Learn to name the notes you see, then the beat a rhythm falls on, translate tab into notes, identify the chord notes make, etc. Then grab your guitar and play the notation!

(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.

(Guitar Solo). A comprehensive collection of studies for beginners to improve their reading and technical ability. Covers: positions 1 through 7 in all keys while introducing scales, arpeggios, written-out chords, and a variety of rhythms and time signatures.

(Guitar Educational). The Guitarist's Guide to Music Reading features detailed step-by-step instruction, loads of sight-reading examples, invaluable tips and secrets from an industry pro, and over 600 audio files. "If you are reading this book I am excited for you. What you have in front of you is a powerful tool to help you understand the language of music. Chris Buono's explanations are sharply focused and designed for guitarists who have had minimal exposure to the concepts behind music notation. This is consistent with his approach to teaching guitar fundamentals. He has a gift for breaking down sophisticated musical concepts and replacing them with the salient points that kickstart your learning process." Dweezil Zappa

How to Read Guitar Tablature contains tips, insights and over 90 recorded musical examples that demonstrate the techniques in action.

For beginner guitarists. Covers notes on all 6 strings, reading music, picking technique and basic music theory. Incorporates well-known traditional, pop/rock, folk and blues songs.

Learn everything you need to know to start playing music from standard notation on the guitar and open up a brand new world of musical knowledge with this exciting method from Alfred. Guitar players of all ages can begin or continue their journey to a lifetime of playing either acoustic or electric guitar from musical notation. Beginning with the fundamentals, you will dive straight into learning about different notes, rests, key signatures, and chords. Upon completion of this book, you will be able to play lead sheets and arrangements at sight. Features: * Covers intermediate to advanced syncopations * Relates the notes you’re reading to the fretboard on the guitar * Teaches reading in common meters, odd meters, double time, and cut time * Guitar fingerboard chart Be your own teacher, and let Alfred be your resource every step of the way.

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.

This book has become a classic in all musicians' libraries for rhythmic analysis and study. Designed to teach syncopation within 4/4 time, the exercises also develop speed and accuracy in sight-reading with uncommon rhythmic figures. A must for all musicians, especially percussionists interested in syncopation.

Master the mechanics of single-string technique with this clear concise book and feel the creative freedom that comes when your fingers easily express any musical idea you conceive. Includes: Alternate, economy, sweep, outside, and inside picking - Precise string damping and muting for clear punchy tone - Anticipating and preventing fingering glitches - Scales, modes, triad and 7th arpeggios with inversions - CAGED system fretboard navigation - Intervallic exercises from 3rds through 7ths, with sequencing permutations to keep your fingers and brain working for years to come - Developing natural phrasing senses - Breaking down the learning and memorization process - Making sure practice time produces results - Sprint training regimen for efficiently building speed - Examples notated and tabbed with exact picking and fingering - Password to download audio of all 114 examples.