The captivating debut children's novel from popular television historian Lucy Worsley is an exciting and charming glimpse behind the scenes of the Tudor court. I would often wonder about my future husband. A knight? A duke? A stable boy? Of course the last was just a wicked fancy. Eliza Rose Camperdowne is young and headstrong, but she knows her duty well. As the only daughter of a noble family, she must one day marry a man who is very grand and very rich. But Fate has other plans. When Eliza becomes a maid of honour, she's drawn into the thrilling, treacherous court of Henry VIII ... Is her glamorous cousin Katherine Howard a friend or a rival? And can a girl choose her own destiny in a world ruled by men?

Necessity forces us all to make uncomfortable choices. The Professor, operating in such a fringe discipline as Paranormology, bore a greater burden than most. Every decision held the potential to bring his work, and the budding field, into disrepute. Our investigation at Hampton Court taught me that there is more to ghost hunting than simply recording and observing; a proper grasp of politics is just as necessary as the ability to read a thermometer.

Haunting tales from the Tower of London, Westminster Abbey, Savoy Hotel, Hampton Court and more.

Tales of haunting from one of the world’s most terrifying landmarks. The Tower of London’s most horrific tragedies are well known; the gruesome deaths of the two boy princes in the Bloody Tower, Anne Boleyn’s execution, the Jesuit priests and heretics who suffered the agonies of the rack and thumbscrew. Is it any wonder, then, that there are frequent reports of bloodcurdling screams and moans, of unexplained footsteps and ghostly headless figures? Here, recorded for the first time, is an account for all to read—but preferably not at night—when you only think you are alone! Ghosts of the Tower of London is part of The Paranormal, a series that resurrects rare titles, classic publications, and out-of-print texts, as well as publishes new supernatural and otherworldly ebooks for the digital age. The series includes a range of paranormal subjects from angels, fairies, and UFOs to near-death experiences, vampires, ghosts, and witchcraft.

A collection of strange and unexplained photographs that offer the exciting possibility of ghosts and paranormal activity captured on film. It covers various aspects of the paranormal, from early photographs of psychics, mediums and ghostly happenings, to examples of unexplained, as collected in the archive of the Society for Psychical Research.|"Ghosts Caught on Film" presents an extraordinary collection of strange and unexplained photographs that offer the exciting possibility of ghosts and paranormal activity captured on film. It covers every aspect of the paranormal, from early photographs of psychics, mediums and ghostly happenings, to celebrated recent photos and the most interesting examples of the unexplained, as collected in the archive of the Society for Psychical Research. Each picture is accompanied by a description of its circumstances and the steps taken by researchers to establish that there is no 'normal' explanation for the phenomena. The incredible photographs will stimulate the interest of everyone who sees them. Whether you are a sceptic or a believer, you can't help but be drawn into the mystery.

Lyle Hall, the most resented man in town, was also Bridgehampton's most successful real estate lawyer. But his catastrophic car accident last year changed all that and forced his retirement. And it allowed him to see and hear things no one else could. That's how Lyle met Jewel, the beautiful Victorian girl who appeared to him outside the long-ago brothel the Town of Southampton is about to tear down. The Victorian girl who's been dead 100 years. And who told Lyle exactly when his own daughter, a local police detective, will die. She's shown him Georgie's headstone. Georgie has four days to live. Unless this is some kind of hoax. But the hordes of paranormal enthusiasts descending on Bridgehampton believe Lyle. And so does his new nemesis -- a scheming TV reporter in high heels.

When Indian Princess Alexandrina is left penniless by the sudden death of her father, the Maharaja of Brindor, Queen Victoria grants her a grace-and-favor home in Hampton Court Palace. Though it is rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer. Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But when General-Major Bagshot dies after eating said pie, and the Coroner finds traces of arsenic in his body, Pooki becomes the #1 suspect in a murder investigation. Princess Alexandrina isn't about to let her faithful servant hang. She begins an investigation of her own, and discovers that Hampton Court isn't such a safe place to live after all. With her trademark wit and charm, Julia Stuart introduces us to an outstanding cast of lovable oddballs from the palace Maze Keeper to the unconventional Lady Beatrice (who likes to dress up as a toucan--don't ask) as she guides us through the many delightful twists and turns in this fun and quirky murder mystery. Everyone is hiding a secret of the heart, and even Alexandrina may not realize when she's caught in a maze of love.

"Anne Boleyn: the most happy is an artist's book about the life of Anne Boleyn, specifically focused on the visual interpretation of her relationship with King Henry VIII"--Accompanying volume, unnumbered page 3.

The “superb” time travel adventure of one lonely young girl, a remarkable family, and an impossible task, set between modern and Elizabethan England (The Washington Post) "A beautiful book . . . a form of enchanting ghost story, with the ghosts drawn in with the grace of a painter on a fan." —The Observer Penelope Taberner Cameron is a solitary and a sickly child, a reader and a dreamer. Her mother, indeed, is of the opinion that the girl has grown all too attached to the products of her imagination and decides to send her away from London for a restorative dose of fresh country air. But staying at Thackers, in remote Derbyshire, Penelope is soon caught up in a new mystery, as she finds herself transported at unforeseeable intervals back and forth from modern to Elizabethan times. There she becomes part of a remarkable family that is, Penelope realizes, in terrible danger as they plot to free Mary, Queen of Scots, from the prison in which Queen Elizabeth has confined her. Penelope knows the tragic end that awaits the Scottish queen, but she can neither change the course of events nor persuade her new family of the hopelessness of their cause, which love, loyalty, and justice all compel them to embrace. Caught between present and past, Penelope is ever more torn by questions of freedom and fate. To travel in time, she discovers, is to be very much alone. And yet the slow recurrent rhythms of the natural world, beautifully captured by Alison Uttley, also speak of a greater ongoing life that transcends the passage of the years.

The book takes as its starting point the argument that the only way to understand fully a building such as Hampton Court is to set it in the political and social context of its time and to explore the lives and motivations of its builders. The picture that emerges is on the one hand intensely personal - one of architects and builders fulfilling the whims of kings and princes. On the other hand, it is bureaucratic: Hampton Court is revealed first as the royal household, then as a palace claimed by grace-and-favour residents and finally, by visitors and tourists as their own. The history of the building is taken right up to the beginning of the twenty-first century. The twentieth-century story of Hampton Court is one of conservation and of changing attitudes towards opening up the complex to the public - it covers everything from the agonising discussions as to whether to build public lavatories to an account of the private enterprise that caused an octogenarian to make a personal fortune out of opening the maze to the public. It includes also the story of the terrible fire of 1986 and its aftermath. Social history and architectural history sit side by side in this intriguing account. New and important attributions are made to the architects Hugh May, Nicholas Hawksmoor, William Talman, Colen Campbell and Edward Blore amongst others. Moreover, the palace and its setting are placed in their European context and their long-term architectural significance is gauged. The book is lavishly illustrated with original paintings, prints and drawings, while a specially commissioned suite of plans and reconstructions reveals the evolving form of the buildings.