Frederick Rolfe's novel 'Hadrian the Seventh' presents a unique spin on historical fiction by imagining the life of a fictional Englishman who becomes Pope. Rolfe's writing style in this work is both satirical and introspective, offering a deep exploration of power, religion, and identity. Set in the late 19th century, the novel challenges societal norms and political structures, making it a thought-provoking read for those interested in alternative histories and religious themes. Rolfe's attention to detail and intricate character development create a compelling narrative that keeps readers engaged until the very end. Frederick Rolfe, also known as Baron Corvo, drew on his own personal experiences and frustrations with societal constraints to craft this imaginative tale. His background as a failed artist and writer adds layers of complexity to the novel, reflecting his own struggles for recognition and understanding. Readers who enjoy historical fiction with a twist of satire and philosophical depth will find 'Hadrian the Seventh' a captivating and thought-provoking read that challenges the boundaries of traditional storytelling.

In 2014, The Guardian placed "Hadrian the Seventh" on the list of the 100 best novels written in English. A historical novel by the English novelist Frederick Rolfe, it is based on his essay the Papal Conclave to elect the successor to Pope Leo XIII. It tells about an English priest that got invited by two Catholic priests to Rome, where the Conclave was gathered to elect the new Pope. Suddenly, the Conclave gives this position to him, and since the only previous English Pope was Adrian (or Hadrian) IV, he takes the name Hadrian VII. He is an unconventional pope - a chain smoker wishing to reform the church against fierce opposition from the established Roman Catholic hierarchy. Will he manage to stand the plots and intrigues, and is his reform needed? Those are the matters for readers to discover.

Hadrian the Seventh is novel of extreme wish-fulfillment developed out of an article he wrote on the Papal Conclave to elect the successor to Pope Leo XIII. The prologue introduces us to George Arthur Rose – a failed candidate for the priesthood denied his vocation by the machinations and bungling of the Roman Catholic ecclesiastical machinery, and now living alone with his yellow cat. Rose is visited by two prominent churchmen, one a Cardinal Archbishop. The two propose to right the wrongs done to him, ordain him a priest, and take him to Rome where the Conclave to elect the new Pope has reached deadlock. When he arrives in Rome he finds that the Cardinals have been inspired, divinely or otherwise, to offer him the Papacy. He accepts, and since the only previous English Pope was Adrian (or Hadrian) IV, he takes the name Hadrian VII.

Hadrian the Seventh is novel of extreme wish-fulfillment developed out of an article he wrote on the Papal Conclave to elect the successor to Pope Leo XIII. The prologue introduces us to George Arthur Rose – a failed candidate for the priesthood denied his vocation by the machinations and bungling of the Roman Catholic ecclesiastical machinery, and now living alone with his yellow cat. Rose is visited by two prominent churchmen, one a Cardinal Archbishop. The two propose to right the wrongs done to him, ordain him a priest, and take him to Rome where the Conclave to elect the new Pope has reached deadlock. When he arrives in Rome he finds that the Cardinals have been inspired, divinely or otherwise, to offer him the Papacy. He accepts, and since the only previous English Pope was Adrian (or Hadrian) IV, he takes the name Hadrian VII.

'What had happened to the lost manuscripts, what train of chances took Rolfe to his death in Venice? The Quest continued' One summer afternoon A.J.A. Symons is handed a peculiar, eccentric novel that he cannot forget and, captivated by this unknown masterpiece, determines to learn everything he can about its mysterious author. The object of his search is Frederick Rolfe, self-titled Baron Corvo - artist, rejected candidate for priesthood and author of serially autobiographical fictions - and its story is told in this 'experiment in biography': a beguiling portrait of an insoluble tangle of talents, frustrated ambitions and self-destruction.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE KANSAS CITY STAR From Anthony Everitt, the bestselling author of acclaimed biographies of Cicero, Augustus, and Hadrian, comes a riveting, magisterial account of Rome and its remarkable ascent from an obscure agrarian backwater to the greatest empire the world has ever known. Emerging as a market town from a cluster of hill villages in the eighth and seventh centuries B.C., Rome grew to become the ancient world’s preeminent power. Everitt fashions the story of Rome’s rise to glory into an erudite page-turner filled with lasting lessons for our time. He chronicles the clash between patricians and plebeians that defined the politics of the Republic. He shows how Rome’s shrewd strategy of offering citizenship to her defeated subjects was instrumental in expanding the reach of her burgeoning empire. And he outlines the corrosion of constitutional norms that accompanied Rome’s imperial expansion, as old habits of political compromise gave way, leading to violence and civil war. In the end, unimaginable wealth and power corrupted the traditional virtues of the Republic, and Rome was left triumphant everywhere except within its own borders. Everitt paints indelible portraits of the great Romans—and non-Romans—who left their mark on the world out of which the mighty empire grew: Cincinnatus, Rome’s George Washington, the very model of the patrician warrior/aristocrat; the brilliant general Scipio Africanus, who turned back a challenge from the Carthaginian legend Hannibal; and Alexander the Great, the invincible Macedonian conqueror who became a role model for generations of would-be Roman rulers. Here also are the intellectual and philosophical leaders whose observations on the art of government and “the good life” have inspired every Western power from antiquity to the present: Cato the Elder, the famously incorruptible statesman who spoke out against the decadence of his times, and Cicero, the consummate orator whose championing of republican institutions put him on a collision course with Julius Caesar and whose writings on justice and liberty continue to inform our political discourse today. Rome’s decline and fall have long fascinated historians, but the story of how the empire was won is every bit as compelling. With The Rise of Rome, one of our most revered chroniclers of the ancient world tells that tale in a way that will galvanize, inform, and enlighten modern readers. Praise for The Rise of Rome “Fascinating history and a great read.”—Chicago Sun-Times “An engrossing history of a relentlessly pugnacious city’s 500-year rise to empire.”—Kirkus Reviews “Rome’s history abounds with remarkable figures. . . . Everitt writes for the informed and the uninformed general reader alike, in a brisk, conversational style, with a modern attitude of skepticism and realism.”—The Dallas Morning News “[A] lively and readable account . . . Roman history has an uncanny ability to resonate with contemporary events.”—Maclean’s “Elegant, swift and faultless as an introduction to his subject.”—The Spectator “[An] engaging work that will captivate and inform from beginning to end.”—Booklist

From bestselling historian Adrian Goldsworthy, a profoundly authentic, action-packed adventure set on Rome's Danubian frontier. AD 105: DACIA The Dacian kingdom and Rome are at peace, but no one thinks that it will last. Sent to command an isolated fort beyond the Danube, centurion Flavius Ferox can sense that war is coming, but also knows that enemies may be closer to home. Many of the Brigantes under his command are former rebels and convicts, as likely to kill him as obey an order. And then there is Hadrian, the emperor's cousin, and a man with plans of his own... Gritty, gripping and profoundly authentic, The Fort is the first book in a brand new trilogy set in the Roman empire from bestselling historian Adrian Goldsworthy. Reviews for the Vindolanda Trilogy: 'No one knows the Roman army better than Adrian Goldsworthy, and no one writes more convincing Roman fiction' Harry Sidebottom 'An authentic, enjoyable read' The Times 'Gritty and realistic... Goldsworthy's characters are authentically ancient and his descriptions of Roman Briton ring true' Daily Telegraph (Sydney)

This is a unique new reference book to English-language writers and writing throughout the present century, in all major genres and from all around the world - from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, James Joyce to Amy Tan. The survivors of the Victorian age who feature in The Oxford Companion to Twentieth-Century Literature in English - writers such as Thomas Hardy, Olive Schreiner, Rabindranath Tagore, Henry James - could hardly have imagined how richly diverse `Literature in English' would become by the end of the century. Fiction, plays, poetry, and a whole range of non-fictional writing are celebrated in this informative, readable, and catholic reference book, which includes entries on literary movements, periodicals, and over 400 individual works, as well as articles on some 2,400 authors. All the great literary figures are included, whether American or Australian, British, Irish, or Indian, African or Canadian or Caribbean - among them Samuel Beckett, Edith Wharton, Patrick White, T. S. Eliot, Derek Walcott, D. H. Lawrence, Tennessee Williams, Vladimir Nabokov, Wole Soyinka, Sylvia Plath - as well as a wealth of less obviously canonical writers, from Anaïs Nin to L. M. Montgomery, Bob Dylan to Terry Pratchett. The book comes right up to date with contemporary figures such as Toni Morrison, Ben Okri, Salman Rushdie, Carol Shields, Tim Winton, Nadine Gordimer, Vikram Seth, Don Delillo, and many others. Title entries range from Aaron's Rod to The Zoo Story; topics from Angry Young Men, Bestsellers, and Concrete Poetry to Soap Opera, Vietnam Writing, and Westerns. A lively introduction by John Sutherland highlights the various and sometimes contradictory canons that have emerged over the century, and the increasingly international sources of writing in English which the Companion records. Catering for all literary tastes, this is the most comprehensive single-volume guide to modern (and postmodern) literature.