Book expert Brooklyn Wainwright discovers that murder is always a bestseller in the first novel in the New York Times bestselling Bibliophile Mystery series. Brooklyn Wainwright is a skilled surgeon. Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer. On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic message, “Remember the Devil,” and gives her a priceless—and supposedly cursed—copy of Goethe’s Faust for safe-keeping. Brooklyn suddenly finds herself accused of murder and theft, thanks to Derek Stone, the humorless—and annoyingly attractive—British security officer who found her kneeling over the body. Now she has to read the clues left behind by her mentor if she is going to restore justice...

Who are the men committing the rising number of serial homicides in the U.S. -- and why do they kill? The increase in these violent crimes over the past decade has created an urgent need for more and better information about these men: their crime scene patterns, violent acts, and above all, their motivations for committing these shocking and repetitive murders. This authoritative book represents the data, findings, and implications of a long-term F.B.I.-sponsored study of serial sex killers. Specially trained F.B.I. agents examined thirty-six convicted, incarcerated sexual murderers to build a valuable new bank of information which reveals the world of the serial sexual killer in both quantitative and qualitative detail. Data was obtained from official psychiatric and criminal records, court transcripts, and prison reports, as well as from extensive interviews with the offenders themselves. Featured in this book is detailed information on the F.B.I.'s recently developed Violent Criminal Apprehension Program (VICAP) and a sample of an actual VICAP Crime Analysis Report Form.

The new novel in the acclaimed Highland Bookshop mystery series finds a true-crime author murdered in the charming seacoast town of Inversgail—can the women of Yon Bonnie Books discover the killer’s identity before he or she strikes again? True crime writer Heather Kilbride arrives in the seacoast town of Inversgail, Scotland, to research a recent murder for her new book. But if that’s true, why does she seem more interested in William Clark, a shadowy lawyer with no connection to the murder? Her nosy questions arouse the suspicions of Constable Hobbs, the members of a local writers’ group, and Janet Marsh and her crew of amateur sleuths at Yon Bonnie Books. Heather’s unconventional research methods prove deadly when Janet discovers her lifeless body. Except the “body” turns out to be a dummy dressed-up to look like Heather. Meanwhile, Heather is sitting at a safe distance observing Janet’s reactions. Then Heather is found dead—again—sprawled at the base of an ancient standing stone; and this time it’s for real. Clutched in her hand is a valuable miniature book last seen at Yon Bonnie Books, and now the police want to know how Heather, the miniature book, and Janet are all connected. But Janet and her group of sleuths have two questions of their own: Who else is interested in knowing that connection—and is that person a cold-blooded killer?

In American Homicide, Randolph Roth charts changes in the character and incidence of homicide in the U.S. from colonial times to the present. Roth argues that the United States is distinctive in its level of violence among unrelated adults—friends, acquaintances, and strangers. America was extraordinarily homicidal in the mid-seventeenth century, but it became relatively non-homicidal by the mid-eighteenth century, even in the slave South; and by the early nineteenth century, rates in the North and the mountain South were extremely low. But the homicide rate rose substantially among unrelated adults in the slave South after the American Revolution; and it skyrocketed across the United States from the late 1840s through the mid-1870s, while rates in most other Western nations held steady or fell. That surge—and all subsequent increases in the homicide rate—correlated closely with four distinct phenomena: political instability; a loss of government legitimacy; a loss of fellow-feeling among members of society caused by racial, religious, or political antagonism; and a loss of faith in the social hierarchy. Those four factors, Roth argues, best explain why homicide rates have gone up and down in the United States and in other Western nations over the past four centuries, and why the United States is today the most homicidal affluent nation.

Nail guns have always terrified Harvey Beckett, and now she knows why. Harvey loves sharing the parking lot of her bookstore with the hardware store across the way, but when an unruly customer is killed in the lot one night, she begins to wonder if the men who own the store are responsible. A few inquiries and a bit of spying later, and Harvey and her best friend find themselves with nowhere to run. Will the killer be caught before the two women are silenced forever?

Cielo Drive cuts like a beautiful scar along the bottom of a V-shaped canyon in the hills of Bel Air, off of Benedict. In February, 1969, as she looked out on it from the red farmhouse at 10050 Cielo she and her husband Roman Polanski had just rented, Sharon had no way of knowing that she only had 6 months to live. On the night of August 9th, members of "The Manson Family" would invade that house and murder Sharon and three of her closest friends. But strangely, half a year earlier, she'd had a brush with a different killer. It happened after her younger sister Patti, then 11, looked across at the ominous Spanish-Moorish estate Sharon called "The Haunted House." In "Restless Souls," their remarkable memoir, Alisa Statmen and Brie Tate write that Patti then hiked down and across Cielo, walking up to No. 1436 Bella Drive. There, she encountered an open gate where white pillars bore the name: Falcon Lair. Once the home of Rudolf Valentino, it had been purchased in 1953 by the fabulously wealthy heiress Doris Duke. The wrought iron gates were open when Patti wandered inside. Suddenly, she heard, the caretaker yell, "This is private property!" Startled, she turned and lost her balance, skinning her knee, when just then, a black limo pulled in. A tinted window went down and a tall woman in back lowered her sunglasses to ask who she was. Once she ID'd herself as Patti, whose sister Sharon lived "across in the red barn," Doris knew that this wasn't just any child. She was the sibling of the hottest young star in town. So Doris snapped to the caretaker, "Stop being such an ogre and bring Patti in, so we can clean those scraps. And get me the Polanski's phone number." Later, the Duke staff was bandaging Patti's knee when Sharon arrived, "nervously chewing her lower lip" and apologizing to the blond billionaire who was the 3rd richest woman in the world behind Queen Elizabeth & Queen Juliana. But by then, Sharon Tate was Hollywood royalty herself; her husband Roman, coming off "Rosemary's Baby," was a kind of cinematic prince. So why was she nervous? What would make her bite her lip in the face of a woman whose caretaker's aggressive warning had caused her little sister to draw blood? Since Sharon was killed that summer, we'll never know. But one thing is clear: this wasn't the first time Sharon Tate had been pulled into Doris Duke's orbit. 2 1/2 years earlier, one of Sharon's closest friends, Eduardo Tirella, had been violently killed after Doris crushed him under a two-ton station wagon. At the time, all of Eduardo's friends suspected he'd been murdered. The brutal stabbing of Sharon Tate is the tragic tale of a young woman of great promise cut down in the prime of life. But the same could be said for Eduardo, whose own Hollywood career was just catching fire, when he told the possessive, heiress he was leaving her, just minutes before she ran him down outside the gates of her Newport, RI estate. Because she had the money and power, Doris Duke succeeded in effectively erasing his death from the narrative of her troubled life. For more than 50 years, the real truth behind what happened at Rough Point in 1966 has been hidden. Until now!

The national bestselling author presents a high society murder mystery... At Snapdragon, a high-end designer consignment shop, Helen is at the beck and call of snobby- yet frugal-customers. That alone is a deadly combination, especially with Chrissy, a drool-worthy fashionista who walks in with a purse to sell, and ends up screaming at her husband and another customer. Helen is used to dealing with snobby women, controlling husbands, and fashionable politicians. But she's about to have to handle a brand new type of unsatisfied customer-a murderer. Chrissy is found dead in Snapdragon's dressing room, with the hand-painted scarf Helen was just holding tied around her neck. And Helen goes from being low on society's totem pole to high on the police's suspect list.

Winner of the 2018 Anthony Award for Best First Novel Winner of the 2017 Agatha Award for Best First Novel Also a Lefty Award Winner and a Barry Award-Nominated Title The Surprise Hit of the Season! Actress Dayna Anderson's Deadly New Role: Homicide Detective Dayna Anderson doesn't set out to solve a murder. All the semifamous, mega-broke actress wants is to help her parents keep their house. So after witnessing a deadly hit-and-run, she pursues the fifteen grand reward. But Dayna soon finds herself doing a full-on investigation, wanting more than just money—she wants justice for the victim. She chases down leads at paparazzi hot spots, celeb homes, and movie premieres, loving every second of it—until someone tries to kill her. And there are no second takes in real life. Praise: "[A] winning first novel and series launch...Garrett writes with humor and insight about the Hollywood scene. Readers will look forward to Day's further adventures."—Publishers Weekly (starred review) "A smart, sassy debut, introducing an appealing protagonist with amusing friends."—Library Journal (starred review) and Debut of the Month "Veteran TV writer Garrett uses her Cold Case experience to inform her debut, which sets up more than one charming character and isn't afraid to go cynical on all things LA."—Kirkus Reviews "Funny, lively characters populate this new Detective by Day series...this will be an entertaining entry into the amateur sleuth genre."—RT Book Reviews "Fun, smart, endearingly flawed, and impressively determined, Dayna Anderson is a heroine readers will fall in love with...I relished every unexpected twist and turn of this highly entertaining mystery!"—Kyra Davis, New York Times bestselling author

Librarian Juliet Page needs a major change, and she travels to a small town in the UK to reimagine a fresh start when she finds herself caught in the middle of a murder scene—and all fingers pointing at her… Juliet has always loved mystery novels, but she never thought she’d be in the middle of one. With new friendships and a second chance at life on the line, Juliet must clear her name before it’s too late—and in the process, solve the crime. BOUND FOR MURDER: A HARDCOVER HOMICIDE (A Juliet Page Cozy Mystery—Book 1) is the debut novel in a new series by cozy mystery author Audrey Shine. A charming cozy mystery series, Juliet Page will pull you right into its quaint setting, captivate you with its enchanting atmosphere, and make it impossible to stop reading. With unexpected plot twists and a perplexing mystery to unravel, this page-turner will keep you engaged late into the night, all while you fall in love with its unforgettable main character. Future books in the series are also available!

Tricia Miles must swim against the tide to catch a killer when Haven't Got A Clue's assistant manager is accused of murder in the latest entry to Lorna Barrett's New York Times bestselling Booktown series. Haven't Got A Clue bookshop owner Tricia Miles's relationship is on the rocks. After a not-so-fun vacation with her on-again-off-again lover, Marshall Cambridge, Tricia's hoping for smooth sailing back in Stoneham. Unfortunately Booktown greets her not with blue skies but with another body. When Tricia's assistant manager, Pixie, finds homeless vet Susan Morris's body behind Haven't Got A Clue, Pixie's checkered past makes her the prime suspect. Tricia sets out to clear Pixie's name armed with only an anchor insignia earring found at the scene of the crime. As Tricia digs deeper she discovers Susan was involved in a scandal right before retiring from the Navy—but since nobody in the village knows Susan, even Tricia's one lead is in danger of drying up. With family drama brewing in the background and all of Stoneham convinced her manager is a murderer, Tricia knows she has to get to the bottom of the case soon before Pixie's life is sunk.