Winner of the Pacific Northwest Booksellers Association Regional Award Chief Moses (Sulktalthscosum or Half-Sun) was chief of the Columbias, a Salish-speaking people of the mid Columbia River area in what is now the state of Washington. This award-winning biography by Robert Ruby and John Brown situates Moses in the opening of the Northwest and subsequent Indian-white relations, between 1850 and 1898. Early in life Moses had won a name for himself battling whites, but with the maturity and responsibilities of chieftainship, he became a diplomat and held his united tribe at peace in spite of growing white encroachment. He resisted the call to arms of his friend Chief Joseph of the Nez Percés, whose heroic campaign ended in defeat and exile to Indian Territory. Their friendship persisted, however, and after Joseph's return to the Northwest, the two lived out their lives on the reservation, sharing their frustrations and uniting their voices in complaint.

Shadow Tribe offers the first in-depth history of the Pacific Northwest’s Columbia River Indians -- the defiant River People whose ancestors refused to settle on the reservations established for them in central Oregon and Washington. Largely overlooked in traditional accounts of tribal dispossession and confinement, their story illuminates the persistence of off-reservation Native communities and the fluidity of their identities over time. Cast in the imperfect light of federal policy and dimly perceived by non-Indian eyes, the flickering presence of the Columbia River Indians has followed the treaty tribes down the difficult path marked out by the forces of American colonization. Based on more than a decade of archival research and conversations with Native people, Andrew Fisher’s groundbreaking book traces the waxing and waning of Columbia River Indian identity from the mid-nineteenth through the late twentieth centuries. Fisher explains how, despite policies designed to destroy them, the shared experience of being off the reservation and at odds with recognized tribes forged far-flung river communities into a loose confederation called the Columbia River Tribe. Environmental changes and political pressures eroded their autonomy during the second half of the twentieth century, yet many River People continued to honor a common heritage of ancestral connection to the Columbia, resistance to the reservation system, devotion to cultural traditions, and detachment from the institutions of federal control and tribal governance. At times, their independent and uncompromising attitude has challenged the sovereignty of the recognized tribes, earning Columbia River Indians a reputation as radicals and troublemakers even among their own people. Shadow Tribe is part of a new wave of historical scholarship that shows Native American identities to be socially constructed, layered, and contested rather than fixed, singular, and unchanging. From his vantage point on the Columbia, Fisher has written a pioneering study that uses regional history to broaden our understanding of how Indians thwarted efforts to confine and define their existence within narrow reservation boundaries.

Everything in this book invites us to marvel at the Colombian tropics. As the point of convergence of the tectonic plates, flora and fauna of three American continents, the world's two largest oceans and its most variegated mountains, it is a territory of excess. The restless lens of Aldo Brando focuses on this natural setting, furnishing us with a panoply of images that excite both the eye and the imagination. As he eminent Colombian writer German Arciniegas points out, this book is "a vertical exploration of a country which is the synthesis of the Americas." Novel and unique, it is a summary of fifteen years work by a photojournalist whose documentation of wild life goes beyond capturing the physical contours of the seas, islands, jungles, savannahs, mountains and inhabitants of Colombia. "It penetrates into the beauty and soul" of natural wonders, as one of the world's leading professionals in the field-- the American wildlife photographer Art Wolfe-- recognizes in his prologue. The book's five chapters are accompanied by an essay written by the Colombian journalist, Arturo Guerrero, who invites us to share in the astonishment and poetry found in nature and science. The dazzling photographs of this book evoke the magic of the tropical ecosystems of the new world, and draw near to the intimacy of nature. It also allows us to reflect upon mankind's contradictory relationship with the natural world. Professor Sir Ghillean Prance, director of the Royal Botanical Gardens, Kew, writes in his introduction: "It is my hope that this book helps to encourage the conservation of Colombian ecosystems, which are a valuable resource, not only for inhabitants of that nation but also for the world."The book concludes with a heartfelt message by the Colombian poet William Ospina. Aldo Brando. As a student of marine biology in the early 1980's, Brando became interested in wildlife photography and film-making, specializing in Colombia's tropical ecosystems. His work has appeared in such books as "Coral Reefs of the Caribbean," "Mangroves," "Paramos," "Colombia from the air," "For a Country Within the Reach of the Children," all published by Villegas Editores; "Malpelo, Oceanic Island of Colombia," published by Imprenta Mariscal/National Geographic. His photographs have also appeared in "Americas," "BBC Wildlife," "Earth," "Climbing," "Natural History," "Terre Sauvage," the" San Francisco Examiner," "Sinra and Wildlife Conservation," among other magazines. His collective exhibitions include the Smithsonian's international display on tropical rainforests, and "Forests Revisited: Expeditions at the End of the Millennium," held at the United Nations in New York.

This sourcebook contains more than 160 documents and writings that reflect the development of Taiwanese literature from the early modern period to the twenty-first century. Selections include seminal essays in literary debates, polemics, and other landmark events; interviews, diaries, and letters by major authors; critical and retrospective essays by influential writers, editors, and scholars; transcripts of historical speeches and conferences; literary-society manifestos and inaugural journal prefaces; and governmental policy pronouncements that have significantly influenced Taiwanese literature. These texts illuminate AsiaÕs experience with modernization, colonialism, and postcolonialism; the character of TaiwanÕs Cold War and postÐCold War cultural production; gender and environmental issues; indigenous movements; and the changes and challenges of the digital revolution. TaiwanÕs complex history with Dutch, Spanish, and Japanese colonization; strategic geopolitical position vis-ˆ-vis China, Japan, and the United States; and status as a hub for the East-bound circulation of technological and popular-culture trends make the nation an excellent case study for a richer understanding of East Asian and modern global relations.

*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

Winner of the prestigious Prix Goncourt award for biography, this remarkable portrait sheds new light on Virginia Woolf's relationships with her family and friends and how they shaped her work. Forrester weaves a colorful, intense drama that forces readers to rethink their understanding of Woolf, her writing, and her world.

In 1968–69, Columbia University became the site for a collision of American social movements. Black Power, student power, antiwar, New Left, and Civil Rights movements all clashed with local and state politics when an alliance of black students and residents of Harlem and Morningside Heights openly protested the school's ill-conceived plan to build a large, private gymnasium in the small green park that separates the elite university from Harlem. Railing against the university's expansion policy, protesters occupied administration buildings and met violent opposition from both fellow students and the police. In this dynamic book, Stefan M. Bradley describes the impact of Black Power ideology on the Students' Afro-American Society (SAS) at Columbia. While white students--led by Mark Rudd and Students for a Democratic Society (SDS)--sought to radicalize the student body and restructure the university, black students focused on stopping the construction of the gym in Morningside Park. Through separate, militant action, black students and the black community stood up to the power of an Ivy League institution and stopped it from trampling over its relatively poor and powerless neighbors. Comparing the events at Columbia with similar events at Harvard, Cornell, Yale, and the University of Pennsylvania, Bradley locates this dramatic story within the context of the Black Power movement and the heightened youth activism of the 1960s. Harnessing the Civil Rights movement's spirit of civil disobedience and the Black Power movement's rhetoric and methodology, African American students were able to establish an identity for themselves on campus while representing the surrounding black community of Harlem. In doing so, Columbia's black students influenced their white peers on campus, re-energized the community's protest efforts, and eventually forced the university to share its power.

On February 1, 2003, the unthinkable happened. The space shuttle Columbia disintegrated 37 miles above Texas, seven brave astronauts were killed and America's space program, always an eyeblink from disaster, suffered its second catastrophic in-flight failure. Unlike the Challenger disaster 17 years earlier, Columbia's destruction left the nation one failure away from the potential abandonment of human space exploration. Media coverage in the immediate aftermath focused on the possible cause of the disaster, and on the nation's grief. But the full human story, and the shocking details of NASA's crucial mistakes, have never been told -- until now. Based on dozens of exclusive interviews, never-before-published documents and recordings of key meetings obtained by the authors, Comm Check takes the reader inside the conference rooms and offices where NASA's best and brightest managed the nation's multi-billion-dollar shuttle program -- and where they failed to recognize the signs of an impending disaster. It is the story of a space program pushed to the brink of failure by relentless political pressure, shrinking budgets and flawed decision making. The independent investigation into the disaster uncovered why Columbia broke apart in the sky above Texas. Comm Check brings that story to life with the human drama behind the tragedy. Michael Cabbage and William Harwood, two of America's most respected space journalists, are veterans of all but a handful of NASA's 113 shuttle missions. Tapping a network of sources and bringing a combined three decades of experience to bear, the authors provide a rare glimpse into NASA's inner circles, chronicling the agency's most devastating failure and the challenges that face NASA as it struggles to return America to space.

The Backstreets is an astonishing novel by a preeminent contemporary Uyghur author who was disappeared by the Chinese state. It follows an unnamed Uyghur man who comes to the impenetrable Chinese capital of Xinjiang after finding a temporary job in a government office. Seeking to escape the pain and poverty of the countryside, he finds only cold stares and rejection. He wanders the streets, accompanied by the bitter fog of winter pollution, reciting a monologue of numbers and odors, lust and loathing, memories and madness. Perhat Tursun’s novel is a work of untrammeled literary creativity. His evocative prose recalls a vast array of canonical world writers—contemporary Chinese authors such as Mo Yan; the modernist images and rhythms of Camus, Dostoevsky, and Kafka; the serious yet absurdist dissection of the logic of racism in Ellison’s Invisible Man—while drawing deeply on Uyghur literary traditions and Sufi poetics and combining all these disparate influences into a style that is distinctly Perhat Tursun’s own. The Backstreets is a stark fable about urban isolation and social violence, dehumanization and the racialization of ethnicity. Yet its protagonist’s vivid recollections of maternal tenderness and first love reveal how memory and imagination offer profound forms of resilience. A translator’s introduction situates the novel in the political atmosphere that led to the disappearance of both the author and his work.