A collection of comic strips featuring the Muppets, which have previously appeared in newspapers.

The dinosaurs experience feelings of boredom, curiosity, conceit, happiness, nervousness, and confidence when they get together to play a game of baseball.

Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering, and the indomitable will of the human spirit. “A tour de force.”—The New York Times Book Review For Kivrin, preparing to travel back in time to study one of the deadliest eras in humanity’s history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing an alibi for a woman traveling alone. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received. But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin—barely of age herself—finds she has become an unlikely angel of hope during one of history’s darkest hours.

It's the inevitable meeting of the sourpusses! Garfield, the reigning cynical cat of newspapers and TV crosses paths with Grumpy Cat, the internet sensation whose scowl endeared herself to the world. Who's the most sarcastic? Well, he likes lasagna and not much else...and she doesn't even like lasagna. Can these two inhabit the same comic book mini-series, let alone the same planet? You'll find out in a trio of issues written by Mark Evanier and illustrated by Steve Uy. We'd say it's the cat's meow but neither of these cats meows.

Everything that you need to know about reading, making, and understanding comics can be found in a single Nancy strip by Ernie Bushmiller from August 8, 1959. Paul Karasik and Mark Newgarden’s groundbreaking work How to Read Nancy ingeniously isolates the separate building blocks of the language of comics through the deconstruction of a single strip. No other book on comics has taken such a simple yet methodical approach to laying bare how the comics medium really works. No other book of any kind has taken a single work by any artist and minutely (and entertainingly) pulled it apart like this. How to Read Nancy is a completely new approach towards deep-reading art. In addition, How to Read Nancy is a thoroughly researched history of how comics are made, from their creation at the drawing board to their ultimate destination at the bookstore. Textbook, art book, monogram, dissection, How to Read Nancy is a game changer in understanding how the “simplest” drawings grab us and never leave. Perfect for students, academics, scholars, and casual fans.

In 1933, Ernie Bushmiller's Nancy® burst onto America's newspaper comic pages and ever since then, she has been bringing a daily dose of humor, sweetness and a dash of surreality into our lives, all wrapped up in one convenient, brillo-headed package.In 1995, renowned cartoonist Guy Gilchrist took up the mantle of writer and artist for Nancy®, carrying on the legacy established by Ernie Bushmiller. We are proud to present this first collection of Guy's Nancy® strips to you.Nancy® is read all around the world in 400 newspapers, 80 countries, with an estimated readership of 57 million.

Prince Henry is getting any pet he wants for his birthday. How does a dragon sound? Maybe a unicorn? What could possibly go wrong?

This two-volume collection of folktales represents some of the finest examples of American oral tradition. Drawn from the largest archive of American folk culture, the American Folklife Center at the Library of Congress, this set comprises magic tales, legends, jokes, tall tales and personal narratives, many of which have never been transcribed before, much less published, in a sweeping survey. Eminent folklorist and award-winning author Carl Lindahl selected and transcribed over 200 recording sessions - many from the 1920s and 1930s - that span the 20th century, including recent material drawn from the September 11 Project. Included in this varied collection are over 200 tales organized in chapters by storyteller, tale type or region, and representing diverse American cultures, from Appalachia and the Midwest to Native American and Latino traditions. Each chapter begins by discussing the storytellers and their oral traditions before presenting and introducing each tale, making this collection accessible to high school students, general readers or scholars.