The first novel from the Nobel Prize-winning author lays the foundation for The Stranger, telling the story of an Algerian clerk who kills a man in cold blood. In A Happy Death, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in 1960, revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard

What is the secret of people who die contented and fulfilled? What makes it possible for them to attain such spiritual heights as they approach their physical demise? What enables them to make death a completion of life, rather than a tragic end? And what can they teach us about life and death, love and loss, grief and spiritual growth? The way we die, like the way we live, makes a difference—in our lives and the lives of others. From time to time during his work as a pastor, John Fanestil has witnessed someone dying with remarkable and uplifting grace. Fanestil was moved yet puzzled by the spirit of happiness and holiness he observed. Contemporary literature on dying, filled with talk of anger, acceptance, and forgiveness, provided little to explain it. But the chance discovery of articles about the ritual of the “happy death” in religious magazines from the eighteenth and nineteenth centuries brought Fanestil the answers he sought. Mrs. Hunter’s Happy Death blends the captivating historical accounts Fanestil uncovered with his own pastoral experiences to reveal the secrets that enable people to transcend pain and suffering and embrace death as a completion of life, not as a tragic end. A fascinating introduction to a historic approach to death and its contemporary incarnations, Mrs. Hunter’s Happy Death also offers specific lessons on living and dying, from the “exercise of prayer” to the “labor of love” to “bearing testimony.” With the spread of in-home medical and hospice care, death is once again being embraced as a natural part of life, infused with profound emotional and spiritual dimensions. The inspiring stories in Mrs. Hunter’s Happy Death beautifully demonstrate that the way we die, like the way we live, makes a supreme difference—in our lives and in the lives of others.

The official novelization of the #1 smash hit film Happy Death Day and its sequel Happy Death Day 2U, from Blumhouse (Split, Get Out, The Purge franchise) and Universal Pictures. In Happy Death Day, Teresa "Tree" Gelbman's birthday is the worst day of her life, starting when she wakes up in a stranger's bed. It's also the last day of her life, ending when she's killed by a psychotic killer with a knife. She's dead. And then she wakes up in a stranger's bed, it's September 18, and she has to live it all over again . . . until she's hunted down and wakes up, again, and again. It's a Groundhog Day situation, only with murder, guns, and mean girls, and Tree's only shot at living to see the next day is to relive the day of her murder, over and over, until she discovers her killer's identity. Happy Death Day 2U picks up the story without missing a beat. Tree Gelbman thought she'd finally lived to see a brand-new day. But when she wakes up on her same birthday and an all-new psychopath in a mask is out to kill her and her friends, she's going to find out that all the rules have changed. Death makes a killer comeback.

It has often been said that the two things in life you can't avoid are death and taxes. While the IRS puts out numerous publications and there are CPAs and lawyers around every corner ready to dish out advice for the taxpayer, the best lawyer in the world can't get you out of dying. Death is the one trip we all take, with no tour guide or travel agent to hold our hand. Diana Ingram has written a much needed and uncommonly positive book to help us deal with death, both our own and those closest to us. Her work as a grief counselor and hospice volunteer has given Ingram a unique view of our last journey, all of which, along with extensive research, she has brought to this guide. Covering all aspects of death from the practical to the personal, Passport includes information on legal preparations, funeral services, Hospice care and religion. Ingram has even included a workbook to help you through what can be a daunting process. Passport to a Happy Death makes you think, prepare, and even laugh. Moreover it will help give peace of mind to both you and your loved ones. This is an altogether unique and useful read.

"Why do you look for the living among the dead?” Bible, Luke 24:5 “I know your deeds; you have a reputation of being alive, but you are dead.” Bible: Revelation 3:1-3 “Do you know what feels strange about this hospital? Nobody is laughing here. The person who is not able to laugh anymore has no more reason to be here.” Conversation in hospital. This book is dedicated to the people from whom I have learned the secrets about life and death: especially Michel Boje, my patient for several years who taught me about the mystery of death (he had hepatitis C, was addicted to narcotics but was able to fulfill his dreams), my beloved father Nikolaj Kozevnikov, former chief engineer for hydropower station construction in Russia, who taught me (he is in his 80s) the art of resolving any extreme situations, my dear lovely Danish husband professor Leif Bjørnø who taught me (and he is still teaching) the art of adaptation of any life challenges and many-many others who were my daily teachers in the school of life and death. Thanks to all of them this book was created.