Longlisted for the 2022 Andrew Carnegie Medal for Excellence in Fiction An extraordinary debut collection of short stories by a three-time Pushcart Prize winner following Chinese women in both China and the United States who turn to signs and languages as they cross the alien landscapes of migration and motherhood. "The most common word in Chinese, perhaps, a ubiquitous syllable people utter and hear all the time, which is supposed to mean good. But what is hao in this world, where good books are burned, good people condemned, meanness considered a good trait, violence good conduct? People say hao when their eyes are marred with suspicion and dread. They say hao when they are tattered inside." By turns reflective and visceral, the stories in Hao examine the ways in which women can be silenced as they grapple with sexism and racism, and how they find their own language to define their experience. In “Gold Mountain,” a young mother hides above a ransacked store during the San Francisco anti-Chinese riot of 1877. In “A Drawer,” an illiterate mother invents a language through drawing. And in “Stars,” a graduate student loses her ability to speak after a stroke. Together, these twelve stories create "an unsettling, hypnotic collection spanning centuries, in which language and children act simultaneously as tethers and casting lines, the reasons and the tools for moving forward after trauma. "You’ll come away from this beautiful book changed” (Julia Fine, author of The Upstairs House).

Longlisted for the 2022 Andrew Carnegie Medal for Excellence in Fiction An extraordinary debut collection of short stories by a three-time Pushcart Prize winner following Chinese women in both China and the United States who turn to signs and languages as they cross the alien landscapes of migration and motherhood. "Ye’s writing thrives when dissecting the contradictions in life and in language."—Javier C. Hernández, The New York Times "Gentle . . . Slow, somber and often elegant, Hao thematically foregrounds language . . . Ye shows how words operate as weapons, comforts, memories and insufficient—if sometimes beautiful—representations of intent." —Tracy O’Neill, The New York Times Book Review "The most common word in Chinese, perhaps, a ubiquitous syllable people utter and hear all the time, which is supposed to mean good. But what is hao in this world, where good books are burned, good people condemned, meanness considered a good trait, violence good conduct? People say hao when their eyes are marred with suspicion and dread. They say hao when they are tattered inside." By turns reflective and visceral, the stories in Hao examine the ways in which women can be silenced as they grapple with sexism and racism, and how they find their own language to define their experience. In “Gold Mountain,” a young mother hides above a ransacked store during the San Francisco anti-Chinese riot of 1877. In “A Drawer,” an illiterate mother invents a language through drawing. And in “Stars,” a graduate student loses her ability to speak after a stroke. Together, these twelve stories create "an unsettling, hypnotic collection spanning centuries, in which language and children act simultaneously as tethers and casting lines, the reasons and the tools for moving forward after trauma. "You’ll come away from this beautiful book changed” (Julia Fine, author of The Upstairs House).

A century after the Martian war of independence, a group of kids are sent to Earth as delegates from Mars, but when they return home, they are caught between the two worlds, unable to reconcile the beauty and culture of Mars with their experiences on Earth in this “thoughtful debut” (Kirkus Reviews) from Hugo Award–winning author Hao Jingfang. This “masterful narrative” (Booklist, starred review) is set on Earth in the wake of a second civil war…not between two factions in one nation, but two factions in one solar system: Mars and Earth. In an attempt to repair increasing tensions, the colonies of Mars send a group of young people to live on Earth to help reconcile humanity. But the group finds itself with no real home, no friends, and fractured allegiances as they struggle to find a sense of community and identity trapped between two worlds.

This history book celebrates a near-forgotten band of gallant American airmen, led by Claire Lee Chennault, who served in the midst of a strange land at a time of great turmoil. They arrived in China, not as conquerors, but as codefenders, appreciated by the most humble and grateful Chinese who would smile to them and in many cases utter the only mutually recognizable words of communication: 'Ding Hao, ' meaning 'It is good.'

'Professor Hao Bailin is one of China's most talented and most versatile theoretical physicists. He has made important contributions to a wide variety of research fields, including biology in which he pioneered a multidimensional method for studying the evolutionary pathways of bacteria. Indeed he calls himself, appreciatively I believe, a guerrilla fighter.'Chen-Ning Yang, Nobel Laureate

Ridiculously authentic life episodes are interspersed with thought-provoking pieces and downright literary cheek in this latest collection. There are stories based in the outdoors, like Gorging and Where's the Proof? and stories that deal with deeper issues, like Hao-Hao and One Man's Good Name. There is plenty of humour, and the whiff of real-life that the reader will recognise.

The first full flowering of Chinese poetry occurred in the illustrious T’ang Dynasty, and at the beginning of this renaissance stands Meng Hao-jan (689-740 c.e.), esteemed elder to a long line of China’s greatest poets. Deeply influenced by Ch’an (Zen) Buddhism, Meng was the first to make poetry from the Ch’an insight that deep understanding lies beyond words. The result was a strikingly distilled language that opened new inner depths, non-verbal insights, and outright enigma. This made Meng Hao-jan China’s first master of the short imagistic landscape poem that came to typify ancient Chinese poetry. And as a lifelong intimacy with mountains dominates Meng’s work, such innovative poetics made him a preeminent figure in the wilderness (literally rivers-and-mountains) tradition, and that tradition is the very heart of Chinese poetry. This is the first English translation devoted to the work of Meng Hao-jan. Meng’s poetic descendents revered the wisdom he cultivated as a mountain recluse, and now we too can witness the sagacity they considered almost indistinguishable from that of rivers and mountains themselves.

Pintoo has a new car and Hoho wants a ride right away! Kai-lan realizes her friend needs a lesson in patience. Based on Nickelodeon's hit series, Ni Hao, Kai-lan.

Kai-lan and her friends are having a great time at the carnival! Everything is going well until Hoho and Rintoo accidentally break Stompy's rocket ride. It's up to Kai-lan to teach her friends what to do when you cause a problem. Based on Nickelodeon's hit series, Ni Hao, Kai-lan.

Meet Kai-lan! Today Kai-lan and her friends are making hats and then having a big hat parade. But what happens when Hoho copies Rintoo's hat and Rintoo gets mad? Can Kai-lan save the hat parade? Based on Nickelodeon's hit series, Ni Hao, Kai-lan.