The #1 bestselling phenomenon continues in the eighth Stephanie Plum novel. The stakes get higher, the crimes get nastier, the chases get faster, and the men get hotter. This time Stephanie, Morelli, Ranger. Lula, Valerie, and Grandma Mazur are strapped in for the ride of their lives. Stephanie is hired to find a missing child. But things aren't always as they seem and Stephanie must determine if she's working for the right side of the law. Plus, there's the Morelli question: can a Jersey girl keep her head on straight when more than just bullets are aimed for her heart? And with the Plum and Morelli relationship looking rocky, is it time for Ranger to move in for the kill? Janet Evanovich's latest thriller proves that Hard Eight will never be enough.

The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors' love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently. Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.” In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today's directors and, in turn, cinema history.

"The runaway winner as the best overall gambling encyclopedia written in the past 20 years.”--Detroit Free Press Walk away from every casino a winner! Take it from Mensa, the society for people with high IQs: you don’t have to be a genius to triumph at the tables. Here’s the inside line on the games and bets that give the best advantage. Do you know whether to split a pair of aces in blackjack, which slot machines carry the worst payback for the player, and why losses are more significant at video than "live” keno? Beat the bank by understanding all this and more, including odds and probability, the "house edge,” money management, and gambling psychology. The chips will just pile up. The author lives in New York, NY.

Leading professional gambler and host of a national television show and of dozens of instructional videotapes, John Patrick shares his secrets of success, providing readers with specific, easy-to-learn methods for mastering the tables, wheels, cards, and dice of every game, as well as proven techniques for sports betting.

An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director Paul Thomas Anderson has been described as "one of American film's modern masters" and "the foremost filmmaking talent of his generation." Anderson's ï¬?lms have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire career—from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short ï¬?lms—is examined in illustrated detail for the ï¬?rst time. Anderson’s influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by ï¬?rsthand interviews with Anderson’s closest collaborators—including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood—and illuminated by ï¬?lm stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.

"Adventurous and imaginative, Harian imbues the world of Demura with an infectious charm and energy, and just enough danger and darkness. A gorgeous fantasy that will hook readers from page one."—Madeleine Roux, New York Times-bestselling author of the Asylum series Lovers of dark, high-octane adventure will be enthralled by Sarah Harian's Eight Will Fall, a genre-bending YA fantasy standalone, perfect for fans of Kendare Blake and Leigh Bardugo. In a world where magic is illegal, eight criminals led by rebellious Larkin are sent on a mission to rid their realm of an ancient evil lurking beneath the surface. Descending into a world full of unspeakable horrors, Larkin and her crew must use their forbidden magic to survive. As they fight in the shadows, Larkin finds a light in Amias, a fellow outlaw with a notorious past. Soon, Larkin and Amias realize that their destinies are intertwined. The eight of them were chosen for a reason. But as the beasts grow in number and her band is picked off one by one, Larkin is forced to confront a terrible truth: They were never meant to return.

James Mottram traces the roots of this generation of American film-makers to Steven Soderbergh's 'Sex, Lies and Videotape' and looks at how many kickstarted their careers and made their mark at Robert Redford's Sundance Institute in Utah or at his film festival.

What does a young Navajo lad do when he discovers buried treasure worth over $500,000, just after he joins the Navy? Combine that problem with the discovery of a wrecked and abandoned high-technology aircraft -- would you try to fix it, or turn it in? He has just graduated and has to make the decision as to what direction he must go. Al has studied Russian and German and thinks that being a technical interpreter may be a good job in the Navy. He enlists the help of his Uncle Ben, a retired Navy helicopter pilot and medicine man with his Korean girlfriend, Mae Lee. Together with his mother, they decide to use some of the money to form a study group research teaching untrained Navajos to become wage earners in an area of high chronic unemployment—The Four Corners side of New Mexico. In a childhood of being a loner, he develops skill at being a leader with a massive curiosity. He loves his mother who raised him after his father abandoned them in poverty in a harsh land. Their project is joined by others who add wonderful ideas to the task. Al's knowledge of how to use the Internet to acquire requested information starts to expand the envelope. Al has learned gambling games such as craps and video poker on his computer with no money. He learns that it is different in the real world of Las Vegas and Atlantic City. Al Joe look for a hobby and finds that prospecting for rocks, minerals, historical artifacts and history can be exciting. Are the Anasazi the predecessors of the Navajo tribe? How did they come to the Four Corners area of New Mexico, Colorado, Arizona and Utah. Where did they go? What do the pictographs mean that are found in the castle-like ruins of Mesa Verde, Aztec, and Cholla parks? Al's team investigates possible future developments in housing, aerial fire fighting equipment, new power sources, gravity-based appliances, prospecting, treasure hunting and a different way to change forest lumber production. The Author (below) has spent thirty years working with these proud people and has spun this yarn hoping you will enjoy the romp.

Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective—more antihero than hero—is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.