It's the nineties, and Kashmir is in turmoil. The tourism industry has taken a big hit, and the youth are disillusioned, with no jobs or hopes for the future. In this climate, Malla Khaliq waits day after day for guests to arrive at his three beloved houseboats - Gul, Gulshan and Gulfam - on the Dal Lake, and struggles to keep his three sons together. While Noor Mohammed loves his father, and tries to keep the faith, despite evidence that business is on the decline, Ghulam Ahmed and Ghulam Qadir have plans that might place them in the path of danger. Meanwhile, as Khaliq prepares for his much-pampered daughter Parveen's wedding, the sudden arrival of a mysterious American girl sets in motion events that threaten to disturb the precarious equilibrium of his household. Gul Gulfam Gulshan paints a portrait of a Kashmir in transition, and of a man who is trying to salvage the memories and values of his youth. Once a popular television series, this novelization vividly recreates the streets of Srinagar and the once-living economy of the Dal lake. This is a deeply affecting story about relationships, migration, ambitions and dreams of preserving one's homeland.

Twenty-five years ago, in the winter of 1990, about four hundred thousand Pandits of Kashmir were forced to leave Kashmir, their homeland, to save their lives when militancy erupted there. Even today, they continue to live as 'internally displaced migrants' in their own country. While most Kashmiri Pandits have now carved a niche for themselves in different parts of India, several thousands are still languishing in migrant camps in and around Jammu. The stories of their struggles and plight have remained untold for years. The authors of the memoirs in this anthology belong to four generations. Those who were born and brought up in Kashmir, and fled while they were in their forties and fifties; those who lingered on in their homes in Kashmir despite the threat to their lives; those who got displaced in their teens; and those who were born in migrant camps in exile. These narratives explore several aspects of the history, cultural identity and existence of the Kashmiri Pandits.These are untold narratives about the persecution of Pandits in Kashmir during the advent of militancy in 1989, the killings and kidnappings, loss of homeland, uprootedness, camp-life, struggle, survival, alienation and an ardent yearning to return to their land. These are stories about the re-discovery of their past, their ancestry, culture, and roots and moorings.

The book is about a law-abiding common man’s journey and what he sees and experiences during his life span, about happenings in various fields like politics, scandal/scams, personalities, sports, achievement/disappointments, Entertainment, and lastly his personal journey. The things are broken into decade-wise chapters. Readers of this book will feel as if it is part of their journey also.

India's State-run Media presents a new perspective on broadcasting by bringing together two neglected areas of research in media studies in India - the intertwined genealogies of sovereignty, public, religion, and nation in radio and television, and the spatiotemporal dynamics of broadcasting into a single analytic inquiry. It argues that the spatiotemporalities of broadcasting and the inter-relationships among the public, religion, and nation can be traced to an organizing concept that shaped India's late colonial and postcolonial histories - sovereignty. The book contends that studies of television have glossed over the meanings, experiences, and practices of the religious in televisual narratives and viewers' interpretations of television programs. Drawing on the philosophical writings of Paul Ricoeur and Michel Foucault, connecting their ideas with media, cultural, and religious studies, it examines cultural discourses, power relations, repertoire of meanings, social events, etc. in broadcasting in late colonial and postcolonial India.

Indian Silver Screen Television in India has been a medium of entertainment as well as social and economic awareness. It was started under government control as a medium of social awareness, but now this medium has become an industry. There was a time when Doordarshan was the only channel on television in India, but today, hundreds of channels broadcast programs day and night. In India today, there are many channels based on sports, news, film, documentary, and music. There was a time when television programs could be viewed only through television sets, but today, through devices such as computers, laptops, and mobiles, viewers can watch their favorite programs at their convenient location, and time. The main objective of this book written on Indian television is to make students aware of the history and status of Indian television. The book begins with the story of the introduction of television in various countries. It describes the development of television in Britain, America, Australia, China, Africa, and other countries of the continent of Asia. After this, the early experiments, projects, and history and current status of television in India are told. Many of the chapters in the book are about the major television business groups in India that have deep penetration into the Indian television industry. The book also introduces programs that have become famous in India, which have proved to be milestones in Indian television history and reached heights of popularity. Apart from this, the book describes the laws of India which have been implemented to control the television industry. A chapter in the book is written about various television broadcasting techniques practiced in the country. Apart from this, there is a chapter about Direct to Home, which tells the story of the development of DTH in India. Television rating points determine the popularity of television channels and programs. The book introduces various agencies and institutions that determine TRP in India. In addition to this, the history of television journalism in India has also been discussed. A chapter about television journalism in various languages ​​of India such as Hindi, Punjabi, Gujarati, Marathi, Tamil, Telugu, Kannada, Malayalam, Bengali, and Assamese is described in detail. The last chapter of the book discusses various international television channels that are broadcasting in India.

In 1998, my husband got posted in Kashmir, The terrorist hub; where life is a mere toy. I went to Srinagar for summer vacation and the Kargil war broke. A hair-raiser account of an army wife's life. The nation is so very ignorant about her life. It is high time to let them know. Yes! It is the story of every army wife who goes through nightmares. Her fate has been written by the blood of her soldier husband. Her husband's olive green vardi is synonymous with a kafan. And we army wives not only have to accept this bitter truth but also live with it forever. Their sacrifice and suffering cannot be compared to anything.

This Book Looks At The Allegations Of Human Rights Abuses In The State Of Kashmir In The Early Nineties. Slightly Bumped At The Edges. Shop Soiled.