"Joins a growing body of scholarship dealing with the productive relationship between literature and cognitive studies while also positing a new theory of modernism. How do we habituate ourselves to environments that are not yet, or no longer, familiar? What is at stake in adapting our behavior to new or changed situations? The present study explores these questions by bringing German literature and thought of the early twentieth century - a time of immense social and material change in Europe - into dialogue with contemporary research in embodied cognition. In six close readings of texts by Vicki Baum, Walter Benjamin, Alfred Dèoblin, Martin Heidegger, Georg Kaiser, and Rainer Maria Rilke, it brings into relief German modernism's concerns over how we adapt our behavior to environments that are new, changed, and/or changing. Rather than emphasizing the alienation and isolation that these texts investigate regarding the modern urban experience, as much of the research on literary modernism has traditionally done, Meindert Peters's book draws out the more dynamic moments of mastery, responsiveness, and cooperation that underpin habituation. Moreover, it extends these questions of habituation to the function of literature itself by showing how modernist forms invite engagement and participation. Habituation in German Modernism not only joins a growing body of scholarship dealing with the productive relationship between literature and cognitive studies but also posits a new theory of modernism"--

"Even after the end of modernism and postmodernism, the grandiose fantasies of artifice and self-reference that have informed so much modernist literature still resonate in the "social constructivism" of current literary and cultural theory: in the idea that we can perform or construct "identities" or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. He shows how nature, no longer the idealized, maternally coded Utopia of the Romantics, becomes the trace of specific political, sexual, and technological traumas. The book's four chapters center on the representation of nature in German prose and-especially-poetry by Rainer Maria Rilke, Gottfried Benn, Bertolt Brecht, and Alfred Doblin from the years 1900 to 1945, while making reference to other literatures as well." "Powell's term "the Technological Unconscious" refers to a point of intersection between psychoanalysis and social and scientific theories of modernism and also to the philosophical mediation between history and nature, a motif important from Kant to Adorno. Powell critiques the tendency toward jargon of an often merely rhetorical "theory," while continuing to develop the philosophical and conceptual inheritance of Continental traditions. He analyzes in connection with the works treated the conceptions of subject and system in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. The Technological Unconscious is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic "culturalist" theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other." --Book Jacket.

National Book Award Finalist: Never before has the mentality of the average German under the Nazi regime been made as intelligible to the outsider.” —The New York TImes They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Milton Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” These ten men were not men of distinction, according to Mayer, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune. A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

A much-needed look at the fiction that was actually read by masses of Germans in the late nineteenth century, and the conditions of its publication and reception. The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings ofthe German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars. This volume offers new readings of literary realism by focusing not on the accepted intellectual canon but on commercially successful fiction in its material and social contexts. It investigates bestsellers from writers such as Freytag, Dahn, Jensen, Raabe, Viebig, Stifter, Auerbach, Storm, Möllhausen, Marlitt, Suttner, and Thomas Mann. The contributions examine the aesthetic strategies that made the works sucha success, and writers' attempts to appeal simultaneously on different levels to different readers. Bestselling writers often sought to accommodate the expectations of publishers and the marketplace, while preserving some sense ofartistic integrity. This volume sheds light on the important effect of the mass market on the writing not just of popular works, but of German prose fiction on all levels. Contributors: Christiane Arndt, Caroline Bland, Elizabeth Boa, Anita Bunyan, Katrin Kohl, Todd Kontje, Peter C. Pfeiffer, Nicholas Saul, Benedict Schofield, Ernest Schonfield, Martin Swales, Charlotte Woodford. Charlotte Woodford is Lecturer in German and Directorof Studies in Modern Languages at Selwyn College, University of Cambridge. Benedict Schofield is Senior Lecturer in German and Head of the Department of German at King's College London.

New essays on the evolution of cultural memory of the former German Democratic Republic since 1989-90 and its importance for Germany's continuing unification process. Twenty years on from the dramatic events that led to the opening of the Berlin Wall and the collapse of the GDR, the subjective dimension of German unification is still far from complete. The nature of the East German state remains a matter of cultural as well as political debate. This volume of new research focuses on competing memories of the GDR and the ways they have evolved in the mass media, literature, and film since 1989-90. Taking as its point ofdeparture the impact of iconic visual images of the fall of the Wall on our understanding of the historical GDR, the volume first considers the decade of cultural conflict that followed unification and then the emergence of a morecomplex and diverse "textual memory" of the GDR since the Berlin Republic was established in 1999. It highlights competing generational perspectives on the GDR era and the unexpected "afterlife" of the GDR in recent publications.The volume as a whole shows the vitality of eastern German culture two decades after the demise of the GDR and the centrality of these memory debates to the success of Germany's unification process. Contributors: Daniel Argelès, Stephen Brockmann, Arne De Winde, Wolfgang Emmerich, Andrea Geier, Hilde Hoffmann, Astrid Köhler, Karen Leeder, Andrew Plowman, Gillian Pye, Benjamin Robinson, Catherine Smale, Rosemary Stott, Dennis Tate, Frederik VanDam, Nadezda Zemaníková. Renate Rechtien is Lecturer in German Studies, and Dennis Tate is Emeritus Professor of German Studies, both at the University of Bath, UK.

Commodities of Desire investigates the figure of the prostitute in modern German literature, from the Wilhelmine Empire to the Weimar Republic, and provides the social, legal and cultural contexts necessary for their interpretation.

This carefully crafted ebook: "IMPERIAL GERMANY AND THE INDUSTRIAL REVOLUTION: The Background Origins of World War I - Economic Rise as a Fuel for Political Radicalism" is formatted for your eReader with a functional and detailed table of contents. The book was published in 1915, after the First World War began. Veblen considered warfare a threat to economic productivity and contrasted the authoritarian politics of Germany with the democratic tradition of Britain, noting that industrialization in Germany had not produced a progressive political culture. Imperial Germany and the Industrial Revolution is in major part a study of the deviations in cultural and social growth between the English and the German. It deals with the consequences those differences created in social, economic and other domains. Veblen here describes, through the study of German culture, historical and social aspect, how it came to forming of the Third Reich, even before it was formed. He suggests that the Germany's autocracy was an advantage compared to democratic countries. After it was censored during the war, it was later released and it represents a substantial contribution in its sphere of influence. Thorstein Veblen (1857-1929) was an American economist and sociologist. He is well known as a witty critic of capitalism. Veblen is famous for the idea of "conspicuous consumption." Conspicuous consumption, along with "conspicuous leisure," is performed to demonstrate wealth or mark social status. Veblen explains the concept in his best-known book, The Theory of the Leisure Class. Within the history of economic thought, Veblen is considered the leader of the institutional economics movement. Veblen's distinction between "institutions" and "technology" is still called the Veblenian dichotomy by contemporary economists.

In "IMPERIAL GERMANY AND THE INDUSTRIAL REVOLUTION: The Background Origins of World War I - Economic Rise as a Fuel for Political Radicalism", Thorstein Veblen explores the economic dynamics of Imperial Germany and their role in shaping the political landscape that ultimately led to World War I. Veblen's writing style is characterized by a meticulous attention to detail and a critical analysis of the interplay between economic interests and political ideologies during this critical period in history. This book serves as a significant contribution to the understanding of the complex relationship between economic power and political radicalism in pre-World War I Germany. Veblen's examination of the industrial revolution's impact on the rise of Imperial Germany sheds light on the roots of the social and political upheavals that eventually culminated in global conflict. As a respected economist and social critic, Veblen's insights offer valuable perspectives on the underlying causes of historical events that continue to shape our world today. I highly recommend this book to readers interested in delving into the economic factors that underpinned the tumultuous political developments of Imperial Germany and their repercussions in the lead-up to World War I.