This book traces representations of "Gypsies" that have become prevalent in the European imagination and culture and influenced the perceptions of Roma in Eastern and Western European societies.

Since the arrival of the "Gypsies," or Romanies, in Europe at the beginning of the eleventh century, Europeans have simultaneously feared and romanticized them. That ambiguity has contributed to centuries of confusion over the origins, culture, and identity of the Romanies, a confusion that too often has resulted in marginalization, persecution, and scapegoating. The Role of the Romaniesbrings together international experts on Romany culture from the fields of history, sociology, linguistics, and anthropology to address the many questions and problems raised by the vexed relationship between Romany and European cultures. The book's first section considers the genesis, development, and scope of the field of Romany studies, while the second part expands from there to consider constructions of Romany culture and identity. Part three focuses on twentieth-century literary representations of Romany life, while the final part considers how the role of the Romanies will ultimately be remembered and recorded. Together, the essays provide an absorbing portrait of a frequently misunderstood people.

Deborah Epstein Nord traces the nearly ubiquitous British preoccupation with Gypsies in imaginative works by John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. She also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of the nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. These textual representations are characterized by a tension between Gypsies as an alien, often despised "race" and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. Nord suggests that, by the beginning of the twentieth century, romantic identification with Gypsies hardened into caricature and served to obscure the realities of Gypsy life and history. This phenomenon is reflected most famously in The Virgin and the Gipsy, in which D. H. Lawrence both exploits and criticizes the myth of Gypsies' unfettered sensuality, closeness to nature, and opposition to the oppressive strictures of modern life.

A masterful work of personal reportage, this volume is also a vibrant portrait of a mysterious people and an essential document of a disappearing culture. Fabled, feared, romanticized, and reviled, the Gypsies—or Roma—are among the least understood people on earth. Their culture remains largely obscure, but in Isabel Fonseca they have found an eloquent witness. In Bury Me Standing, alongside unforgettable portraits of individuals—the poet, the politician, the child prostitute—Fonseca offers sharp insights into the humor, language, wisdom, and taboos of the Roma. She traces their exodus out of India 1,000 years ago and their astonishing history of persecution: enslaved by the princes of medieval Romania; massacred by the Nazis; forcibly assimilated by the communist regimes; evicted from their settlements in Eastern Europe, and most recently, in Western Europe as well. Whether as handy scapegoats or figments of the romantic imagination, the Gypsies have always been with us—but never before have they been brought so vividly to life. Includes fifty black and white photos.

For centuries Romani Gypsies have been seen either as romantic nomads, or as unwanted outsiders. Who are they, really? Linguist Yaron Matras, who has spent years working with the Roma, gives the first comprehensive account of their culture, language and history, shattering the myths that surround them. 'Absorbing . . . almost everything we imagine we know about Gypsies is wrong.' Margarette Driscoll, Sunday Times 'Fascinating, compassionate and knowledgeable . . . Yaron Matras is an authority.' Melanie McDonagh, Evening Standard 'An ancient and rich culture, immaculately researched.' Peter Stanford, Observer 'Romani history is unseen and unrecognised. Matras synthesises what facts we have to create a visible, compelling record.' David Morley, Independent

One of the greatest challenges during the enlargement process of the European Union towards the east is how the issue of the Roma or Gypsies is tackled. This ethnic minority group represents a much higher share by numbers, too, in some regions going above 20% of the population. This enormous social and political problem cannot be solved without proper historical studies like this book, the most comprehensive history of Gypsies in Romania. It is based on academic research, synthesizing the entire historical Romanian and foreign literature concerning this topic, and using lot of information from the archives. The main focus is laid on the events of the greatest consequence. Special attention is devoted to aspects linked to the long history of the Gypsies, such as slavery, the process of integration and assimilation into the majority population, as well as the marginalization of Gypsies, which has historic roots. The process of emancipation of Gypsies in the mid-19th century receives due treatment. The deportation of Gypsies to Transnistria during the Antonescu regime, between 1942-1944, is reconstructed in a special chapter. The closing chapters elaborate on the policy toward Gypsies in the decades after the Second World War that explain for the latest developments and for the situation of this population in today's Romania.

The collapse of communism and the process of state building that ensued in the 1990s have highlighted the existence of significant minorities in many European states, particularly in Central Europe. In this context, the growing plight of Europe's biggest minority, the Roma (Gypsies), has been particularly salient. Traditionally dispersed, possessing few resources and devoid of a common "kin state" to protect their interests, the Roma have often suffered from widespread exclusion and institutionalized discrimination. Politically underrepresented and lacking popular support amongst the wider populations of their host countries, the Roma have consequently become one of Europe's greatest "losers" in the transition towards democracy. Against this background, the author examines the recent attempts of the Roma in Central Europe and their supporters to form a political movement and to influence domestic and international politics. On the basis of first-hand observation and interviews with activists and politicians in the Czech Republic, Hungary and Slovakia, he analyzes connections between the evolving state policies towards the Roma and the recent history of Romani mobilization. In order to reach a better understanding of the movement's dynamics at work, the author explores a number of theories commonly applied to the study of social movements and collective action.

The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization.

Bringing together important new work by an international and interdisciplinary group of leading scholars, Interpreting Emotions in Russia and Eastern Europe approaches emotions as a phenomenon complexly intertwined with society, culture, politics, and history. The stories in this book involve sensitive aristocrats, committed revolutionaries, aggressive nationalists, political leaders, female victims of sexual violence, perpetrators and victims of Stalinist terror, citizens in the former Yugoslavia in the wake of war, workers in post-socialist Romania, Balkan Romani "Gypsy" musicians, and veterans of the Afghan and Chechen wars. These essays explore emotional perception and expression not only as private, inward feeling but also as a way of interpreting and judging a troubled world, acting in it, and perhaps changing it. Essential reading for those interested in new perspectives on the study of Russia and Eastern Europe, past and present, this volume will appeal to scholars across the social sciences and humanities who are seeking new and deeper approaches to understanding human experience, thought, and feeling.

Dan Miron—widely recognized as one of the world's leading experts on modern Jewish literatures—begins this study by surveying and critiquing previous attempts to define a common denominator unifying the various modern Jewish literatures. He argues that these prior efforts have all been trapped by the need to see these literatures as a continuum. Miron seeks to break through this impasse by acknowledging discontinuity as the staple characteristic of modern Jewish writing. These literatures instead form a complex of independent, yet touching, components related through contiguity. From Continuity to Contiguity offers original insights into modern Hebrew, Yiddish, and other Jewish literatures, including a new interpretation of Franz Kafka's place within them and discussions of Sholem Aleichem, Sh. Y. Abramovitsh, Akhad ha'am, M. Y. Berditshevsky, Kh. N. Bialik, and Y. L. Peretz.