined racial identity and culture. With the rallying cry of "Black Power!" in 1966, a group of black activists, including Stokely Carmichael and Huey P. Newton, turned their backs on Martin Luther King's pacifism and, building on Malcolm X's legacy, pioneered a radical new approach to the fight for equality. [This book] is a history of the Black Power movement, that storied group of men and women who would become American icons of the struggle for racial equality. In the book, the author traces the history of the men and women of the movement, many of them famous or infamous, others forgotten. It begins in Harlem in the 1950s, where, despite the Cold War's hostile climate, black writers, artists, and activists built a new urban militancy that was the movement's earliest incarnation. In a series of character driven chapters, we witness the rise of Black Power groups such as the Student Nonviolent Coordinating Committee and the Black Panthers, and with them, on both coasts of the country, a fundamental change in the way Americans understood the unfinished business of racial equality and integration. The book invokes the way in which Black Power redefined black identity and culture and in the process redrew the landscape of American race relations.

Hustle's personal Harlem was sorely in need of a renaissance. For him, it was the place where a scared kid named Eric Samson had been ditched by druggy parents and dismissed by frustrated teachers. Abandoned to the streets to raise himself, Eric Samson knows life won't be easy, beginning with the choices he must make. The fast cash of the streets still tempts him, but the threat of getting locked up – again – is daunting. Maybe Eric's way out is as Harlem Hustle, the rapper he dreams of being. At his side is Manley "Ride" Freeman, surrogate brother and best friend. And Jeannette Simpson, the college-bound "round-the-way" girl he hopes will be more than a friend. But does Eric have the strength to leave the familiar street life behind and the courage to reach for his dream? In her companion to Brother Hood, Janet McDonald once again captures the rhythms of Harlem in this fast, funny story of a restless teenager who uses the power of words to rise above it all.

This 2007 Companion is a comprehensive guide to the key authors and works of the African American literary movement.

By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.