Hans Keller 1919–1985: A musician in dialogue with his times is the first full biography of Hans Keller and the first appearance in print of many of his letters. Eight substantial chapters, integrating original documents with their historical context, show the development of Keller’s ideas in response to the people and events that provoked them. A musician of penetrating insight, Keller was also an exceptional writer and broadcaster, whose remarkable mind dominated British musical life for forty years after the Second World War. It was a vital time for music in Britain, fuelled by unprecedented public investment in the arts and education and the rapid development of recording and broadcasting. Keller was at the centre of all that was happening and his far-sighted analysis of the period is deeply resonant today. Illustrated throughout by extracts from Keller’s writings, diaries and correspondence with musicians including Arnold Schoenberg, Benjamin Britten and Yehudi Menuhin, this book vividly conveys the depth of his thought and the excitement of the times. Published for the centenary of Keller’s birth, it is an illuminating celebration of his life and works for all those interested in the music and history of post-war Britain.

In February 1995 Donald Mitchell, the foremost authority on the life and works of Gustav Mahler and Benjamin Britten, celebrated his seventieth birthday. To mark this event, the present Festschrift has been compiled under the editorship of Philip Reed. Distinguished composers, scholars, colleagues and friends from around the world have written on aspects of the two composers closest to Mitchell's heart - Mahler and Britten - to produce a volume which not only reflects some of the latest thinking on this pair of remarkable figures in the music of our century, but which also pays full tribute to the impact of Mitchell's own work on these composers over the last fifty years. The volume includes the fullest bibliography of Mitchell's writings yet compiled.

Robert Simpson (1921-1997) is widely regarded as the most important British composer in the generation following Benjamin Britten. He wrote 11 symphonies, 15 string quartets, much other chamber music and works for brass band. He also wrote definitive studies of Bruckner and Nielsen. A committed socialist and pacifist, Simpson worked as a volunteer on a mobile surgical unit during the London blitz. Brought up in the Salvation Army, he later rejected religion, and never tried to ingratiate himself with the establishment, politely refusing a CBE and resigning as a senior music producer for the BBC after almost thirty years' service on a point of principle. This is the authorised biography and follows a narrative of his life and works with a series of articles by the composer

In this wide-ranging book, Arnold Whittall considers a group of important composers of the twentieth century, including Debussy, Webern, Schoenberg, Stravinsky, Bartók, Janácek, Britten, Carter, Birtwistle, Andriessen and Adams. He moves skilfully between the cultural and the technical, the general and the particular, to explore the various contexts and critical perspectives which illuminate certain works by these composers. Considering the extent to which place and nationality contribute to the definition of musical character, he investigates the relevance of such images as mirroring and symmetry, the function of genre and the way types of identity may be suggested by such labels as classical, modernist, secular, sacred radical, traditional. These categories are considered as flexible and interactive and they generate a wide-ranging series of narratives delineating some of the most fundamental forces which affected composers and their works within the complex and challenging world of the twentieth century.

Hans Keller (1919-1985), who lived and worked in London, was one of the most brilliant and stimulating writers on music of his day and the new theory of music which has emerged from his psychologically based music criticism has exerted considerable influence on a whole generation of composers and performers. This first large selection of his writing will appeal to professional and amateur musicians and all those listeners who remember the distinctive style of his broadcasts for the BBC.

Hans Keller (1919-85), musician and writer, dominated British musical life during the 40 years that followed the Second World War. His original and stimulating ideas made a deep impression on creative musicians and ordinary music-lovers alike. This influence was greatly magnified by the 30 years that he spent as an active broadcaster, 20 of them on the staff of the BBC.This unique study of Keller's BBC work is a vivid portrait of the changing face of British broadcasting seen through the work of one of its most significant personalities. Starting with an examination of Keller's early psychological interests, and the evolution of his method of 'functional analysis' of music (with which the BBC was intimately concerned), the book charts the huge contribution Keller made to British music during his BBC years. Also explored in detail are the successive crises of the Third Programme and its replacement by Radio 3, together with Keller's leading role in opposing the decline of the BBC's cultural idealism.Drawing on a wealth of primary sources, much of which has never been previously examined, this study paints a striking picture of Keller's personality in combination with the BBC's turbulent inner workings, showing the effect of one remarkable individual on the most powerful musical institution in 20th-century Britain.

Britten in Context offers historical, social, cultural, queer, musical, and political context for one of the pivotal British composers of the twentieth century. Engaging essays from leading scholars in music, art, theory, performance, religion, and cultural and music history reward readers of all academic levels.

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Letters by the British composer to his friends, family, and colleagues document his life from school days to the end of World War II.

Keller was among the earliest Freudians in Britain. For his case studies he drew on composers, performers and listeners, and for his general studies he turned to various aspects of music.