A worthless bird statuette -- the focus of Dashiell Hammett's The Maltese Falcon. And much more. As Dashiell Hammett closes his final case as a private eye, the details of which will later inspire his most famous book, he acquires at a police auction the bogus object of that case, an obsidian falcon statuette. He casually sets the memento on his desk, where for a decade it bears witness to his literary rise. Until he gives it away. Now, suffering writer’s block, the famous author begins to wonder about rumors of the falcon’s “metaphysical qualities,” which link it to a powerful, wish-fulfilling black stone cited in legends from around the world. He can’t deny that when he possessed the statuette he wrote one acclaimed book after another, and that without it his fortunes have changed. As his block stretches from months to years, he becomes entangled again with the scam artists from the old case, each still fascinated by the “real” black bird and its alleged talismanic power. A dangerous maze of events takes Hammett from 1930s San Francisco to the glamorous Hollywood of the 1940s, a federal penitentiary at the time of the McCarthy hearings, and finally to a fateful meeting on New Year’s Eve, 1959, at a Long Island estate. There the dying Hammett confronts a woman from his past who proves to be his most formidable rival. And his last hope. From the Trade Paperback edition.

Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the everyday practices and productions of authors, editors, fans, and other legal laypersons. The result is a history of the law as improvisatory and accident-prone, taking place as often outside the courtroom as inside, and shaped as much by laypersons as lawyers. Through the examination of influential legal disputes involving early properties such as Dashiell Hammett’s Sam Spade, H. P. Lovecraft’s Cthulhu Mythos, and Robert E. Howard’s Conan the Barbarian, Steirer provides a ground’s eye view of how copyright law has operated and evolved in practice.

“Woman with a Blue Pencil is a brilliantly structured labyrinth of a novel—something of an enigma wrapped in a mystery, postmodernist in its experimental bravado and yet satisfyingly well-grounded in the Los Angeles of its World War II era. Gordon McAlpine has imagined a totally unique work of ‘mystery’ fiction—one that Kafka, Borges, and Nabokov, as well as Dashiell Hammett, would have appreciated.” —JOYCE CAROL OATES What becomes of a character cut from a writer’s working manuscript? On the eve of Pearl Harbor, Sam Sumida, a Japanese-American academic, has been thrust into the role of amateur P.I., investigating his wife’s murder, which has been largely ignored by the LAPD. Grief stricken by her loss, disoriented by his ill-prepared change of occupation, the worst is yet to come, Sam discovers that, inexplicably, he has become not only unrecognizable to his former acquaintances but that all signs of his existence (including even the murder he’s investigating) have been erased. Unaware that he is a discarded, fictional creation, he resumes his investigation in a world now characterized not only by his own sense of isolation but by wartime fear. Meantime, Sam’s story is interspersed with chapters from a pulp spy novel that features an L.A.-based Korean P.I. with jingoistic and anti-Japanese, post December 7th attitudes – the revised, politically and commercially viable character for whom Sumida has been excised. Behind it all is the ambitious, 20-year-old Nisei author who has made the changes, despite the relocation of himself and his family to a Japanese internment camp. And, looming above, is his book editor in New York, who serves as both muse and manipulator to the young author—the woman with the blue pencil, a new kind of femme fatale. From the Trade Paperback edition.

18 year-old Rita Gaspereaux is suddenly "orphaned" when her con-artist father's illegal enterprise blows up around her. Alone and broke in San Francisco 1922, she must now navigate his criminal world, all the time haunted by tales of a black bird statuette reputed to possess otherworldly, wish-fulfilling powers. Rita has learned much from her father about the dark fringes of society. But has she learned enough? Fortunately, she is not without her own resources. What helps her most to cope with the greed, cruelty, and deceit around her is her almost obsessive reading of fiction, particularly the novel she possesses (and is possessed by) at the time of her father’s death. This book-within-the-book, a source of escape and solace for the blossoming young con-artist, tells the story of another 18 year-old, a Dorothy G. from Kansas. The two young women couldn't be more different. But as the story proceeds their lives become entwined in unexpected ways. The haunting conclusion is breathtaking.

From the Edgar®-nominated author of Hammett Unwritten and Woman with a Blue Pencil comes a startling meta-fiction tale told in the voice of Sherlock Holmes. Set in 1920s' London, Cambridge, and Paris, Holmes's final adventure leads him through labyrinths of crime and espionage in a mortally dangerous inquiry into the unseen nature of existence itself. Sherlock Holmes, now in his seventies, retired from investigations and peaceably disguised as a professor at Cambridge, is shaken when a modestly successful author in his late-sixties named Arthur Conan Doyle calls upon him at the university. This Conan Doyle, notable for historical adventure stories, science fiction, and a three-volume history of the Boer War (but no detective tales), somehow knows of the false professor's true identity and pleads for investigative assistance. Someone is trying to kill Conan Doyle. Who? Why? Good questions, but what intrigues Holmes most is how the "middling scribbler" ascertained Holmes's identity in the first place, despite the detective's perfect disguise. Holmes takes the case. There is danger every step of the way. Great powers want the investigation quashed. But with the assistance of Dr. Watson's widow, Holmes persists, exploring séances, the esoterica of Edgar Allan Poe, the revolutionary new science of quantum mechanics, and his own long-denied sense of loss and solitude. Ultimately, even Sherlock Holmes is unprepared for what the evidence suggests.

A worthless bird statuette -- the focus of Dashiell Hammett's The Maltese Falcon. And much more. As Dashiell Hammett closes his final case as a private eye, the details of which will later inspire his most famous book, he acquires at a police auction the bogus object of that case, an obsidian falcon statuette. He casually sets the memento on his desk, where for a decade it bears witness to his literary rise. Until he gives it away. Now, suffering writer’s block, the famous author begins to wonder about rumors of the falcon’s “metaphysical qualities,” which link it to a powerful, wish-fulfilling black stone cited in legends from around the world. He can’t deny that when he possessed the statuette he wrote one acclaimed book after another, and that without it his fortunes have changed. As his block stretches from months to years, he becomes entangled again with the scam artists from the old case, each still fascinated by the “real” black bird and its alleged talismanic power. A dangerous maze of events takes Hammett from 1930s San Francisco to the glamorous Hollywood of the 1940s, a federal penitentiary at the time of the McCarthy hearings, and finally to a fateful meeting on New Year’s Eve, 1959, at a Long Island estate. There the dying Hammett confronts a woman from his past who proves to be his most formidable rival. And his last hope.

A detective investigates the murder of a teenage golden boy that has rocked a small town--and the chief suspect is the victim's mother. Annalise Stephens Blue is a Creekville high school student with plans to become a world-famous filmmaker. As she begins filming an exposé of the town called Night Lives, she uncovers more than she bargained for: on the very first night of filming, she stumbles upon a murder in the woods, and flees the scene steps ahead of the killer. Detective Joe "Preach" Everson is called to investigate the murder. The victim, David Stratton, is the town's golden boy and high school quarterback. A modern version of what Preach used to be. Not only that, the boy's mother is Claire Lourdis, a beautiful divorcée who Preach fell for in high school. She is also the main suspect in her son's murder. Despite the cloud of suspicion hanging over her, old feelings resurface between Claire and Preach, straining the detective's relationship with his girlfriend Ari, a prosecutor in nearby Durham. As Preach delves into the secrets lurking beneath the surface of the town and searches for a missing girl who may have witnessed the crime, he must put his own feelings aside and pursue the answer to a terrible question: is a mother capable of murdering her own child?

THE NATIONAL BESTSELLER A lifelong beekeeper, Albert Honig is deeply acquainted with the ways and workings of the hives. He knows that bees dislike wool clothing and foul language; that the sweetest honey is made from the blooms of eucalyptus; and that bees are at their gentlest in a swarm. But Albert is less versed in the ways of people, especially his beautiful, courageous, and secretive friend Claire. A friend and neighbor since childhood, Claire was a hovering presence—and then a glaring absence—in Albert’s life, a change that has never been reconciled. When she is killed in a seemingly senseless accident during a burglary gone wrong, Albert is haunted by the loss. In the aftermath of this tragedy, he is left to piece together the events of their lives to attempt to make sense of their shared past and the silence that persisted between them for a decade before her death. What Albert comes to learn is that Claire’s secrets were far darker than anything he could have imagined...

The debut of CRANK! stunned the science fiction world with its disregard for obsolete notions of genre fiction, instead insisting on highly individual and imaginative fiction of literary distinction. This book presents the best from CRANK!. Voted One of the Top Ten Original Works of 1998. "If Asimov's SF and Analog are the meat and potatoes of short fiction in this field, Crank! was its Heimlich maneuver. The more we think about it, the more sense it makes that The Best of CRANK! shoved aside top-selling books from this year's most popular authors to claim a space on our Reader's Top Ten list. The only mystery is why it didn't place higher."--The SF Site Reader's Choice Awards At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

Previously published only in a signed, limited edition, "Kafka Americana" has achieved cult status. In an act of literary appropriation, the authors seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of 20th century America.