Emma FitzGerald sketches Halifax and its residents vividly, in colour. She effortlessly catches moments in the life of the city. While she draws, she keeps notes on what she sees -- and what people say to her. She has an ear, as well as an eye. In this sketchbook readers will find spots they didn't even know existed and hear stories they never imagined. Emma overhears conversations in the bookstore, notices prom night in the Public Gardens, learns the recipe for McNabs famous Island lemonade, checks out Ashtray Rock, and finds out where the real fishermen live. The personality and character of the city and its people shine through in the brightly illustrated pages.

Emma FitzGerald's 2015 book Hand Drawn Halifax was an immediate hit in Halifax. Emma's appealing sketches of the city's neighbourhoods and her obvious appreciation of the diversity of the city in her notes on her experiences as she drew won her many fans. At events and signings, Emma offered printouts of line drawing versions of a few of the book's illustrations, which were eagerly accepted. Out of that experience comes this book -- a collection of 80 line drawings for colouring book fans, including brand new drawings. There's an opportunity for everyone to produce their own versions of Emma's portraits of Halifax's buildings, places and people. Printed on thick paper selected to prevent bleedthrough, the 80+ illustrations vary in intricacy, giving options to colour-inners of all ages!

Visitors and locals alike will love this book of whimsical sketches of Vancouver, British Columbia, accompanied by thoughtful observations and snippets of overheard conversations. Take a tour of Vancouver's sights and sidewalks with Emma FitzGerald's hand-drawn impressions of her hometown, a city filled with stories--funny, surprising, and sometimes dark--amidst the cherry blossoms, beaches, and forests. Included are more than 100 sketches completed on location that, together, capture the essence of Vancouver. From Stanley Park's seawall to Kitsilano's salt-water swimming pool, and East Van's first craft brewery to the ferries in Horseshoe Bay, Hand Drawn Vancouver is a love letter to this beautiful and iconic city.

Just as Hand Drawn Halifax was "a love letter to the city", Fitzgerald's new book takes readers on informal road trips along one of the most renowned parts of Canada. As Emma sketches, residents of these communities share their insights and histories. They appear in her whimsical drawings that portray the South Shore through every season. Readers will meet a fourth-generation female sail maker in Second Peninsula, learn the recipes for summertime rose vinegar and winter Bluenose dark rum, make an autumn visit to Birchtown's Black Loyalist Heritage Centre with author and activist Desmond Cole, and escape the wintertime weather inside the Sipuke'l Mi'kmaq art gallery in Liverpool.

The award-winning poet and author of Summer Feet offers delightful rhyming picture book that helps children embrace diversity. If ever you go travelling On EveryBody Street You'll see EveryBody’s Different Than EveryOne you meet Sheree Fitch’s playful words lead you into this beautiful children's book and invite you to celebrate our gifts, our weaknesses, our differences, and our sameness. Fitch displays her wit and mastery of words in quick, rollicking rhymes that are complemented by Emma FitzGerald’s lively illustrations. EveryBody’s Different on EveryBody Street was originally produced in 2001 as a fundraiser to commemorate the 10th Anniversary of the Festival of Trees in support of the Nova Scotia Hospital and to raise awareness for mental illness and addiction. “With a style reminiscent of Quentin Blake, FitzGerald’s illustrations of people letting their freak flag fly complement Fitch’s exuberant, playful, and poignant rhymes.” ―Quill & Quire (Toronto, ON) “Fitch’s lyrical prose is enhanced by the very beautiful illustrations of Emma FitzGerald. The illustrations are done in bold and bright colors, and are very rich in detail which provides a superb backdrop for this poem about individual differences.” ―Canadian Materials Magazine

Congested city streets are noisy and thick with cars and trucks, while pedestrians and cyclists are squeezed to the dangerous edges—but does it have to be this way? Imagine a city where we aren’t stuck in cars, where clean air makes it easier to breathe, and where transit is easy to access—and on time. Imagine a city where streets are for people! This fun, accessible and ultimately hopeful book explores sustainable transportation around the globe, including electric vehicles, public transit, bicycles, walking and more. It invites us to conjure up a city of the future, where these modes are all used together to create a place that is sustainable, healthy, accessible and safe. Includes a list of ideas for children to promote green transportation in their communities, along with a glossary and sources for further reading. The ThinkCities series is inspired by the urgency for new approaches to city life as a result of climate change, population growth and increased density. It highlights the challenges and risks cities face, but also offers hope for building resilience, sustainability and quality of life as young people advocate for themselves and their communities. Key Text Features diagrams facts further information further reading glossary historical context illustrations labels resources references Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.4.7 Interpret information presented visually, orally, or quantitatively (e.g., in charts, graphs, diagrams, time lines, animations, or interactive elements on Web pages) and explain how the information contributes to an understanding of the text in which it appears. CCSS.ELA-LITERACY.RI.5.3 Explain the relationships or interactions between two or more individuals, events, ideas, or concepts in a historical, scientific, or technical text based on specific information in the text. CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.

On December 6, 1917, two ships collided in wartime Halifax Harbour, creating what became the largest man-made explosion of its time. More than 2000 people died (500 of those children) and 9,000 were injured. A single little tree whispered from its branches the word "Help" that was carried by the wind to the people of Boston. Within 48 hours Boston and Massachusetts organized trains to carry 33 doctors and 79 nurses. To repay the City of Boston for its generosity, the little tree (which now had become huge and majestic tree) was given to the city of Boston as a way to say thank you, a tradition that continues to this day.

Broken Man on a Halifax Pier is a tale of one man’s shipwrecked life and an unlikely crew of rescuers hoping to save not only him but also themselves.

“Why don’t they just move?” This reductive question is asked whenever reports surface of the all-too-common lack of social services and economic opportunities in Canada’s rural and urban communities. But why are certain people and places vulnerable? And who is responsible for a remedy? From the 1950s to the 1970s, the Canadian government relocated people, often against their will, in order to improve their lives. Moved by the State offers a completely new interpretation of this undertaking, seeing it as part of a larger project of development and focusing on the bureaucrats and academics who designed, implemented, and monitored the relocations rather than on those who were uprooted. In this finely crafted history, Tina Loo explores the contradiction between intention and consequence as diverse communities across Canada were resettled. In the process, she reveals the optimistic belief underpinning postwar relocations: the power of the interventionist state to do good.

An exciting new novel, by the author of The Story of My Disappearance and Archangel. At the turn of World War II, David Halifax is a young American painter who receives a scholarship to come to Paris and work under the tutelage of the mysterious and brilliant Russian painter, Alexander Pankratov. Getting more than he bargained for, Halifax is quickly subjected to Pankratov's rigid will, and beguiled by the quiet, nude model who poses before them. But Paris is also a city that is holding its breath. The Nazi forces are slowly penetrating the Maginot Line, and the once-indominitable city is now expecting the worst. Beneath Paris' blanket of fear and eerie calm, David Halifax realizes the true purpose of his visit: Pankratov is to train him in duplicating the masterworks of the Paris museums, and with the aid of a wily art dealer, barter the fakes to Hilter's legion of art dealers. What develops is a cat and mouse game through Paris' silent streets, in the tunnels beneath its museums, and eventually into the scorched countryside of Normandy. In David and Pankratov's frantic race to complete the uncompletable, both are forced to confront the terrible sacrifices one must finally make for art; a sacrifice of identity, and perhaps of the soul. In The Forger by Paul Watkins.