The first thing I tell people is, I’m just an ordinary woman. I’m just like you. Susanna has an incredible gift: she can heal ailments with just the touch of her hand. People travel from far and wide based on their faith in her abilities. But Susanna’s power only works in certain cases—it’s a semi-miracle. And as she grows into a woman, and tries to build a life of her own, her calling to fix and cure becomes more of a burden than she could ever have imagined. Why is she able to take people’s pain away sometimes, and not others, not when she needs to most of all? With the balm of time, and the wisdom of experience, Susanna must learn to live with the mysterious nature of her miracle. Available to readers for the first time since its initial publication, this is a wry and moving story by an American master. “Not merely good . . . she is wickedly good.” —John Updike Look for Clock Dance, the charming new novel from Anne Tyler, available this July.

Anne Tyler is one of America's most significant contemporary writers. This book is a solid introduction to her life and work. It includes the first biography of Tyler, along with a record of her writings and the response to her work. It incorporates source materials from the Anne Tyler Papers at Duke University and letters from Tyler to the author. The volume lists all of Tyler's novels, short stories, articles, and book reviews and provides an annotated bibliography of critical studies. The first half of the book is a biography of Tyler. The author describes her childhood in a North Carolina commune, her high school years in Raleigh, her college years at Duke, and her earliest writing efforts. The biography charts the development of her life and career through her marriage, motherhood, early novels and stories, her life in Baltimore and career as a book reviewer, her rise to fame, and the themes of her major works. The bibliography that follows lists her novels, short stories, nonfiction articles and essays, poetry, children's books, book reviews, and the manuscripts in her papers at Duke University, along with an annotated secondary bibliography.

Anne Tyler's novels strike a deep chord of responsiveness in her readers because her novels bring to life contemporary characters to whom we can instantly relate and in whose experiences we can see mirrored our own. Tyler's novels deal with the human experience: relationships between marital partners, between parents and children...between siblings; the meaning of love; the nature of identity; impermanence and change; and loss and continuity. In Anne Tyler novels, life is a complexity whose texture is built out of multiple layers. In this insightful study, Paul Bail shows us how Tyler constructs the complex reality of life through character, narrative point of view, theme, and literary devices. With the exception of Tyler's earliest two novels, which she prefers to forget, a chapter is devoted to each of the other novels she has written. Among the twelve are her unforgettable novels of family relationships and love...loss and renewal, such as Dinner at the Homesick Restaurant, The Accidental Tourist, and Breathing Lessons. Also included is an analysis of Tyler's most recent novel, A Patchwork Planet. Following a biographical chapter that relates Tyler's life to her work, Bail discusses the novels within the literary tradition of Southern regional literature, women's literature, and popular culture. He also explores the influence of religion on her writing. Each novel is discussed in an individual chapter that includes sections on plot, characters, themes, literary devices, historical setting, and point of view. Bail also offers an alternate critical approach from which to read the novel, such as feminist or multicultural criticism. This study is ideal for students and readers of Anne Tyler and will enrich the reading and appreciation of her novels.

Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression. The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence. Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes. In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.

With the movie version of The Accidental Tourist and the awarding of the 1989 Pulitzer Prize for Fiction to Breathing Lessons, Anne Tyler has achieved widespread success. Joseph Voelker argues that Tyler's work also deserves serious attention, and his study of her novels and most significant short stories reveals Tyler's subtle but compelling narrative artistry.

NEW YORK TIMES BESTSELLER • BOOKER PRIZE NOMINEE • From the beloved Pulitzer Prize–winning author, a sparkling novel about misperception, second chances, and the sometimes elusive power of human connection. Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever. An intimate look into the heart and mind of a man who finds those around him just out of reach, and a funny, joyful, deeply compassionate story about seeing the world through new eyes, Redhead by the Side of the Road is a triumph, filled with Anne Tyler's signature wit and gimlet-eyed observation.

American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources

First appearing in the pages of Seventeen Magazine, “Teenage Wasteland” has become one of Anne Tyler’s most widely beloved short stories—an affecting and masterful portrait of a life interrupted and a family come undone. Daisy Coble had been a good mother, and so she was ashamed to find out from Donny’s teacher that he had been misbehaving. He was noisy, lazy, disruptive, and he was caught smoking. At night, she lay awake wondering where she had gone wrong, and how she could have failed as a parent. Unsure of herself, Daisy follows the advice of professionals, and hires Donny a tutor with some unusual ideas to set the boy straight. But, has the gap between them grown too wide to bridge? A Vintage Short.

Profiles more than four hundred authors of short fiction from around the world, presenting biographical and bibliographic information and summaries of major works. Also includes a reference volume with a chronology; a bibliography; lists of major award winners; twenty-nine essays on short-fiction history, theory, and world cultures; and three indexes.