An NYRB Classics Original Moscow Chestnova is a bold and glamorous girl, a beautiful parachutist who grew up with the Revolution. As an orphan, she knew tough times—but things are changing now. Comrade Stalin has proclaimed that “Life has become better! Life has become merrier!” and Moscow herself is poised to join the Soviet elite. But her ambitions are thwarted when a freak accident propels her flaming from the sky. A new, stranger life begins. Moscow drifts from man to man, through dance halls, all-night diners, and laboratories in which the secret of immortality is actively being investigated, exploring the endless avenues and vacant spaces of the great city whose name she bears, looking for happiness, somewhere, still. Unpublishable during Platonov’s lifetime, Happy Moscow first appeared in Russian only in 1991. This new edition contains not only a revised translation of Happy Moscow but several related works: a screenplay, a prescient essay about ecological catastrophe, and two short stories in which same characters reappear and the reader sees the mind of an extraordinary writer at work.

The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of the Year 'Charming ... shows that not all books about Russian aristocrats have to be full of doom and nihilism' - The Times, Books of the Year On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all? A BOOK OF THE DECADE, 2010-2020 (INDEPENDENT) THE TIMES BOOK OF THE YEAR 2017 A SUNDAY TIMES BOOK OF THE YEAR 2017 A MAIL ON SUNDAY BOOK OF THE YEAR 2017 A DAILY EXPRESS BOOK OF THE YEAR 2017 AN IRISH TIMES BOOK OF THE YEAR 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 ONE OF BILL GATES'S SUMMER READS OF 2019 NOMINATED FOR THE 2018 INDEPENDENT BOOKSELLERS WEEK AWARD

Written at the height of Stalin's first "five-year plan" for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "production" novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.

The Tsar's Happy Occasion shows how the vast, ornate affairs that were royal weddings in early modern Russia were choreographed to broadcast powerful images of monarchy and dynasty. Processions and speeches emphasized dynastic continuity and legitimacy. Fertility rites blended Christian and pre-Christian symbols to assure the birth of heirs. Gift exchanges created and affirmed social solidarity among the elite. The bride performed rituals that integrated herself and her family into the inner circle of the court. Using an array of archival sources, Russell E. Martin demonstrates how royal weddings reflected and shaped court politics during a time of dramatic cultural and dynastic change. As Martin shows, the rites of passage in these ceremonies were dazzling displays of monarchical power unlike any other ritual at the Muscovite court. And as dynasties came and went and the political culture evolved, so too did wedding rituals. Martin relates how Peter the Great first mocked, then remade wedding rituals to symbolize and empower his efforts to westernize Russia. After Peter, the two branches of the Romanov dynasty used weddings to solidify their claims to the throne. The Tsar's Happy Occasion offers a sweeping, yet penetrating cultural history of the power of rituals and the rituals of power in early modern Russia.

From the spymaster and inspiration for the movie Argo, discover the "real-life spy thriller" of the brilliant but under-supported CIA operatives who developed breakthrough spy tactics that helped turn the tide of the Cold War (Malcolm Nance). Antonio Mendez and his future wife Jonna were CIA operatives working to spy on Moscow in the late 1970s, at one of the most dangerous moments in the Cold War. Soviets kept files on all foreigners, studied their patterns, and tapped their phones. Intelligence work was effectively impossible. The Soviet threat loomed larger than ever. The Moscow Rules tells the story of the intelligence breakthroughs that turned the odds in America's favor. As experts in disguise, Antonio and Jonna were instrumental in developing a series of tactics -- Hollywood-inspired identity swaps, ingenious evasion techniques, and an armory of James Bond-style gadgets -- that allowed CIA officers to outmaneuver the KGB. As Russia again rises in opposition to America, this remarkable story is a tribute to those who risked everything for their country, and to the ingenuity that allowed them to succeed.

"An instant classic, if not the finest book to date on Ronald Reagan.” — Jay Winik President Reagan's dramatic battle to win the Cold War is revealed as never before by the #1 bestselling author and award-winning anchor of the #1 rated Special Report with Bret Baier. Moscow, 1988: 1,000 miles behind the Iron Curtain, Ronald Reagan stood for freedom and confronted the Soviet empire. In his acclaimed bestseller Three Days in January, Bret Baier illuminated the extraordinary leadership of President Dwight Eisenhower at the dawn of the Cold War. Now in his highly anticipated new history, Three Days in Moscow, Baier explores the dramatic endgame of America’s long struggle with the Soviet Union and President Ronald Reagan’s central role in shaping the world we live in today. On May 31, 1988, Reagan stood on Russian soil and addressed a packed audience at Moscow State University, delivering a remarkable—yet now largely forgotten—speech that capped his first visit to the Soviet capital. This fourth in a series of summits between Reagan and Soviet General Secretary Mikhail Gorbachev, was a dramatic coda to their tireless efforts to reduce the nuclear threat. More than that, Reagan viewed it as “a grand historical moment”: an opportunity to light a path for the Soviet people—toward freedom, human rights, and a future he told them they could embrace if they chose. It was the first time an American president had given an address about human rights on Russian soil. Reagan had once called the Soviet Union an “evil empire.” Now, saying that depiction was from “another time,” he beckoned the Soviets to join him in a new vision of the future. The importance of Reagan’s Moscow speech was largely overlooked at the time, but the new world he spoke of was fast approaching; the following year, in November 1989, the Berlin Wall fell and the Soviet Union began to disintegrate, leaving the United States the sole superpower on the world stage. Today, the end of the Cold War is perhaps the defining historical moment of the past half century, and must be understood if we are to make sense of America’s current place in the world, amid the re-emergence of US-Russian tensions during Vladimir Putin’s tenure. Using Reagan’s three days in Moscow to tell the larger story of the president’s critical and often misunderstood role in orchestrating a successful, peaceful ending to the Cold War, Baier illuminates the character of one of our nation’s most venerated leaders—and reveals the unique qualities that allowed him to succeed in forming an alliance for peace with the Soviet Union, when his predecessors had fallen short.

From the #1 New York Times-bestselling author of The Lincoln Highway and A Gentleman in Moscow, a “sharply stylish” (Boston Globe) book about a young woman in post-Depression era New York who suddenly finds herself thrust into high society—now with over one million readers worldwide On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society—where she will have little to rely upon other than a bracing wit and her own brand of cool nerve. With its sparkling depiction of New York’s social strata, its intricate imagery and themes, and its immensely appealing characters, Rules of Civility won the hearts of readers and critics alike.

"Reading Platonov, one gets a sense of the relentless, implacable absurdity built into the language and with each...utterance, that absurdity deepens" - Joseph Brodsky People are on the move in all ten stories in this collection, coming home as in "The Return", leaving home as in "Rubbish Wind", travelling far away from their country as in "The Locks of Epiphan", trying to improve their lives and those of others, running away, searching, fleeing. Their journeys are accompanied by two motives which characterize the writing of Andrey Platonov: optimism and faith in the goodness of humanity, and abject despair at the cruelty, randomness, and apparent senselessness of our existence. The protagonists are torn between these poles and sometimes a synthesis shines through the mists of the apparent naivety of faith and the blackness of despair: the hope against hope that a better life is still possible. Though Russian readers and critics have come to look on Platonov as among their greatest prose writers of this century, he has yet to enjoy a parallel international reputation - mainly because much of his best writing was suppressed for more than 60 years. Combining a realism inspired by his work as an engineer with poetic vision and the deceptively simple language of folk tales, Platonov sets his stories alight by using language in a way that renders it unfamiliar, makes the ordinary seem unusual and the extraordinary logical. This translation is the first to present the full range of Platonov's gift as a short story writer to an English-language readership, showing why it is that Joseph Brodsky regarded Platonov as the equal of Joyce, Kafka and Proust. "...strange, almost abrupt, a hallucinatory, nightmarish parable of hysterical laughter and terrifying silences" - Eileen Battersby, Irish Times - in reference to The Foundation Pit

A memoir of revolution, reaction, and Russian men’s fashion In this crackling memoir, the journalist and novelist Michael Idov recounts the tempestuous years he spent living alongside—and closely observing—the media and cultural elite of Putin’s Russia. After accepting a surprise offer to become the editor in chief of GQ Russia, Idov and his family arrive in a Moscow still seething from a dubious election and the mass anti-Putin rallies that erupted in response. Idov is fascinated by the political turmoil but nonetheless finds himself pulled in unlikely directions. He becomes a tabloid celebrity, acts in a Russian movie with Snoop Dogg, befriends the members of Pussy Riot, punches an anti-Semitic magazine editor on the steps of the Bolshoi Theatre, sells an autobiographical sitcom pilot that is later changed into an anti-American farce, and writes Russia’s top-grossing domestic movie of 2015. Meanwhile, he becomes disillusioned with the splintering opposition to Putin and is briefly attracted to a kind of jaded Putinism lite—until Russia’s invasion of Ukraine thoroughly changes his mind. In Dressed Up for a Riot, Idov writes openly, sensitively, and stingingly about life in Moscow and his place in a media apparatus that sometimes undermined but more often bolstered a state system defined by cynicism, corruption, and the fanning of fake news. With humor and intelligence, he offers a close-up glimpse of what a declining world power can become.