USA Today bestselling author Lorraine Heath spins a passionate tale of love lost and found in a small Texas town. When Kelley Spencer moves back to her hometown of Hopeful with her sister, she hopes desperately to protect sixteen-year-old Madison from the trouble that seemed to find her in Dallas. Almost immediately, a brush with the law reveals that the police chief is none other than Jack Morgan -- the man who broke Kelley's heart many years before. He's the last man she thought she'd find still living in Hopeful...and the only man she's ever loved. Jack Morgan wants nothing more than a second chance with Kelley Spencer -- and he's not shy about showing it. Their love might have been doomed all those years ago, but nothing's stopping him now. That is, nothing but Kelley's dark secret that might drive Jack to leave her again...this time forever.

When Lacey Cline discovered her daddy was a McCloud, the spirited beauty was determined to let the old rascal know his unclaimed daughter didn't need him! But once at his Texas ranch, she felt a yearning for the family she'd never known. Luckily she had sexy Travis Cordell's strong shoulder to lean on.... Sweet-talkin', solid-bodied Travis wasn't the kind of man women usually came to for comfort. But sassy Lacey tugged at this hard lovin' loner's soul. And suddenly Travis knew he'd do anything to protect the lady's heart. Even if that meant risking his own...

With keen insight into teenage life, Ellen Wittlinger delivers a story of adolescence that is fierce and funny -- and ultimately transforming -- even as it explores the pain of growing up. Since his parents' divorce, John's mother hasn't touched him, her new fiancé wants them to move away, and his father would rather be anywhere than at Friday night dinner with his son. It's no wonder John writes articles like "Interview with the Stepfather" and "Memoirs from Hell." The only release he finds is in homemade zines like the amazing Escape Velocity by Marisol, a self-proclaimed "Puerto Rican Cuban Yankee Lesbian." Haning around the Boston Tower Records for the new issue of Escape Velocity, John meets Marisol and a hard love is born. While at first their friendship is based on zines, dysfuntional families, and dreams of escape, soon both John and Marisol begin to shed their protective shells. Unfortunately, John mistakes this growing intimacy for love, and a disastrous date to his junior prom leaves that friendship in ruins. Desperately hoping to fix things, John convinces Marisol to come with him to a zine conference on Cape Cod. On the sandy beaches by the Bluefish Wharf Inn, John realizes just how hard love can be.

Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.