Grab it and go! HARBRACE ESSENTIALS, 3rd Edition answers all of your essential writing questions in one easy-to-navigate, easy-to-carry handbook. Inside, you'll find brief yet thorough explanations of important grammar, style, mechanics and punctuation topics. You'll also find model student papers, extensive MLA and APA citation examples and more.

Grab it and go! HARBRACE ESSENTIALS WITH RESOURCES FOR WRITING IN THE DISCIPLINES, 3rd Edition answers all of your essential writing questions in one easy-to-navigate, easy-to-carry handbook. Inside, you'll find brief yet thorough explanations of important grammar, style, mechanics and punctuation topics. You'll also find model student papers in a variety of disciplines, extensive MLA citation examples and more.

The 14th edition of this writers handbook from Harcourt College Publishers has been written with English composition, English language and high level ESL students in mind. The Writer's Harbrace Handbook offers a writing-driven approach while maintaining solid coverage of grammar and mechanics. This title also includes a WebCT Guide and PIN code. WebCT online courses provide lecture notes and additional content tied directly to the text, along with self-tests, interactive activities, and net links. All this is directly customized by The Lecturer to suit their individual course.

Ideal for reference in the classroom or office, this brief and easy-to-navigate handbook provides clear and concise grammar, style, mechanics, and punctuation information, as well as strategies for writing paragraphs and essays, conducting research, and documenting sources. Each student text is packaged with a free Cengage Essential Reference Card to the MLA HANDBOOK, Eighth Edition. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

In this important book, acclaimed author Mark Edmundson reconceives the value and promise of reading. He enjoins educators to stop offering up literature as facile entertainment and instead teach students to read in a way that can change their lives for the better. At once controversial and inspiring, this is a groundbreaking book written with the elegance and power to change the way we teach and read. Why Read was a PSLA Young Adult Top 40 non-fiction title 2004

New Essays in Technical and Scientific Communication represents the most important collection of writings about technical communications ever compiled. Focusing on a wide range of theoretical and practical issues, these essays reflect the rigor, vitality, and interdisciplinary nature of modern technical communications. This represents a collection of the very best scholarly work being done.

In Silence and Listening as Rhetorical Arts,editors Cheryl Glenn and Krista Ratcliffe bring together seventeen essays by new and established scholars that demonstrate the value and importance of silence and listening to the study and practice of rhetoric. Building on the editors’ groundbreaking research, which respects the power of the spoken word while challenging the marginalized status of silence and listening, this volumemakes a strong case for placing these overlooked concepts, and their intersections, at the forefront of rhetorical arts within rhetoric and composition studies. Divided into three parts—History, Theory and Criticism, and Praxes—this book reimagines traditional histories and theories of rhetoric and incorporates contemporary interests, such as race, gender, and cross-cultural concerns, into scholarly conversations about rhetorical history, theory, criticism, and praxes. For the editors and the other contributors to this volume, silence is not simply the absence of sound and listening is not a passive act. When used strategically and with purpose—together and separately—silence and listening are powerful rhetorical devices integral to effective communication. The essays cover a wide range of subjects, including women rhetors from ancient Greece and medieval and Renaissance Europe; African philosophy and African American rhetoric; contemporary antiwar protests in the United States; activist conflict resolution in Israel and Palestine; and feminist and second-language pedagogies. Taken together, the essays in this volume advance the argument that silence and listening are as important to rhetoric and composition studies as the more traditionally emphasized arts of reading, writing, and speaking and are particularly effective for theorizing, historicizing, analyzing, and teaching. An extremely valuable resource for instructors and students in rhetoric, composition, and communication studies, Silence and Listening as Rhetorical Arts will also have applications beyond academia, helping individuals, cultural groups, and nations more productively discern and implement appropriate actions when all parties agree to engage in rhetorical situations that include not only respectful speaking, reading, and writing but also productive silence and rhetorical listening.

Rhetorical Grammar encourages writers to recognize and use the structural and stylistic choices available to them and to understand the rhetorical effects those choices can have on their readers. Rhetorical Grammar is a writer's grammar - a text that presents grammar as a rhetorical tool, avoiding the do's and don'ts so long associated with the study of grammar. It reveals to student writers the system of grammar that they know subconsciously and encourages them to use that knowledge to understand their choices as writers and the effects of those choices on their readers. Besides providing key strategies for revision, Rhetorical Grammar presents systematic discussions of reader expectation, sentence rhythm and cohesion, subordination and coordination, punctuation, modifiers, diction, and other principles. Studying grammar from this rhetorical point of view defines the study of language as an intellectual exercise designed to open up students' minds to the versatility, beauty, and possibilities of language.