This book presents several chapters written by this author using the pseudonym Ole Ed. The impetus for my writing these stories was to reduce the burden that I experienced from a very hectic air travel schedule that I endured before finally retiring from the Fortune 5 corporation that I was employed by for thirty years! I became bored from picking up the same ole magazines on airplanes and reading the same ole stuff. I hope that these stories will provide you with a little bit of light, pleasurable reading during your travels to places afar that I probably no longer yearn to go to. All the stories presented in this book are based partially on my actual life experiences, hence, the title HalfaEUR"Truths . . . I have tried to word the title of each story in a way that will not give you a hint of how that story will end. Have fun, and guess your heart out!

In the tradition of Schulz and Peanuts, an epic and revelatory biography of Krazy Kat creator George Herriman that explores the turbulent time and place from which he emerged—and the deep secret he explored through his art. The creator of the greatest comic strip in history finally gets his due—in an eye-opening biography that lays bare the truth about his art, his heritage, and his life on America’s color line. A native of nineteenth-century New Orleans, George Herriman came of age as an illustrator, journalist, and cartoonist in the boomtown of Los Angeles and the wild metropolis of New York. Appearing in the biggest newspapers of the early twentieth century—including those owned by William Randolph Hearst—Herriman’s Krazy Kat cartoons quickly propelled him to fame. Although fitfully popular with readers of the period, his work has been widely credited with elevating cartoons from daily amusements to anarchic art. Herriman used his work to explore the human condition, creating a modernist fantasia that was inspired by the landscapes he discovered in his travels—from chaotic urban life to the Beckett-like desert vistas of the Southwest. Yet underlying his own life—and often emerging from the contours of his very public art—was a very private secret: known as "the Greek" for his swarthy complexion and curly hair, Herriman was actually African American, born to a prominent Creole family that hid its racial identity in the dangerous days of Reconstruction. Drawing on exhaustive original research into Herriman’s family history, interviews with surviving friends and family, and deep analysis of the artist’s work and surviving written records, Michael Tisserand brings this little-understood figure to vivid life, paying homage to a visionary artist who helped shape modern culture.

2021 Honorable Mention Recipient of the Charles Hatfield Book Prize from the Comics Studies Society Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895–1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the “other half” laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity—how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole’s argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them—including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens—and traces the form’s emergence in the pages of Joseph Pulitzer’s New York World and William Randolph Hearst’s Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.

Collected together for the first time, the best weird fiction from Morpheus Tales, the UK's most controversial weird fiction magazine! Only the very best weird fiction has been hand-picked from the Morpheus Tales archives to create the sixth collected volume of the magazine Christopher Fowler calls "edgy and dark". Featuring fiction by Richard Wolkomir, Stuart Hughes, Ty Schwamberger, Paul Johnson-Jovanovic, Matthew Acheson, K. Scott Forman, Charles D. Romans, Craig Saunders, Matt Leyshon, Michael Lejeune, Michelle Ann King, Bruce L. Priddy, Douglas J. Ogurek, Harley Carnell, Stephen McQuiggan, Joe Mynhardt, David McGuire, Richard Farren Barber, Lee Clark Zumpe, Todd Outcalt, Kevin G. Bufton, Charles Austin Muir, Michael W. Clark, Anthony Baynton, Stephen Hernandez, Holly Day, Craig W. Steele, A.A. Garrison, David Barber, John S. Barker, David Buchan. Established horror best-sellers rub shoulders with rising stars and newcomers in this diverse collection of short weird fiction.

WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."—Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. When Helen is summoned by a former student to view a cache of newly discovered seventeenth-century Jewish documents, she enlists the help of Aaron Levy, an American graduate student as impatient as he is charming, and embarks on one last project: to determine the identity of the documents' scribe, the elusive "Aleph." Electrifying and ambitious, The Weight of Ink is about women separated by centuries—and the choices and sacrifices they must make in order to reconcile the life of the heart and mind.

From Homer ("winged words") to Robert Burns ("Beware a tongue that's smoothly hung") to Rudyard Kipling ("Words are, of course, the most powerful drug used by mankind"), writers from all over the world have put pen to paper on the inexhaustible topic of language. Yet surprisingly, their writings on the subject have never been gathered in a single volume. In Words on Words, David and Hilary Crystal have collected nearly 5,000 quotations about language and all its intriguing aspects: speaking, reading, writing, translation, verbosity, usage, slang, and more. As the stock-in-trade of so many professions—orators, media personalities, writers, and countless others—language's appeal as a subject is extraordinarily relevant and wide-ranging. The quotations are grouped thematically under 65 different headings, from "The Nature of Language" through the "Language of Politics" to "Quoting and Misquoting." This arrangement enables the reader to explore a topic through a variety of lenses, ancient and modern, domestic and foreign, scientific and casual, ironic and playful. Three thorough indexes—to authors, sources, and key words—provide different entry points into the collection. A valuable resource for professional writers and scholars, Words on Words is for anyone who loves language and all things linguistic.

Krazy Kat adores Ignatz Mouse. She sees the bricks he hurls at her head as tokens of love, and each day Ignatz arranges a cunningly different method of delivery for his missile. But when Ignatz and Krazy witness the mega-brick explosion in the desert, Krazy becomes depressed, and refuses to perform. To coax her back to work so they can regain their lost limelight, Ignatz invents his own brand of psychotherapy, orchestrates her kidnapping, and tries to seduce Krazy with promises of stardom from a Hollywood producer. As the mouse confronts the Kat with bewildering new concepts like sex, death, and politics, Ignatz and Krazy begin yearning to become round, for a fullness of body and spirit beyond their two-dimensional realm. Forming an altogether witty and winning counterpoint to George Herriman’s classic comic strip, Jay Cantor’s kinetic novel has become a classic in its own right, one of those masterpieces that creates its own unforgettable universe.

Tony De Vita exposes the idiosyncratic facades of inimitable characters any veneer of civility, conformity, is peeled back as their behavior exposes the subterfuge that transform an idyllic landscape into an arcane thicket of deceit - and murder. Builders Sal Ridiccio, acrophobic master craftsman and Julius, younger brother who would rather nail a pliant broad than a plywood board. Su, Chinese wife, owner of Pointy House with husband, Skip Meriwether, painter with two ears and poet without a hunchback. Regina, current wife of Julius, steel tipped shoed, with a steel tipped tongue who asserts Julius moves his lips when he reads the back of a cereal box. Melissa, first wife of Julius, redheaded firebrand who is determined to solve murders for Trooper Detective John Demetrius. Tagged Cockeye for his physical perambulations and cerebral perturbations by partner Tim Kraze Kurtz. Lilliputian Moe Brown, brobdingnagian wheeler-dealer - verbally vulgar Blue Mingoe Casino facilitator. Babs and Mandy, Moes nieces/bodyguards - with more plastic in their revealing bras than in their concealed holsters. Joe Smith, Gooey Pond Park Ranger - Native American Blue Mingoe - who swaps peanuts for his squirrels for chips of his Blue Mingoe Casino.

The fourth estate.