Haiti Fights Back: The Life and Legacy of Charlemagne Péralte is the first US study of the politician and caco leader (guerrilla fighter) who fought against the US occupation of Haiti from 1915-1934. Alexis locates rare multilingual sources from both nations and documents Péralte's political movement and citizens' protests. The interdisciplinary work offers a new approach to studies of the US invasion period by documenting how Caribbean people fought back.

Like two roosters in a fighting arena, Haiti and the Dominican Republic are encircled by barriers of geography and poverty. They co-inhabit the Caribbean island of Hispaniola, but their histories are as deeply divided as their cultures: one French-speaking and black, one Spanish-speaking and mulatto. Yet, despite their antagonism, the two countries share a national symbol in the rooster--and a fundamental activity and favorite sport in the cockfight. In this book, Michele Wucker asks: "If the symbols that dominate a culture accurately express a nation's character, what kind of a country draws so heavily on images of cockfighting and roosters, birds bred to be aggressive? What does it mean when not one but two countries that are neighbors choose these symbols? Why do the cocks fight, and why do humans watch and glorify them?" Wucker studies the cockfight ritual in considerable detail, focusing as much on the customs and histories of these two nations as on their contemporary lifestyles and politics. Her well-cited and comprehensive volume also explores the relations of each nation toward the United States, which twice invaded both Haiti (in 1915 and 1994) and the Dominican Republic (in 1916 and 1965) during the twentieth century. Just as the owners of gamecocks contrive battles between their birds as a way of playing out human conflicts, Wucker argues, Haitian and Dominican leaders often stir up nationalist disputes and exaggerate their cultural and racial differences as a way of deflecting other kinds of turmoil. Thus Why the Cocks Fight highlights the factors in Caribbean history that still affect Hispaniola today, including the often contradictory policies of the U.S.

Toussaint L’Ouverture was the leader of the Haitian Revolution in the late eighteenth century, in which slaves rebelled against their masters and established the first black republic. In this collection of his writings and speeches, former Haitian politician Jean-Bertrand Aristide demonstrates L’Ouverture’s profound contribution to the struggle for equality.

A collection of paintings by Jacob Lawrence chronicling the liberation of Haiti in 1804 under the leadership of General Toussaint L'Ouverture.

In We Dream Together Anne Eller breaks with dominant narratives of conflict between the Dominican Republic and Haiti by tracing the complicated history of Dominican emancipation and independence between 1822 and 1865. Eller moves beyond the small body of writing by Dominican elites that often narrates Dominican nationhood to craft inclusive, popular histories of identity, community, and freedom, summoning sources that range from trial records and consul reports to poetry and song. Rethinking Dominican relationships with their communities, the national project, and the greater Caribbean, Eller shows how popular anticolonial resistance was anchored in a rich and complex political culture. Haitians and Dominicans fostered a common commitment to Caribbean freedom, the abolition of slavery, and popular democracy, often well beyond the reach of the state. By showing how the island's political roots are deeply entwined, and by contextualizing this history within the wider Atlantic world, Eller demonstrates the centrality of Dominican anticolonial struggles for understanding independence and emancipation throughout the Caribbean and the Americas.

Review: "Detailed and useful history of US intervention in Haiti (1915-34); originally published in 1971, and re-released in 1995 at the time of the US invasion of Haiti. Contains many interesting insights"--Handbook of Latin American Studies, v. 57. http://www.loc.gov/hlas/

Contrary to popular notions, Haiti-U.S. relations have not only been about Haitian resistance to U.S. domination. In Haiti and the Uses of America, Chantalle F. Verna makes evident that there have been key moments of cooperation that contributed to nation-building in both countries. In the years following the U.S. occupation of Haiti (1915-1934), Haitian politicians and professionals with a cosmopolitan outlook shaped a new era in Haiti-U.S. diplomacy. Their efforts, Verna shows, helped favorable ideas about the United States, once held by a small segment of Haitian society, circulate more widely. In this way, Haitians contributed to and capitalized upon the spread of internationalism in the Americas and the larger world.

"It took months of God waking me up in the middle of the night before I realized I was the one He was calling to leave my comfortable American life and move to Haiti." Miracle on Voodoo Mountain is the inspirational memoir of an accomplished and driven 24-year old who quit her job, sold everything, and moved to Haiti, by herself—all without a clear plan of action. Megan Boudreaux had visited Haiti on a few humanitarian trips but each trip multiplied the sense that someone needed to address the devastation—especially with the children, many of whom were kept as household slaves on the poverty-stricken and earthquake-devastated Caribbean island. God guided her every step as she moved blindly to a foreign land without knowing the language, the people, or the future. From becoming the adoptive mother of former child slaves, to receiving the divine gift of the Haitian Creole language, to starting, building, and running a school for more than 500 children, "the amazingness of what God did after I made the choice to be obedient is incredible," said Megan. Three years later, six acres on Bellevue Mountain in Gressier is the home of the nonprofit Respire Haiti at the former site of voodoo worship, and in the area that many still come to make animal sacrifices, Megan and her staff of nearly 200 are transforming this community as they educate, feed, and address the needs.

Gina Athena Ulysse's Because When God Is Too Busy: Haïti, me & THE WORLD is a lyrically vivid meditative journey that is unapologetic in its determination to name, embrace and reclaim a revolutionary Blackness that has been historically stigmatized and denied. Crafting experiments with "ethnographic collectibles" of word, performative sounds, and imagery to blur genres and the lines between the geopolitical and the personal, this collection is a testament to postcolonial inheritances. Ulysse's work remixes samples from a range of references as it beckons readers to bear witness to a coming of age as she shifts between time and place and plays with languages to stretch the margins of aesthetics in the academic. These poems, performance texts, and photographs gather fractured memories—longings laced with Vodou chants confronting a past that looms too largely in the present. Because When God Is Too Busy searches for humility while honoring sacred and ancestral imperatives to recognize and salute power beyond Western attachments to reason.