Haditha Diary is a novel of the Iraq War set in an infamous town. Heroic, yet human, Americans fought a controversial war to uproot totalitarianism, blunt Islamofacism, and give the gift of hope. The under-recognized Christian faith of American heroes underpins the courage of fighting men in Haditha Diary. Beginning in 2002, Haditha Diary presents the story of the war through 2008. The setting is real, the story reflects actual events, and the names of heroes have been changed to protect people still fighting terrorism. Espionage, frontal assaults, and dirty-tricks culminate in a suspenseful ending when a "U.N. Mandate" floods a recently secured town with Al Queda terrorists who face off against the Marines. Treachery and patriotism abound in this thriller where battles and characters are barely fictional and always closer to the truth than the evening news. J.D. Cowart accepted Jesus as Lord and Savior in 1977. Called to serve and protect, he enlisted in the Marine Corps in 1991 and completed the USMC enlisted School of Infantry. After Meritorious Promotion to Corporal, he was commissioned an Officer of Marines. Cowart served as an Artillery Officer until 1999. He joined the Texarkana Police Department where he became a detective after three years. He was activated from the Marine Reserves in 2003 and made a Company Commander. He later completed the Marines' three-month Infantry Officers Course. The author began a second company command tour in 2005 and started preparing his Marines for the meat grinder that was the Iraq War. He earned a Bronze Star while serving as a USMC Infantry Company Commander in the notorious Haditha AO. "I thank God for the privilege of serving," he says. The author currently attends Trinity Baptist Church in Texarkana, Arkansas with his wife, Amanda and their two children, Fayeth and John Asher.

In November 2005, Sunni insurgents attacked a U.S. Marine squad en route to Haditha with an improvised explosive device (IED). One Marine died and two others were wounded. Within minutes, squad members killed 24 Iraqi civilians, including an elderly couple, four women and six children. It was the worst incident of its kind in the Iraq War. Thirteen months later, four officers and four enlisted men were accused of crimes ranging from dereliction of duty to murder. The legal proceedings dragged on for five years, longer than any in U.S. military history. The only conviction was that of an NCO who pleaded guilty to a misdemeanor. Unlike other legal actions conducted during the 60-year history of the present military justice system, these proceedings were held mostly in secret. This book investigates the tactics adopted by Marine Corps commanders and the ineptness of the proceedings, which raise serious questions about the need for reform of the Code of Military Justice.

Introduction to Pragmatics guides students through traditional and new approaches in the field, focusing particularly on phenomena at the elusive semantics/pragmatics boundary to explore the role of context in linguistic communication. Offers students an accessible introduction and an up-to-date survey of the field, encompassing both established and new approaches to pragmatics Addresses the traditional range of topics – such as implicature, reference, presupposition, and speech acts – as well as newer areas of research, including neo-Gricean theories, Relevance Theory, information structure, inference, and dynamic approaches to meaning Explores the relationship and boundaries between semantics and pragmatics Ideal for students coming to pragmatics for the first time

Includes the Proceedings of the Royal geographical society, formerly pub. separately.

How to raise a child became a central concern of intellectual debate from Cairo to Beirut over the course of the late nineteenth and early twentieth centuries. Intimately linked with discussions around capitalism and democracy, considerations about women, gender, and childrearing emerged as essential to modern social theory. Arab writers, particularly women, made sex, the body, and women's ethical labor central to fending off European imperial advances, instituting representative politics, and managing social order. Labors of Love traces the political power of motherhood and childrearing in Arabic thought. Susanna Ferguson reveals how debates around raising children became foundational to feminist, Islamist, and nationalist politics alike—opening up conversations about civilization, society, freedom, temporality, labor, and democracy. While these debates led to expansions in girls' education and women writers' authority, they also attached the fate of nations to women's unwaged labor in the home. Ferguson thus reveals why women and the family have been stumbling blocks for representative regimes around the world. She shows how Arab women's writing speaks to global questions—the devaluation of social reproduction under capitalism, the stubborn maleness of the liberal subject, and why the naturalization of embodied, binary gender difference has proven so difficult to overcome.

Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its “invention of tradition,” Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives—such as that of the rugged pioneer or the “good war”—through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.

In the midst of Europe’s nineteenth-century industrial revolution, four men embarked on separate journeys to the wondrous Farangestan – a land of fascinating objects, mysterious technologies, heavenly women, and magical spaces. Determined to learn the secret of Farangestan’s advancements, the travelers kept detailed records of their observations. These diaries mapped an aspirational path to progress for curious Iranian audiences who were eager to change the course of history. Two hundred years later, Travels in Farangi Space unpacks these writings to reveal a challenging new interpretation of Iran’s experience of modernity. This book opens the Persian travelers’ long-forgotten suitcases, and analyzes the descriptions contained within to gain insight into Occidentalist perspectives on modern Europe. By carefully tracing the physical and mental journeys of these travelers, the book paints a picture of European architecture that is nothing like what one would expect.

Contains essential bibliographic and access information on serials published throughout the world.