This book reads like a cross between a literary detective novel and a personal conversation with a passionate Shakespeare scholar, unpacking the play that Roth calls the seminal text of the humanist religion. It unveils new realities about the playsome of which have have lain hidden since Shakespeares dayuntangles centuries of commentary and criticism, and delivers the punch lines for a whole raft of Shakespeares remarkably involved in-jokes. Roths scholarship tackles old arguments like Hamlets age (hes sixteen), lays out the intricate time structure thats embedded in the play, and unravels several of the plays endless allusions that so puzzle the will. He depicts a dense, ironic, and multivalent web of political and dramatic tension in Elsinore (plus a great deal of humor), and delivers one ahamoment after another for lovers of the Bards greatest tragedy.

Now in paperback—a bold reinvention of Shakespeare’s Hamlet and a hair-bristling story of betrayal, revenge, and the possibilities of forgiveness On a cold November afternoon in northern Minnesota, seventeen-year-old Jesse Matson finds his hunting partner—his father—sprawled on the forest floor, dead of a rifle wound. Authorities rule it a suicide, but Jesse is not convinced. Haunted by the ghost of his dad, and compelled by recently unearthed secrets, he is forced to wrestle with questions of justice and retribution even as he tries to hold his family, and himself, together.

Ann Sei Lin's enchanting and action-packed debut, first in a series, will sweep readers away to an aerial world of magic, danger and political intrigue. Perfect for fans of Elizabeth Lim, Kalynn Bayron and the films of Studio Ghibli. Kurara has never known any other life than being a servant onboard the Midori, a flying ship serving the military elite of the Mikoshiman Empire, a vast realm of floating cities. Kurara also has a secret — she can make folded paper figures come to life with a flick of her finger. But when the Midori is attacked and Kurara's secret turns out to be a power treasured across the empire, a gut-wrenching escape leads her to the gruff Himura, who takes her under his wing. Under Himura's tutelage, and with the grudging support and friendship of his crew, Kurara learns to hunt shikigami — wild paper spirits sought after by the Princess of Mikoshima. But what does the princess really want with the shikigami? Are they merely enchanted figures without will or thought, or are they beings with souls and minds of their own? As fractures begin to appear both across the empire and within Kurara's understanding of herself, Kurara will have to decide who she can trust. Her fate, and the fate of her friends — and even the world — may rest on her choice. And time is running out.

In this work of scholarship and creativity, Meagher argues that Shakespeare has been misunderstood because of a failure to recognize his own directions as a playwright. Through an examination of several of his plays Meagher uncovers Shakespeare as artist, director, and actor.

A driving sense of discovery lies at the heart of Capuchin: reviving great works of fiction which have been unjustly forgotten or neglected. This founding ethos - restoring a richness to the canon in an era of relative blandness - is coupled by a sprinkling of well known favourites to form a series which holds wide appeal. Each book is introduced afresh by a well known champion or figure of distinction. This title edited by Margaret Drabble.

In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.

A wonderful collection of essays by inspiring Trinidadian poet and journalist, Andre Bagoo.

What actions are justified when the fate of a nation hangs in the balance, and who can see the best path ahead? Julius Caesar has led Rome successfully in the war against Pompey and returns celebrated and beloved by the people. Yet in the senate fears intensify that his power may become supreme and threaten the welfare of the republic. A plot for his murder is hatched by Caius Cassius who persuades Marcus Brutus to support him. Though Brutus has doubts, he joins Cassius and helps organize a group of conspirators that assassinate Caesar on the Ides of March. But, what is the cost to a nation now erupting into civil war? A fascinating study of political power, the consequences of actions, the meaning of loyalty and the false motives that guide the actions of men, Julius Caesar is action packed theater at its finest.

The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was death akin to a sleep where one did not wake until judgment day? Were sick bodies healed in heaven? Did sinners experience torment after death? Would an individual reunite with loved ones in the afterlife? Could the dead communicate with the world of the living? Could the living affect the state of souls after death? How should the dead be commemorated? Could the dead return to life? Was immortality possible? The wide array of possible answers to these questions across Shakespeare's work can be surprising. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living. Shakespeare and the Afterlife encourages us to engage with the author's work with new insight and new curiosity. The volume connects some of the best-known speeches, characters, and conflicts to cultural debates and traditions circulating during Shakespeare's time.

Bringing together recent scholarship on religion and the spatial imagination, Kristen Poole examines how changing religious beliefs and transforming conceptions of space were mutually informative in the decades around 1600. Supernatural Environments in Shakespeare's England explores a series of cultural spaces that focused attention on interactions between the human and the demonic or divine: the deathbed, purgatory, demonic contracts and their spatial surround, Reformation cosmologies and a landscape newly subject to cartographic surveying. It examines the seemingly incongruous coexistence of traditional religious beliefs and new mathematical, geometrical ways of perceiving the environment. Arguing that the late sixteenth- and early seventeenth-century stage dramatized the phenomenological tension that resulted from this uneasy confluence, this groundbreaking study considers the complex nature of supernatural environments in Marlowe's Doctor Faustus and Shakespeare's Othello, Hamlet, Macbeth and The Tempest.